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	<id>https://el.rub.de/wiki/Brit-Cult/index.php?action=history&amp;feed=atom&amp;title=Ian_McEwan</id>
	<title>Ian McEwan - Revision history</title>
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	<updated>2026-05-12T01:14:15Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=8195&amp;oldid=prev</id>
		<title>Pankratz at 15:09, 15 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=8195&amp;oldid=prev"/>
		<updated>2012-06-15T15:09:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:09, 15 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Russell McEwan &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;who was born on 21 June 1948, is a &lt;/del&gt;British novelist.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Born 21 June 1948 as &lt;/ins&gt;Ian Russell McEwan&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;British novelist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;McEwan´s first published fiction gained both outrage and praise (cf Childs, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p1&lt;/del&gt;). He published his first novel, &#039;&#039;The Cement Garden&#039;&#039;, in the year 1978. The novels of Ian McEwan are listed on the bestseller lists and he is an author who is well regarded by critics. There are two reasons for this: first of all he is seen as a stylist and second, as a serious thinker “about the function and capacities of narrative &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fiction.” &lt;/del&gt;(Head, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p.&lt;/del&gt;2).  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His success as a novelist may be due to the fact that he uses topics in his novels which people can identify with and which are familiar to them, such as: “politics, and the promotion of vested interests; male violence and the problem of gender relations; science and the limits of rationality; nature and ecology; love and innocence; and the quest for an ethical world-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;view.” &lt;/del&gt;(Head, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. &lt;/del&gt;2).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;McEwan´s first published fiction gained both outrage and praise (cf Childs, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1&lt;/ins&gt;) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[why? more information needed]&lt;/ins&gt;. He published his first novel, &#039;&#039;The Cement Garden&#039;&#039;, in the year 1978. The novels of Ian McEwan are listed on the bestseller lists and he is an author who is well regarded by critics. There are two reasons for this: first of all he is seen as a stylist and second, as a serious thinker “about the function and capacities of narrative &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fiction” &lt;/ins&gt;(Head, 2).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;McEwan is not only a novelist who understands to attract people’s attention to his novels by discussing issues that are contemporary, but he also takes an important part in the twentieth-century literary history by taking a central role in a new wave of British novelists (cf. Head,  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p &lt;/del&gt;2). The writing of this new wave of British novelists “began to emerge in the Thatcher era” (Head, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. &lt;/del&gt;2). Along with writers like Martin Amis, Graham Swift, and Kazuo Ishiguro, Ian McEwan “fashioned an ethical vision for the ‘post-consensus’ period” (Head, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. &lt;/del&gt;2). All of the writers mentioned above were “grappling with the moral problems that present themselves in Britain in the 1980s and 1990s” (Head, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p.&lt;/del&gt;2). It was a period which was characterized by the growth of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;self – interest&lt;/del&gt;, the expansion of corporate power as well as the collapse of the Welfare State (cf. Head, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. &lt;/del&gt;2). During this period, the writers “sought to forge (or resuscitate) the moral impulse in a period that was not conductive to such &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;venture.” &lt;/del&gt;(Head, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. &lt;/del&gt;2).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Besides writing novels in the era of Margaret Thatcher&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, who was premier from 1979 to 1990&lt;/del&gt;. Ian McEwan experienced new characteristics of culture which defined the postmodern world. One example of McEwan´s getting in touch with the new culture of postmodernism is that in 1972, he experienced the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;counter – culture &lt;/del&gt;by following the hippy trail to Afghanistan (cf. Head, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. &lt;/del&gt;4). Ian McEwan himself summarizes his experience as follows: “[…] boredom and smoking hash in huge quantities without any real point” (Head, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. &lt;/del&gt;4). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;This statement shows that McEwan experienced some characteristics of new subcultures like, for example, the so called Teddy Boys or Mods who liked Rock’n’Roll and became famous for riots which shows that these subcultures introduce a new way of life which is not necessarily positive. Thus, the novelist Ian McEwan played an important role in shaping the postmodern world because through his experiences he was able to know what the people wanted to read about in this period, which granted him success as a novelist.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His success as a novelist may be due to the fact that he uses topics in his novels which people can identify with and which are familiar to them, such as: “politics, and the promotion of vested interests; male violence and the problem of gender relations; science and the limits of rationality; nature and ecology; love and innocence; and the quest for an ethical world-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;view” &lt;/ins&gt;(Head, 2).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;McEwan is not only a novelist who understands to attract people’s attention to his novels by discussing issues that are contemporary, but he also takes an important part in the twentieth-century literary history by taking a central role in a new wave of British novelists (cf. Head,  2). The writing of this new wave of British novelists “began to emerge in the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Thatcherism|&lt;/ins&gt;Thatcher&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;era” (Head, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;2). Along with writers like Martin Amis, Graham Swift, and Kazuo Ishiguro, Ian McEwan “fashioned an ethical vision for the ‘post-consensus’ period” (Head, 2). All of the writers mentioned above were “grappling with the moral problems that present themselves in Britain in the 1980s and 1990s” (Head, 2). It was a period which was characterized by the growth of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;self–interest&lt;/ins&gt;, the expansion of corporate power as well as the collapse of the Welfare State (cf. Head, 2). During this period, the writers “sought to forge (or resuscitate) the moral impulse in a period that was not conductive to such &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;venture” &lt;/ins&gt;(Head, 2).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Besides writing novels in the era of Margaret Thatcher. Ian McEwan experienced new characteristics of culture which defined the postmodern world. One example of McEwan´s getting in touch with the new culture of postmodernism is that in 1972, he experienced the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;counter–culture &lt;/ins&gt;by following the hippy trail to Afghanistan (cf. Head, 4). Ian McEwan himself summarizes his experience as follows: “[…] boredom and smoking hash in huge quantities without any real point” (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;quoted in &lt;/ins&gt;Head, 4).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Sources:&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Sources:&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- &lt;/del&gt;Childs, Peter. The Fiction of Ian McEwan. A &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;reader’s &lt;/del&gt;Guide to Essential Criticism. New York: Palgrave Macmillan, 2006.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Childs, Peter. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;The Fiction of Ian McEwan. A &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Reader’s &lt;/ins&gt;Guide to Essential Criticism&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;. New York: Palgrave Macmillan, 2006.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- &lt;/del&gt;Head, Dominic. Ian McEwan. Contemporary Novelists. Manchester: Manchester University Press, 2007.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Head, Dominic. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Ian McEwan&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(&lt;/ins&gt;Contemporary &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;British &lt;/ins&gt;Novelists&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&lt;/ins&gt;. Manchester: Manchester University Press, 2007.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Pankratz</name></author>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=8156&amp;oldid=prev</id>
		<title>Nathalie at 06:27, 15 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=8156&amp;oldid=prev"/>
		<updated>2012-06-15T06:27:59Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:27, 15 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Russell McEwan who was born on 21 June 1948, is a British novelist.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Russell McEwan who was born on 21 June 1948, is a British novelist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;McEwan´s first published fiction gained both outrage and praise (cf Childs, p1). He published his first novel, &#039;&#039;The Cement Garden&#039;&#039;, in the year 1978. The novels of Ian McEwan are listed on the bestseller lists and he is an author who is well regarded by critics. There are two reasons for this: first of all he is seen as a stylist and second, as a serious thinker “about the function and capacities of narrative fiction.” (Head, p.2). His success as a novelist may be due to the fact that he uses topics in his novels which people can identify with and which are familiar to them, such as: “politics, and the promotion of vested interests; male violence and the problem of gender relations; science and the limits of rationality; nature and ecology; love and innocence; and the quest for an ethical world-view.” (Head, p. 2). McEwan is not only a novelist who understands to attract people’s attention to his novels by discussing issues that are contemporary, but he also takes an important part in the twentieth-century literary history by taking a central role in a new wave of British novelists (cf. Head,  p 2). The writing of this new wave of British novelists “began to emerge in the Thatcher era” (Head, p. 2). Along with writers like Martin Amis, Graham Swift, and Kazuo Ishiguro, Ian McEwan “fashioned an ethical vision for the ‘post-consensus’ period” (Head, p. 2). All of the writers mentioned above were “grappling with the moral problems that present themselves in Britain in the 1980s and 1990s” (Head, p.2). It was a period which was characterized by the growth of self – interest, the expansion of corporate power as well as the collapse of the Welfare State (cf. Head, p. 2). During this period, the writers “sought to forge (or resuscitate) the moral impulse in a period that was not conductive to such venture.” (Head, p. 2). Besides writing novels in the era of Margaret Thatcher, who was premier from 1979 to 1990. Ian McEwan experienced new characteristics of culture which defined the postmodern world. One example of McEwan´s getting in touch with the new culture of postmodernism is that in 1972, he experienced the counter – culture by following the hippy trail to Afghanistan (cf. Head, p. 4). Ian McEwan himself summarizes his experience as follows: “[…] boredom and smoking hash in huge quantities without any real point” (Head, p. 4). This statement shows that McEwan experienced some characteristics of new subcultures like, for example, the so called Teddy Boys or Mods who liked Rock’n’Roll and became famous for riots which shows that these subcultures introduce a new way of life which is not necessarily positive. Thus, the novelist Ian McEwan played an important role in shaping the postmodern world because through his experiences he was able to know what the people wanted to read about in this period, which granted him success as a novelist.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;McEwan´s first published fiction gained both outrage and praise (cf Childs, p1). He published his first novel, &#039;&#039;The Cement Garden&#039;&#039;, in the year 1978. The novels of Ian McEwan are listed on the bestseller lists and he is an author who is well regarded by critics. There are two reasons for this: first of all he is seen as a stylist and second, as a serious thinker “about the function and capacities of narrative fiction.” (Head, p.2).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His success as a novelist may be due to the fact that he uses topics in his novels which people can identify with and which are familiar to them, such as: “politics, and the promotion of vested interests; male violence and the problem of gender relations; science and the limits of rationality; nature and ecology; love and innocence; and the quest for an ethical world-view.” (Head, p. 2).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;McEwan is not only a novelist who understands to attract people’s attention to his novels by discussing issues that are contemporary, but he also takes an important part in the twentieth-century literary history by taking a central role in a new wave of British novelists (cf. Head,  p 2). The writing of this new wave of British novelists “began to emerge in the Thatcher era” (Head, p. 2). Along with writers like Martin Amis, Graham Swift, and Kazuo Ishiguro, Ian McEwan “fashioned an ethical vision for the ‘post-consensus’ period” (Head, p. 2). All of the writers mentioned above were “grappling with the moral problems that present themselves in Britain in the 1980s and 1990s” (Head, p.2). It was a period which was characterized by the growth of self – interest, the expansion of corporate power as well as the collapse of the Welfare State (cf. Head, p. 2). During this period, the writers “sought to forge (or resuscitate) the moral impulse in a period that was not conductive to such venture.” (Head, p. 2).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Besides writing novels in the era of Margaret Thatcher, who was premier from 1979 to 1990. Ian McEwan experienced new characteristics of culture which defined the postmodern world. One example of McEwan´s getting in touch with the new culture of postmodernism is that in 1972, he experienced the counter – culture by following the hippy trail to Afghanistan (cf. Head, p. 4). Ian McEwan himself summarizes his experience as follows: “[…] boredom and smoking hash in huge quantities without any real point” (Head, p. 4). This statement shows that McEwan experienced some characteristics of new subcultures like, for example, the so called Teddy Boys or Mods who liked Rock’n’Roll and became famous for riots which shows that these subcultures introduce a new way of life which is not necessarily positive. Thus, the novelist Ian McEwan played an important role in shaping the postmodern world because through his experiences he was able to know what the people wanted to read about in this period, which granted him success as a novelist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Sources:&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Sources:&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Nathalie</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=8155&amp;oldid=prev</id>
		<title>Nathalie at 06:25, 15 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=8155&amp;oldid=prev"/>
		<updated>2012-06-15T06:25:21Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:25, 15 June 2012&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Sources:&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Sources:&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;- Childs, Peter. The Fiction of Ian McEwan. A reader’s Guide to Essential Criticism. New York: Palgrave Macmillan, 2006.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;- Childs, Peter. The Fiction of Ian McEwan. A reader’s Guide to Essential Criticism. New York: Palgrave Macmillan, 2006.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;- Head, Dominic. Ian McEwan. Contemporary Novelists. Manchester: Manchester University Press, 2007.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;- Head, Dominic. Ian McEwan. Contemporary Novelists. Manchester: Manchester University Press, 2007.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Nathalie</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=8154&amp;oldid=prev</id>
		<title>Nathalie at 06:24, 15 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=8154&amp;oldid=prev"/>
		<updated>2012-06-15T06:24:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:24, 15 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;McEwan´s first published fiction gained both outrage and praise (cf Childs, p1). He published his first novel, &amp;#039;&amp;#039;The Cement Garden&amp;#039;&amp;#039;, in the year 1978. The novels of Ian McEwan are listed on the bestseller lists and he is an author who is well regarded by critics. There are two reasons for this: first of all he is seen as a stylist and second, as a serious thinker “about the function and capacities of narrative fiction.” (Head, p.2). His success as a novelist may be due to the fact that he uses topics in his novels which people can identify with and which are familiar to them, such as: “politics, and the promotion of vested interests; male violence and the problem of gender relations; science and the limits of rationality; nature and ecology; love and innocence; and the quest for an ethical world-view.” (Head, p. 2). McEwan is not only a novelist who understands to attract people’s attention to his novels by discussing issues that are contemporary, but he also takes an important part in the twentieth-century literary history by taking a central role in a new wave of British novelists (cf. Head,  p 2). The writing of this new wave of British novelists “began to emerge in the Thatcher era” (Head, p. 2). Along with writers like Martin Amis, Graham Swift, and Kazuo Ishiguro, Ian McEwan “fashioned an ethical vision for the ‘post-consensus’ period” (Head, p. 2). All of the writers mentioned above were “grappling with the moral problems that present themselves in Britain in the 1980s and 1990s” (Head, p.2). It was a period which was characterized by the growth of self – interest, the expansion of corporate power as well as the collapse of the Welfare State (cf. Head, p. 2). During this period, the writers “sought to forge (or resuscitate) the moral impulse in a period that was not conductive to such venture.” (Head, p. 2). Besides writing novels in the era of Margaret Thatcher, who was premier from 1979 to 1990. Ian McEwan experienced new characteristics of culture which defined the postmodern world. One example of McEwan´s getting in touch with the new culture of postmodernism is that in 1972, he experienced the counter – culture by following the hippy trail to Afghanistan (cf. Head, p. 4). Ian McEwan himself summarizes his experience as follows: “[…] boredom and smoking hash in huge quantities without any real point” (Head, p. 4). This statement shows that McEwan experienced some characteristics of new subcultures like, for example, the so called Teddy Boys or Mods who liked Rock’n’Roll and became famous for riots which shows that these subcultures introduce a new way of life which is not necessarily positive. Thus, the novelist Ian McEwan played an important role in shaping the postmodern world because through his experiences he was able to know what the people wanted to read about in this period, which granted him success as a novelist.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;McEwan´s first published fiction gained both outrage and praise (cf Childs, p1). He published his first novel, &amp;#039;&amp;#039;The Cement Garden&amp;#039;&amp;#039;, in the year 1978. The novels of Ian McEwan are listed on the bestseller lists and he is an author who is well regarded by critics. There are two reasons for this: first of all he is seen as a stylist and second, as a serious thinker “about the function and capacities of narrative fiction.” (Head, p.2). His success as a novelist may be due to the fact that he uses topics in his novels which people can identify with and which are familiar to them, such as: “politics, and the promotion of vested interests; male violence and the problem of gender relations; science and the limits of rationality; nature and ecology; love and innocence; and the quest for an ethical world-view.” (Head, p. 2). McEwan is not only a novelist who understands to attract people’s attention to his novels by discussing issues that are contemporary, but he also takes an important part in the twentieth-century literary history by taking a central role in a new wave of British novelists (cf. Head,  p 2). The writing of this new wave of British novelists “began to emerge in the Thatcher era” (Head, p. 2). Along with writers like Martin Amis, Graham Swift, and Kazuo Ishiguro, Ian McEwan “fashioned an ethical vision for the ‘post-consensus’ period” (Head, p. 2). All of the writers mentioned above were “grappling with the moral problems that present themselves in Britain in the 1980s and 1990s” (Head, p.2). It was a period which was characterized by the growth of self – interest, the expansion of corporate power as well as the collapse of the Welfare State (cf. Head, p. 2). During this period, the writers “sought to forge (or resuscitate) the moral impulse in a period that was not conductive to such venture.” (Head, p. 2). Besides writing novels in the era of Margaret Thatcher, who was premier from 1979 to 1990. Ian McEwan experienced new characteristics of culture which defined the postmodern world. One example of McEwan´s getting in touch with the new culture of postmodernism is that in 1972, he experienced the counter – culture by following the hippy trail to Afghanistan (cf. Head, p. 4). Ian McEwan himself summarizes his experience as follows: “[…] boredom and smoking hash in huge quantities without any real point” (Head, p. 4). This statement shows that McEwan experienced some characteristics of new subcultures like, for example, the so called Teddy Boys or Mods who liked Rock’n’Roll and became famous for riots which shows that these subcultures introduce a new way of life which is not necessarily positive. Thus, the novelist Ian McEwan played an important role in shaping the postmodern world because through his experiences he was able to know what the people wanted to read about in this period, which granted him success as a novelist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Sources:&#039;&#039;&#039;- Childs, Peter. The Fiction of Ian McEwan. A reader’s Guide to Essential Criticism. New York: Palgrave Macmillan, 2006.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Sources:&#039;&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;- Childs, Peter. The Fiction of Ian McEwan. A reader’s Guide to Essential Criticism. New York: Palgrave Macmillan, 2006.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;- Head, Dominic. Ian McEwan. Contemporary Novelists. Manchester: Manchester University Press, 2007.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;- Head, Dominic. Ian McEwan. Contemporary Novelists. Manchester: Manchester University Press, 2007.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Nathalie</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=8153&amp;oldid=prev</id>
		<title>Nathalie at 06:22, 15 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=8153&amp;oldid=prev"/>
		<updated>2012-06-15T06:22:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:22, 15 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Russell McEwan &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(&lt;/del&gt;born on 21 June 1948) is a British novelist.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Russell McEwan &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;who was &lt;/ins&gt;born on 21 June 1948&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, is a British novelist.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;McEwan´s first published fiction gained both outrage and praise (cf Childs, p1). He published his first novel, &#039;&#039;The Cement Garden&#039;&#039;, in the year 1978. The novels of Ian McEwan are listed on the bestseller lists and he is an author who is well regarded by critics. There are two reasons for this: first of all he is seen as a stylist and second, as a serious thinker “about the function and capacities of narrative fiction.” (Head, p.2). His success as a novelist may be due to the fact that he uses topics in his novels which people can identify with and which are familiar to them, such as: “politics, and the promotion of vested interests; male violence and the problem of gender relations; science and the limits of rationality; nature and ecology; love and innocence; and the quest for an ethical world-view.” (Head, p. 2&lt;/ins&gt;)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. McEwan &lt;/ins&gt;is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;not only a novelist who understands to attract people’s attention to his novels by discussing issues that are contemporary, but he also takes an important part in the twentieth-century literary history by taking a central role in &lt;/ins&gt;a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;new wave of &lt;/ins&gt;British &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;novelists (cf. Head,  p 2). The writing of this new wave of British novelists “began to emerge in the Thatcher era” (Head, p. 2). Along with writers like Martin Amis, Graham Swift, and Kazuo Ishiguro, Ian McEwan “fashioned an ethical vision for the ‘post-consensus’ period” (Head, p. 2). All of the writers mentioned above were “grappling with the moral problems that present themselves in Britain in the 1980s and 1990s” (Head, p.2). It was a period which was characterized by the growth of self – interest, the expansion of corporate power as well as the collapse of the Welfare State (cf. Head, p. 2). During this period, the writers “sought to forge (or resuscitate) the moral impulse in a period that was not conductive to such venture.” (Head, p. 2). Besides writing novels in the era of Margaret Thatcher, who was premier from 1979 to 1990. Ian McEwan experienced new characteristics of culture which defined the postmodern world. One example of McEwan´s getting in touch with the new culture of postmodernism is that in 1972, he experienced the counter – culture by following the hippy trail to Afghanistan (cf. Head, p. 4). Ian McEwan himself summarizes his experience as follows: “[…] boredom and smoking hash in huge quantities without any real point” (Head, p. 4). This statement shows that McEwan experienced some characteristics of new subcultures like, for example, the so called Teddy Boys or Mods who liked Rock’n’Roll and became famous for riots which shows that these subcultures introduce a new way of life which is not necessarily positive. Thus, the novelist Ian McEwan played an important role in shaping the postmodern world because through his experiences he was able to know what the people wanted to read about in this period, which granted him success as a &lt;/ins&gt;novelist&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Sources:&#039;&#039;&#039;- Childs, Peter. The Fiction of Ian McEwan. A reader’s Guide to Essential Criticism. New York: Palgrave Macmillan, 2006.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- Head, Dominic. Ian McEwan. Contemporary Novelists. Manchester: Manchester University Press, 2007&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Nathalie</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=7927&amp;oldid=prev</id>
		<title>WikiSysop at 10:44, 4 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=7927&amp;oldid=prev"/>
		<updated>2012-06-04T10:44:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:44, 4 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Russell McEwan (born on 21 June 1948) is a British novelist.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Russell McEwan (born on 21 June 1948) is a British novelist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=7926&amp;oldid=prev</id>
		<title>WikiSysop: moved User:Nathalie to Ian McEwan</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=7926&amp;oldid=prev"/>
		<updated>2012-06-04T10:44:24Z</updated>

		<summary type="html">&lt;p&gt;moved &lt;a href=&quot;/wiki/Brit-Cult/index.php?title=User:Nathalie&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;User:Nathalie (page does not exist)&quot;&gt;User:Nathalie&lt;/a&gt; to &lt;a href=&quot;/wiki/Brit-Cult/index.php/Ian_McEwan&quot; title=&quot;Ian McEwan&quot;&gt;Ian McEwan&lt;/a&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:44, 4 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;4&quot; class=&quot;diff-notice&quot; lang=&quot;en&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
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		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=7923&amp;oldid=prev</id>
		<title>Nathalie at 19:21, 3 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=7923&amp;oldid=prev"/>
		<updated>2012-06-03T19:21:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:21, 3 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Ian McEwan&#039;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Russell McEwan (born on 21 June 1948) is a British novelist.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Russell McEwan (born on 21 June 1948) is a British novelist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Nathalie</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=7922&amp;oldid=prev</id>
		<title>Nathalie: Created page with &#039;Ian Russell McEwan (born on 21 June 1948) is a British novelist.&#039;</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Ian_McEwan&amp;diff=7922&amp;oldid=prev"/>
		<updated>2012-06-03T19:18:52Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;Ian Russell McEwan (born on 21 June 1948) is a British novelist.&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Ian Russell McEwan (born on 21 June 1948) is a British novelist.&lt;/div&gt;</summary>
		<author><name>Nathalie</name></author>
	</entry>
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