Aubrey Beardsley - Revision history

Pankratz at 18:40, 4 October 2023

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	Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.		Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.

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Pankratz at 16:47, 23 April 2021

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	Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.		Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.

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Pankratz at 10:38, 27 October 2020

2020-10-27T10:38:23Z

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	*Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.		Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.

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WikiSysop at 23:40, 22 December 2017

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	*Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.		*Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.

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Pankratz at 13:37, 4 November 2015

2015-11-04T13:37:14Z

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	1872-1898. British illustrator and writer. Famous illustrations of [[Oscar Wilde]]'s ''[[Salome]]'' (1894).		1872-1898. British illustrator and writer. Famous illustrations of [[Oscar Wilde]]'s ''Salome'' (1894).

	During his short career Aubrey Beardsley was heavily criticised by the press. „Beardsley`s grotesque figues revealed the late-Victorians` hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were culturally inferior and therefore impervious to change. Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter” (Zatlin, 22). Especially his illustrations for Wilde's ''Salomé'' were seen as too sexual and offensive, therefore some of his initial illustrations had to be replaced.		During his short career Aubrey Beardsley was heavily criticised by the press. „Beardsley`s grotesque figues revealed the late-Victorians` hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were culturally inferior and therefore impervious to change. Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter” (Zatlin, 22). Especially his illustrations for Wilde's ''Salomé'' were seen as too sexual and offensive, therefore some of his initial illustrations had to be replaced.

Pankratz at 13:35, 4 November 2015

2015-11-04T13:35:56Z

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	During his short career Aubrey Beardsley was heavily criticised by the press. „Beardsley`s grotesque figues revealed the late-Victorians` hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were culturally inferior and therefore impervious to change. Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter” (Zatlin, 22). Especially his illustrations for Wilde's ''Salomé'' were seen as too sexual and offensive, therefore some of his initial illustrations had to be replaced.		During his short career Aubrey Beardsley was heavily criticised by the press. „Beardsley`s grotesque figues revealed the late-Victorians` hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were culturally inferior and therefore impervious to change. Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter” (Zatlin, 22). Especially his illustrations for Wilde's ''Salomé'' were seen as too sexual and offensive, therefore some of his initial illustrations had to be replaced.

			Source:

			*Zatlin, Linda Gertner. ''Beardsley, Japonisme and the perversion of the Victorian ideal''. Cambridge: CUP, 1997.

Pankratz at 13:35, 4 November 2015

2015-11-04T13:35:07Z

← Older revision		Revision as of 13:35, 4 November 2015
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	1872-1898. British illustrator and writer. Famous illustrations of [[Oscar Wilde]]'s ''Salome'' (1894).		1872-1898. British illustrator and writer. Famous illustrations of [[Oscar Wilde]]'s ''[[Salome]]'' (1894).

			During his short career Aubrey Beardsley was heavily criticised by the press. „Beardsley`s grotesque figues revealed the late-Victorians` hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were culturally inferior and therefore impervious to change. Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter” (Zatlin, 22). Especially his illustrations for Wilde's ''Salomé'' were seen as too sexual and offensive, therefore some of his initial illustrations had to be replaced.

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2015-11-04T13:23:53Z

Created page with "1872-1898. British illustrator and writer. Famous illustrations of Oscar Wilde's ''Salome'' (1894)."

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1872-1898. British illustrator and writer. Famous illustrations of [[Oscar Wilde]]'s ''Salome'' (1894).