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	<title>George Farquhar - Revision history</title>
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	<updated>2026-05-11T19:22:28Z</updated>
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		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=8910&amp;oldid=prev</id>
		<title>Pankratz at 10:01, 11 April 2013</title>
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		<updated>2013-04-11T10:01:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:01, 11 April 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Irish playwright &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and dramatist of [[Restoration Comedy]]; &lt;/del&gt;born between 1677 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[1] &lt;/del&gt;and 1678 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[2] &lt;/del&gt;in Londonderry, Ireland&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; died in 1707 in London&lt;/del&gt;. He started his studies at Trinity College in Dublin &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;but had to leave college due to a boyish prank&lt;/del&gt;. He started as an actor &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;– though not a very good one [2] – &lt;/del&gt;at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. He &lt;/del&gt;started a career as writer. It is not clear when he moved to London or whether he wrote his first play &#039;&#039;Love and a Bottle&#039;&#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[3] &lt;/del&gt;The play was performed at Drury Lane in 1698. His second play, &#039;&#039;The Constant Couple, or A Trip to the Jubilee&#039;&#039;, was performed in 1699 starring Robert Wilks.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1677(?)-1707. &lt;/ins&gt;Irish playwright&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Due to financial problems &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;he &lt;/del&gt;worked between 1704 and 1705 as a recruiting lieutenant which inspired him to write the play &#039;&#039;The Recruiting Officer&#039;&#039; (1706). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;George &lt;/del&gt;Farquhar &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was, however, not only concerned with writing plays but with the development of English theatre in general.[3] His &lt;/del&gt;plays were marked by humour, cynicism and sexual frankness, although not to the extent of the very explicit comedies by [[George Etherege]] and [[William Wycherley]].&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[4] Beyond these features of restoration comedy his plays showed a high level of realism, a professional mediation of dialogues and a creation of credible characters.[3] &lt;/del&gt;They are often set outside of London and reflect the joys (and problems) of provincial life.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1707 he wrote his most famous play &#039;&#039;The Beaux&#039; Stratagem&#039;&#039;. It is famous not only because of its wit, but also because the happy ending includes the separation of a married couple. A few weeks after the premiere Far­quhar, who had been seriously ill for a long time, died impoverished in London.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Farquhar&#039;s plays belong due to their wittiness and frankness to important literary pieces of restoration comedy. Moreover, he also tried to establish more realistic, natural and profound styles of writing and performance.[2]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;He was &lt;/ins&gt;born between 1677 and 1678 in Londonderry, Ireland. He started his studies at Trinity College in Dublin&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, leaving without degree&lt;/ins&gt;. He started as an actor at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/ins&gt;started a career as writer. It is not clear when he moved to London or whether he wrote his first play &#039;&#039;Love and a Bottle&#039;&#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Britannica)&lt;/ins&gt;. The play was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;first &lt;/ins&gt;performed at Drury Lane&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, London &lt;/ins&gt;in 1698. His second play, &#039;&#039;The Constant Couple, or A Trip to the Jubilee&#039;&#039;, was performed in 1699 starring Robert Wilks. Due to financial problems &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Farquhar &lt;/ins&gt;worked between 1704 and 1705 as a recruiting lieutenant which inspired him to write the play &#039;&#039;The Recruiting Officer&#039;&#039; (1706).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Farquhar&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;s &lt;/ins&gt;plays were marked by humour, cynicism and sexual frankness, although not to the extent of the very explicit comedies by [[George Etherege]] and [[William Wycherley]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Drabble)&lt;/ins&gt;. They are often set outside of London and reflect the joys (and problems) of provincial life.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1707 he wrote his most famous play &#039;&#039;The Beaux&#039; Stratagem&#039;&#039;. It is famous not only because of its wit, but also because the happy ending includes the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(at that time not possible) &lt;/ins&gt;separation of a married couple. A few weeks after the premiere Far­quhar, who had been seriously ill for a long time, died impoverished in London.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Works&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Works&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[1] Drescher&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Horst W&lt;/del&gt;. &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lexikon der Englischen Literatur&lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Stuttgart: Kröner&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1979&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Drabble&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Margaret (ed&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;) &lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The Oxford Companion to English Literature. New Edition.&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Oxford Univer­sity Press, 1985&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fifth Edition&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[2] Kreutzer&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Eberhard; Nünning, Ansgar&lt;/del&gt;. &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Metzler &lt;/del&gt;Lexikon &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Englischsprachiger&#039;&#039; &#039;&#039;Autorinnen und Autoren&lt;/del&gt;&#039;&#039;. Stuttgart&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Weimar&lt;/del&gt;: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Verlag J. B. Metzler&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2002&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Drescher&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Horst W&lt;/ins&gt;. &#039;&#039;Lexikon &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;der Englischen Literatur&lt;/ins&gt;&#039;&#039;. Stuttgart: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kröner&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1979&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[3] &lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;George Farquhar&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In&lt;/del&gt;: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Encyclopædia Britannica Eleventh Edition&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1911&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kreutzer, Eberhard; Nünning, Ansgar. &lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Metzler Lexikon Englischsprachiger Autorinnen und Autoren&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Stuttgart, Weimar&lt;/ins&gt;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Verlag J. B. Metzler&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2002.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[4] Drabble, Margaret (ed.) &lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The Oxford Companion to English Literature. New Edition.&lt;/del&gt;&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Oxford Univer­sity Press&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1985, Fifth Edition.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;George Farquhar&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In: Encyclopædia Britannica Eleventh Edition&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1911&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2926&amp;oldid=prev</id>
		<title>WikiSysop at 19:18, 26 October 2009</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2926&amp;oldid=prev"/>
		<updated>2009-10-26T19:18:05Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:18, 26 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Irish playwright and dramatist of [[Restoration Comedy]]; born between 1677 [1] and 1678 [2] in Londonderry, Ireland; died in 1707 in London. He started his studies at Trinity College in Dublin but had to leave college due to a boyish prank. He started as an actor – though not a very good one [2] – at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre. He started a career as writer. It is not clear when he moved to London or whether he wrote his first play &amp;#039;&amp;#039;Love and a Bottle&amp;#039;&amp;#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.[3] The play was performed at Drury Lane in 1698. His second play, &amp;#039;&amp;#039;The Constant Couple, or A Trip to the Jubilee&amp;#039;&amp;#039;, was performed in 1699 starring Robert Wilks.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Irish playwright and dramatist of [[Restoration Comedy]]; born between 1677 [1] and 1678 [2] in Londonderry, Ireland; died in 1707 in London. He started his studies at Trinity College in Dublin but had to leave college due to a boyish prank. He started as an actor – though not a very good one [2] – at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre. He started a career as writer. It is not clear when he moved to London or whether he wrote his first play &amp;#039;&amp;#039;Love and a Bottle&amp;#039;&amp;#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.[3] The play was performed at Drury Lane in 1698. His second play, &amp;#039;&amp;#039;The Constant Couple, or A Trip to the Jubilee&amp;#039;&amp;#039;, was performed in 1699 starring Robert Wilks.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Due to financial problems he worked between 1704 and 1705 as a recruiting lieutenant which inspired him to write the play &#039;&#039;The Recruiting Officer&#039;&#039; (1706). George Farquhar was, however, not only concerned with writing plays but with the development of English theatre in general.[3] His plays were marked by humour, cynicism and sexual frankness, although not to the extent of the very explicit comedies by [[Etherege]] and [[Wycherley]].[4] Beyond these features of restoration comedy his plays showed a high level of realism, a professional mediation of dialogues and a creation of credible characters.[3] They are often set outside of London and reflect the joys (and problems) of provincial life.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Due to financial problems he worked between 1704 and 1705 as a recruiting lieutenant which inspired him to write the play &#039;&#039;The Recruiting Officer&#039;&#039; (1706). George Farquhar was, however, not only concerned with writing plays but with the development of English theatre in general.[3] His plays were marked by humour, cynicism and sexual frankness, although not to the extent of the very explicit comedies by [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;George &lt;/ins&gt;Etherege]] and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;William &lt;/ins&gt;Wycherley]].[4] Beyond these features of restoration comedy his plays showed a high level of realism, a professional mediation of dialogues and a creation of credible characters.[3] They are often set outside of London and reflect the joys (and problems) of provincial life.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1707 he wrote his most famous play &amp;#039;&amp;#039;The Beaux&amp;#039; Stratagem&amp;#039;&amp;#039;. It is famous not only because of its wit, but also because the happy ending includes the separation of a married couple. A few weeks after the premiere Far­quhar, who had been seriously ill for a long time, died impoverished in London.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1707 he wrote his most famous play &amp;#039;&amp;#039;The Beaux&amp;#039; Stratagem&amp;#039;&amp;#039;. It is famous not only because of its wit, but also because the happy ending includes the separation of a married couple. A few weeks after the premiere Far­quhar, who had been seriously ill for a long time, died impoverished in London.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Farquhar&amp;#039;s plays belong due to their wittiness and frankness to important literary pieces of restoration comedy. Moreover, he also tried to establish more realistic, natural and profound styles of writing and performance.[2]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Farquhar&amp;#039;s plays belong due to their wittiness and frankness to important literary pieces of restoration comedy. Moreover, he also tried to establish more realistic, natural and profound styles of writing and performance.[2]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;Sources&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== &lt;/ins&gt;Sources &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[1] Drescher, Horst W. &amp;#039;&amp;#039;Lexikon der Englischen Literatur&amp;#039;&amp;#039;. Stuttgart: Kröner, 1979.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[1] Drescher, Horst W. &amp;#039;&amp;#039;Lexikon der Englischen Literatur&amp;#039;&amp;#039;. Stuttgart: Kröner, 1979.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2921&amp;oldid=prev</id>
		<title>Pankratz at 15:20, 26 October 2009</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2921&amp;oldid=prev"/>
		<updated>2009-10-26T15:20:00Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:20, 26 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Irish playwright and dramatist of [[Restoration Comedy]]; born between 1677[1] and 1678[2] in Londonderry, Ireland; died in 1707 in London. He started his studies at Trinity College in Dublin but had to leave college due to a boyish prank. He started as an actor – though not a very good one[2] – at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre. He started a career as writer. It is not clear when he moved to London or whether he wrote his first play &#039;&#039;Love and a Bottle&#039;&#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.[3] The play was performed at Drury Lane in 1698. His second play, &#039;&#039;The Constant Couple, or A Trip to the Jubilee&#039;&#039;, was performed in 1699 starring Robert Wilks.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Irish playwright and dramatist of [[Restoration Comedy]]; born between 1677 [1] and 1678 [2] in Londonderry, Ireland; died in 1707 in London. He started his studies at Trinity College in Dublin but had to leave college due to a boyish prank. He started as an actor – though not a very good one [2] – at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre. He started a career as writer. It is not clear when he moved to London or whether he wrote his first play &#039;&#039;Love and a Bottle&#039;&#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.[3] The play was performed at Drury Lane in 1698. His second play, &#039;&#039;The Constant Couple, or A Trip to the Jubilee&#039;&#039;, was performed in 1699 starring Robert Wilks.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Due to financial problems he worked between 1704 and 1705 as a recruiting lieutenant which inspired him to write the play &#039;&#039;The Recruiting Officer&#039;&#039; (1706). George Farquhar was, however, not only concerned with writing plays but with the development of English theatre in general.[3] His plays were marked by humour, cynicism and sexual frankness.[4] Beyond these features of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/del&gt;restoration comedy his plays showed a high level of realism, a professional mediation of dialogues and a creation of credible characters.[3]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Due to financial problems he worked between 1704 and 1705 as a recruiting lieutenant which inspired him to write the play &#039;&#039;The Recruiting Officer&#039;&#039; (1706). George Farquhar was, however, not only concerned with writing plays but with the development of English theatre in general.[3] His plays were marked by humour, cynicism and sexual frankness&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, although not to the extent of the very explicit comedies by [[Etherege]] and [[Wycherley]]&lt;/ins&gt;.[4] Beyond these features of restoration comedy his plays showed a high level of realism, a professional mediation of dialogues and a creation of credible characters.[3] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;They are often set outside of London and reflect the joys (and problems) of provincial life. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1707 he wrote his most famous play &#039;&#039;The Beaux&#039; Stratagem&#039;&#039;. A few weeks after the premiere Far­quhar, who had been seriously ill for a long time, died impoverished in London.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1707 he wrote his most famous play &#039;&#039;The Beaux&#039; Stratagem&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. It is famous not only because of its wit, but also because the happy ending includes the separation of a married couple&lt;/ins&gt;. A few weeks after the premiere Far­quhar, who had been seriously ill for a long time, died impoverished in London.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Farquhar&#039;s plays belong due to their wittiness and frankness to important literary pieces of restoration comedy. Moreover, he also tried to establish more realistic, natural and profound styles of writing and performance &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in English comedy theatre&lt;/del&gt;.[2]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Farquhar&#039;s plays belong due to their wittiness and frankness to important literary pieces of restoration comedy. Moreover, he also tried to establish more realistic, natural and profound styles of writing and performance.[2]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Works&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Works&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Love and a Bottle&amp;#039;&amp;#039; (1698)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Love and a Bottle&amp;#039;&amp;#039; (1698)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Adventures of Covent-Garden&amp;#039;&amp;#039; (1699)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Adventures of Covent-Garden&amp;#039;&amp;#039; (1699)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;A Constant Couple, or A Trip to the Jubilee&amp;#039;&amp;#039; (1699)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;A Constant Couple, or A Trip to the Jubilee&amp;#039;&amp;#039; (1699)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Love and Business&amp;#039;&amp;#039; (1701)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Love and Business&amp;#039;&amp;#039; (1701)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Sir Harry Wildair&amp;#039;&amp;#039; (1701)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Sir Harry Wildair&amp;#039;&amp;#039; (1701)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Inconstant, or The Way to Win Him&amp;#039;&amp;#039; (1702)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Inconstant, or The Way to Win Him&amp;#039;&amp;#039; (1702)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Twin-Rivals&amp;#039;&amp;#039; (1702)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Twin-Rivals&amp;#039;&amp;#039; (1702)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Stage-Coach&amp;#039;&amp;#039; (1704)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Stage-Coach&amp;#039;&amp;#039; (1704)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Recruiting Officer&amp;#039;&amp;#039; (1706)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Recruiting Officer&amp;#039;&amp;#039; (1706)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Beaux&amp;#039; Stratagem&amp;#039;&amp;#039; (1707)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;The Beaux&amp;#039; Stratagem&amp;#039;&amp;#039; (1707)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Sources&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Sources&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2914&amp;oldid=prev</id>
		<title>Agent Jay at 13:17, 24 October 2009</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2914&amp;oldid=prev"/>
		<updated>2009-10-24T13:17:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:17, 24 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;GEORGE FARQUHAR&#039;&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Irish playwright and dramatist of [[Restoration Comedy]]; born between 1677[1] and 1678[2] in Londonderry, Ireland; died in 1707 in London. He started his studies at Trinity College in Dublin but had to leave college due to a boyish prank. He started as an actor – though not a very good one[2] – at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre. He started a career as writer. It is not clear when he moved to London or whether he wrote his first play &amp;#039;&amp;#039;Love and a Bottle&amp;#039;&amp;#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.[3] The play was performed at Drury Lane in 1698. His second play, &amp;#039;&amp;#039;The Constant Couple, or A Trip to the Jubilee&amp;#039;&amp;#039;, was performed in 1699 starring Robert Wilks.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Irish playwright and dramatist of [[Restoration Comedy]]; born between 1677[1] and 1678[2] in Londonderry, Ireland; died in 1707 in London. He started his studies at Trinity College in Dublin but had to leave college due to a boyish prank. He started as an actor – though not a very good one[2] – at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre. He started a career as writer. It is not clear when he moved to London or whether he wrote his first play &amp;#039;&amp;#039;Love and a Bottle&amp;#039;&amp;#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.[3] The play was performed at Drury Lane in 1698. His second play, &amp;#039;&amp;#039;The Constant Couple, or A Trip to the Jubilee&amp;#039;&amp;#039;, was performed in 1699 starring Robert Wilks.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Due to financial problems he worked between 1704 and 1705 as a recruiting lieutenant which inspired him to write the play &amp;#039;&amp;#039;The Recruiting Officer&amp;#039;&amp;#039; (1706). George Farquhar was, however, not only concerned with writing plays but with the development of English theatre in general.[3] His plays were marked by humour, cynicism and sexual frankness.[4] Beyond these features of the restoration comedy his plays showed a high level of realism, a professional mediation of dialogues and a creation of credible characters.[3]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Due to financial problems he worked between 1704 and 1705 as a recruiting lieutenant which inspired him to write the play &amp;#039;&amp;#039;The Recruiting Officer&amp;#039;&amp;#039; (1706). George Farquhar was, however, not only concerned with writing plays but with the development of English theatre in general.[3] His plays were marked by humour, cynicism and sexual frankness.[4] Beyond these features of the restoration comedy his plays showed a high level of realism, a professional mediation of dialogues and a creation of credible characters.[3]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Agent Jay</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2913&amp;oldid=prev</id>
		<title>Agent Jay at 13:15, 24 October 2009</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2913&amp;oldid=prev"/>
		<updated>2009-10-24T13:15:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:15, 24 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;GEORGE FARQUHAR&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;GEORGE FARQUHAR&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Irish playwright and dramatist of [[Restoration &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;comedy&lt;/del&gt;]]; born between 1677[1] and 1678[2] in Londonderry, Ireland; died in 1707 in London. He started his studies at Trinity College in Dublin but had to leave college due to a boyish prank. He started as an actor – though not a very good one[2] – at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre. He started a career as writer. It is not clear when he moved to London or whether he wrote his first play &#039;&#039;Love and a Bottle&#039;&#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.[3] The play was performed at Drury Lane in 1698. His second play, &#039;&#039;The Constant Couple, or A Trip to the Jubilee&#039;&#039;, was performed in 1699 starring Robert Wilks.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Irish playwright and dramatist of [[Restoration &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Comedy&lt;/ins&gt;]]; born between 1677[1] and 1678[2] in Londonderry, Ireland; died in 1707 in London. He started his studies at Trinity College in Dublin but had to leave college due to a boyish prank. He started as an actor – though not a very good one[2] – at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre. He started a career as writer. It is not clear when he moved to London or whether he wrote his first play &#039;&#039;Love and a Bottle&#039;&#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.[3] The play was performed at Drury Lane in 1698. His second play, &#039;&#039;The Constant Couple, or A Trip to the Jubilee&#039;&#039;, was performed in 1699 starring Robert Wilks.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Due to financial problems he worked between 1704 and 1705 as a recruiting lieutenant which inspired him to write the play &amp;#039;&amp;#039;The Recruiting Officer&amp;#039;&amp;#039; (1706). George Farquhar was, however, not only concerned with writing plays but with the development of English theatre in general.[3] His plays were marked by humour, cynicism and sexual frankness.[4] Beyond these features of the restoration comedy his plays showed a high level of realism, a professional mediation of dialogues and a creation of credible characters.[3]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Due to financial problems he worked between 1704 and 1705 as a recruiting lieutenant which inspired him to write the play &amp;#039;&amp;#039;The Recruiting Officer&amp;#039;&amp;#039; (1706). George Farquhar was, however, not only concerned with writing plays but with the development of English theatre in general.[3] His plays were marked by humour, cynicism and sexual frankness.[4] Beyond these features of the restoration comedy his plays showed a high level of realism, a professional mediation of dialogues and a creation of credible characters.[3]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1707 he wrote his most famous play &amp;#039;&amp;#039;The Beaux&amp;#039; Stratagem&amp;#039;&amp;#039;. A few weeks after the premiere Far­quhar, who had been seriously ill for a long time, died impoverished in London.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1707 he wrote his most famous play &amp;#039;&amp;#039;The Beaux&amp;#039; Stratagem&amp;#039;&amp;#039;. A few weeks after the premiere Far­quhar, who had been seriously ill for a long time, died impoverished in London.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Agent Jay</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2912&amp;oldid=prev</id>
		<title>Agent Jay at 12:32, 24 October 2009</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2912&amp;oldid=prev"/>
		<updated>2009-10-24T12:32:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:32, 24 October 2009&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;GEORGE FARQUHAR&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&#039;&#039;&#039;Bold text&lt;/del&gt;&#039;&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;GEORGE FARQUHAR&#039;&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Irish playwright and dramatist of [[Restoration comedy]]; born between 1677[1] and 1678[2] in Londonderry, Ireland; died in 1707 in London. He started his studies at Trinity College in Dublin but had to leave college due to a boyish prank. He started as an actor – though not a very good one[2] – at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre. He started a career as writer. It is not clear when he moved to London or whether he wrote his first play &amp;#039;&amp;#039;Love and a Bottle&amp;#039;&amp;#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.[3] The play was performed at Drury Lane in 1698. His second play, &amp;#039;&amp;#039;The Constant Couple, or A Trip to the Jubilee&amp;#039;&amp;#039;, was performed in 1699 starring Robert Wilks.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Irish playwright and dramatist of [[Restoration comedy]]; born between 1677[1] and 1678[2] in Londonderry, Ireland; died in 1707 in London. He started his studies at Trinity College in Dublin but had to leave college due to a boyish prank. He started as an actor – though not a very good one[2] – at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre. He started a career as writer. It is not clear when he moved to London or whether he wrote his first play &amp;#039;&amp;#039;Love and a Bottle&amp;#039;&amp;#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.[3] The play was performed at Drury Lane in 1698. His second play, &amp;#039;&amp;#039;The Constant Couple, or A Trip to the Jubilee&amp;#039;&amp;#039;, was performed in 1699 starring Robert Wilks.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Agent Jay</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2911&amp;oldid=prev</id>
		<title>Agent Jay: Created page with &#039;&#039;&#039;&#039;GEORGE FARQUHAR&#039;&#039;&#039;&#039;&#039;&#039;Bold text&#039;&#039;&#039;  Irish playwright and dramatist of Restoration comedy; born between 1677[1] and 1678[2] in Londonderry, Ireland; died in 1707 in London. …&#039;</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=George_Farquhar&amp;diff=2911&amp;oldid=prev"/>
		<updated>2009-10-24T12:32:06Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;&amp;#039;&amp;#039;&amp;#039;GEORGE FARQUHAR&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Bold text&amp;#039;&amp;#039;&amp;#039;  Irish playwright and dramatist of &lt;a href=&quot;/wiki/Brit-Cult/index.php?title=Restoration_comedy&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Restoration comedy (page does not exist)&quot;&gt;Restoration comedy&lt;/a&gt;; born between 1677[1] and 1678[2] in Londonderry, Ireland; died in 1707 in London. …&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;GEORGE FARQUHAR&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Bold text&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Irish playwright and dramatist of [[Restoration comedy]]; born between 1677[1] and 1678[2] in Londonderry, Ireland; died in 1707 in London. He started his studies at Trinity College in Dublin but had to leave college due to a boyish prank. He started as an actor – though not a very good one[2] – at the Smock-Alley-Theatre in Dublin. Due to an accident during fencing rehearsals on stage where Farquhar wounded a colleague he left theatre. He started a career as writer. It is not clear when he moved to London or whether he wrote his first play &amp;#039;&amp;#039;Love and a Bottle&amp;#039;&amp;#039; in Dublin on demand of his close friend Robert Wilks, a famous British actor.[3] The play was performed at Drury Lane in 1698. His second play, &amp;#039;&amp;#039;The Constant Couple, or A Trip to the Jubilee&amp;#039;&amp;#039;, was performed in 1699 starring Robert Wilks. &lt;br /&gt;
Due to financial problems he worked between 1704 and 1705 as a recruiting lieutenant which inspired him to write the play &amp;#039;&amp;#039;The Recruiting Officer&amp;#039;&amp;#039; (1706). George Farquhar was, however, not only concerned with writing plays but with the development of English theatre in general.[3] His plays were marked by humour, cynicism and sexual frankness.[4] Beyond these features of the restoration comedy his plays showed a high level of realism, a professional mediation of dialogues and a creation of credible characters.[3]&lt;br /&gt;
In 1707 he wrote his most famous play &amp;#039;&amp;#039;The Beaux&amp;#039; Stratagem&amp;#039;&amp;#039;. A few weeks after the premiere Far­quhar, who had been seriously ill for a long time, died impoverished in London.&lt;br /&gt;
Farquhar&amp;#039;s plays belong due to their wittiness and frankness to important literary pieces of restoration comedy. Moreover, he also tried to establish more realistic, natural and profound styles of writing and performance in English comedy theatre.[2]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Works&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Love and a Bottle&amp;#039;&amp;#039; (1698)&lt;br /&gt;
&amp;#039;&amp;#039;The Adventures of Covent-Garden&amp;#039;&amp;#039; (1699) &lt;br /&gt;
&amp;#039;&amp;#039;A Constant Couple, or A Trip to the Jubilee&amp;#039;&amp;#039; (1699) &lt;br /&gt;
&amp;#039;&amp;#039;Love and Business&amp;#039;&amp;#039; (1701) &lt;br /&gt;
&amp;#039;&amp;#039;Sir Harry Wildair&amp;#039;&amp;#039; (1701)&lt;br /&gt;
&amp;#039;&amp;#039;The Inconstant, or The Way to Win Him&amp;#039;&amp;#039; (1702) &lt;br /&gt;
&amp;#039;&amp;#039;The Twin-Rivals&amp;#039;&amp;#039; (1702) &lt;br /&gt;
&amp;#039;&amp;#039;The Stage-Coach&amp;#039;&amp;#039; (1704) &lt;br /&gt;
&amp;#039;&amp;#039;The Recruiting Officer&amp;#039;&amp;#039; (1706) &lt;br /&gt;
&amp;#039;&amp;#039;The Beaux&amp;#039; Stratagem&amp;#039;&amp;#039; (1707) &lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Sources&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
[1] Drescher, Horst W. &amp;#039;&amp;#039;Lexikon der Englischen Literatur&amp;#039;&amp;#039;. Stuttgart: Kröner, 1979.&lt;br /&gt;
&lt;br /&gt;
[2] Kreutzer, Eberhard; Nünning, Ansgar. &amp;#039;&amp;#039;Metzler Lexikon Englischsprachiger&amp;#039;&amp;#039; &amp;#039;&amp;#039;Autorinnen und Autoren&amp;#039;&amp;#039;. Stuttgart, Weimar: Verlag J. B. Metzler, 2002.&lt;br /&gt;
&lt;br /&gt;
[3] &amp;#039;&amp;#039;George Farquhar&amp;#039;&amp;#039; In: Encyclopædia Britannica Eleventh Edition, 1911&lt;br /&gt;
&lt;br /&gt;
[4] Drabble, Margaret (ed.) &amp;#039;&amp;#039;The Oxford Companion to English Literature. New Edition.&amp;#039;&amp;#039; Oxford Univer­sity Press, 1985, Fifth Edition.&lt;/div&gt;</summary>
		<author><name>Agent Jay</name></author>
	</entry>
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