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	<id>https://el.rub.de/wiki/Brit-Cult/index.php?action=history&amp;feed=atom&amp;title=John_Osborne</id>
	<title>John Osborne - Revision history</title>
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	<updated>2026-05-11T23:45:40Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8247&amp;oldid=prev</id>
		<title>Pankratz at 09:03, 18 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8247&amp;oldid=prev"/>
		<updated>2012-06-18T09:03:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:03, 18 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(&lt;/del&gt;1929-1994&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;) was a &lt;/del&gt;British playwright. He started as actor and founded his reputation as one of the innovators of British theatre and drama with &#039;&#039;Look Back in Anger&#039;&#039; (1956). His plays typically feature strong, idiosyncratic and nonconformist protagonists, who struggle against a repressive social system and conventions.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1929-1994&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;British playwright. He started as actor and founded his reputation as one of the innovators of British theatre and drama with &#039;&#039;Look Back in Anger&#039;&#039; (1956). His plays typically feature strong, idiosyncratic and nonconformist protagonists, who struggle against a repressive social system and conventions.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne was born in the London suburb of Fulham into a lower working-class family.  Until he was expelled at the age of 16 he &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;attend &lt;/del&gt;a minor public school in Barnstaple, Devon. For several &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;month &lt;/del&gt; Osborne worked as a  journalist before joining a local theatre as an amateur actor. He started to take lessons at a London drama school and was recommended by its director to a minor theater company in 1947. He stayed with the company until 1955, when his first play &#039;&#039;Look Back in Anger&#039;&#039; was accepted by the newly established English Stage Company.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne was born in the London suburb of Fulham into a lower working-class family.  Until he was expelled at the age of 16 he &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;attended &lt;/ins&gt;a minor public school in Barnstaple, Devon. For several &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;months &lt;/ins&gt; Osborne worked as a  journalist before joining a local theatre as an amateur actor. He started to take lessons at a London drama school and was recommended by its director to a minor theater company in 1947. He stayed with the company until 1955, when his first play &#039;&#039;Look Back in Anger&#039;&#039; was accepted by the newly established English Stage Company.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play premiered on 8 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;March &lt;/del&gt;1956 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in The &lt;/del&gt;Royal Court Theater and was praised by &#039;&#039;The Obsever&#039;&#039; as “the best young play of its decade” (cited in Molino). It transformed British &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;theater &lt;/del&gt;and its protagonist Jimmy Porter become the very symbol of the dissatisfied generation of young authors and playwrights, termed the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/del&gt;Angry Young Men&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/del&gt;. Like many others counting themselves to this  &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/del&gt;movement&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/del&gt;, Osborne was influenced by socialist ideas and an anti-Establishment spirit. His plays betray the deep dissatisfaction with the status quo and his disillusion with the post-war welfare state.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play premiered on 8 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;May &lt;/ins&gt;1956 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;at the &lt;/ins&gt;Royal Court Theater and was praised by &#039;&#039;The Obsever&#039;&#039; as “the best young play of its decade” (cited in Molino). It transformed British &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;theatre &lt;/ins&gt;and its protagonist Jimmy Porter become the very symbol of the dissatisfied generation of young authors and playwrights, termed the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Angry Young Men&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;. Like many others counting themselves to this  movement, Osborne was influenced by socialist ideas and an anti-Establishment spirit. His plays betray the deep dissatisfaction with the status quo and his disillusion with the post-war welfare state.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne&#039;s following plays written in the late 1950s and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;60s&lt;/del&gt;, &#039;&#039;The Entertainer&#039;&#039; (1957),starring [[Laurence Olivier]] in the title role, &#039;&#039;Luther&#039;&#039; (1961), &#039;&#039;Inadmissible Evidence&#039;&#039; (1965), and &#039;&#039;A Patriot for Me&#039;&#039; (1965) were also largely successful and controversial. Set against the backdrop of the Suez-crisis, &#039;&#039;The Entertainer&#039;&#039;, was the first play to question the monarchy on one of England&#039;s major stages. &#039;&#039;A Patriot for Me&#039;&#039;, a play about the Austro-Hungarian officer Redl openly addresses male homosexuality and sparked off a debate on &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;theater &lt;/del&gt;censorship leading to its eventual abolition in 1968.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne&#039;s following plays written in the late 1950s and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1960s&lt;/ins&gt;, &#039;&#039;The Entertainer&#039;&#039; (1957), starring [[Laurence Olivier]] in the title role, &#039;&#039;Luther&#039;&#039; (1961), &#039;&#039;Inadmissible Evidence&#039;&#039; (1965), and &#039;&#039;A Patriot for Me&#039;&#039; (1965) were also largely successful and controversial. Set against the backdrop of the Suez-crisis, &#039;&#039;The Entertainer&#039;&#039;, was the first play to question the monarchy on one of England&#039;s major stages. &#039;&#039;A Patriot for Me&#039;&#039;, a play about the Austro-Hungarian officer Redl openly addresses male homosexuality and sparked off a debate on &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;theatre &lt;/ins&gt;censorship leading to its eventual abolition in 1968.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the decades following Osborne authored several more plays the more prominent being &amp;#039;&amp;#039;A Sense of Detachment&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;The Hotel in Amsterdam&amp;#039;&amp;#039; (1968) and &amp;#039;&amp;#039;West of Suez&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;Watch it Come Down&amp;#039;&amp;#039; (1975) and &amp;#039;&amp;#039;Déjàvu&amp;#039;&amp;#039; (1992), as well as the screen plays for &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; and &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039;. He also tried himself as screen writer, although many of his scripts, apart from &amp;#039;&amp;#039;Tom Jones&amp;#039;&amp;#039; (1962), for which he won the Oscar, could not live up to earlier successes.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the decades following Osborne authored several more plays the more prominent being &amp;#039;&amp;#039;A Sense of Detachment&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;The Hotel in Amsterdam&amp;#039;&amp;#039; (1968) and &amp;#039;&amp;#039;West of Suez&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;Watch it Come Down&amp;#039;&amp;#039; (1975) and &amp;#039;&amp;#039;Déjàvu&amp;#039;&amp;#039; (1992), as well as the screen plays for &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; and &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039;. He also tried himself as screen writer, although many of his scripts, apart from &amp;#039;&amp;#039;Tom Jones&amp;#039;&amp;#039; (1962), for which he won the Oscar, could not live up to earlier successes.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Molino, Michael R. &amp;quot;Osborne, John&amp;quot;. &amp;#039;&amp;#039;The Oxford Encyclopedia of British Literature&amp;#039;&amp;#039;. Ed. David Scott Kastan. 2005. Oxford University Press. 12 June 2012 &amp;lt;http://www.oxford-britishliterature.com/entry?entry=t198.e0357&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Molino, Michael R. &amp;quot;Osborne, John&amp;quot;. &amp;#039;&amp;#039;The Oxford Encyclopedia of British Literature&amp;#039;&amp;#039;. Ed. David Scott Kastan. 2005. Oxford University Press. 12 June 2012 &amp;lt;http://www.oxford-britishliterature.com/entry?entry=t198.e0357&amp;gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Klotz, Günther. &#039;&#039;Britische Dramatiker der Gegenwart&#039;&#039; . Berlin: Henschelverlag, 1982.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Klotz, Günther. &#039;&#039;Britische Dramatiker der Gegenwart&#039;&#039;. Berlin: Henschelverlag, 1982.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ratcliffe, Michael. “Osborne, John James (1929–1994)”.&amp;#039;&amp;#039;Oxford Dictionary of National Biography&amp;#039;&amp;#039;. 2004. Oxford University Press. 12 June 2012 &amp;lt;http://www.oxforddnb.com/view/article/55236&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ratcliffe, Michael. “Osborne, John James (1929–1994)”.&amp;#039;&amp;#039;Oxford Dictionary of National Biography&amp;#039;&amp;#039;. 2004. Oxford University Press. 12 June 2012 &amp;lt;http://www.oxforddnb.com/view/article/55236&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Pankratz</name></author>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8218&amp;oldid=prev</id>
		<title>Kordzl at 17:50, 15 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8218&amp;oldid=prev"/>
		<updated>2012-06-15T17:50:09Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:50, 15 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne was born in the London suburb of Fulham into a lower working-class family.  Until he was expelled at the age of 16 he attend a minor public school in Barnstaple, Devon. For several month  Osborne worked as a  journalist before joining a local theatre as an amateur actor. He started to take lessons at a London drama school and was recommended by its director to a minor theater company in 1947. He stayed with the company until 1955, when his first play &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; was accepted by the newly established English Stage Company.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne was born in the London suburb of Fulham into a lower working-class family.  Until he was expelled at the age of 16 he attend a minor public school in Barnstaple, Devon. For several month  Osborne worked as a  journalist before joining a local theatre as an amateur actor. He started to take lessons at a London drama school and was recommended by its director to a minor theater company in 1947. He stayed with the company until 1955, when his first play &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; was accepted by the newly established English Stage Company.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play premiered on 8 March 1956 in The Royal Court Theater and was praised by &#039;&#039;The Obsever&#039;&#039; as “the best young play of its decade” (cited in Molino). It transformed British theater and its protagonist Jimmy Porter become the very symbol of the dissatisfied generation of young authors and playwrights, termed the &#039;Angry Young Men&#039;. Like many others counting themselves to this  &#039;movement&#039; Osborne was influenced by socialist ideas and an anti-Establishment spirit. His plays betray the deep dissatisfaction with the status quo and his disillusion with the post-war welfare state.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play premiered on 8 March 1956 in The Royal Court Theater and was praised by &#039;&#039;The Obsever&#039;&#039; as “the best young play of its decade” (cited in Molino). It transformed British theater and its protagonist Jimmy Porter become the very symbol of the dissatisfied generation of young authors and playwrights, termed the &#039;Angry Young Men&#039;. Like many others counting themselves to this  &#039;movement&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;Osborne was influenced by socialist ideas and an anti-Establishment spirit. His plays betray the deep dissatisfaction with the status quo and his disillusion with the post-war welfare state.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne&amp;#039;s following plays written in the late 1950s and 60s, &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039; (1957),starring [[Laurence Olivier]] in the title role, &amp;#039;&amp;#039;Luther&amp;#039;&amp;#039; (1961), &amp;#039;&amp;#039;Inadmissible Evidence&amp;#039;&amp;#039; (1965), and &amp;#039;&amp;#039;A Patriot for Me&amp;#039;&amp;#039; (1965) were also largely successful and controversial. Set against the backdrop of the Suez-crisis, &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039;, was the first play to question the monarchy on one of England&amp;#039;s major stages. &amp;#039;&amp;#039;A Patriot for Me&amp;#039;&amp;#039;, a play about the Austro-Hungarian officer Redl openly addresses male homosexuality and sparked off a debate on theater censorship leading to its eventual abolition in 1968.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne&amp;#039;s following plays written in the late 1950s and 60s, &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039; (1957),starring [[Laurence Olivier]] in the title role, &amp;#039;&amp;#039;Luther&amp;#039;&amp;#039; (1961), &amp;#039;&amp;#039;Inadmissible Evidence&amp;#039;&amp;#039; (1965), and &amp;#039;&amp;#039;A Patriot for Me&amp;#039;&amp;#039; (1965) were also largely successful and controversial. Set against the backdrop of the Suez-crisis, &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039;, was the first play to question the monarchy on one of England&amp;#039;s major stages. &amp;#039;&amp;#039;A Patriot for Me&amp;#039;&amp;#039;, a play about the Austro-Hungarian officer Redl openly addresses male homosexuality and sparked off a debate on theater censorship leading to its eventual abolition in 1968.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Kordzl</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8217&amp;oldid=prev</id>
		<title>Kordzl at 17:49, 15 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8217&amp;oldid=prev"/>
		<updated>2012-06-15T17:49:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:49, 15 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot;&gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the decades following Osborne authored several more plays the more prominent being &amp;#039;&amp;#039;A Sense of Detachment&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;The Hotel in Amsterdam&amp;#039;&amp;#039; (1968) and &amp;#039;&amp;#039;West of Suez&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;Watch it Come Down&amp;#039;&amp;#039; (1975) and &amp;#039;&amp;#039;Déjàvu&amp;#039;&amp;#039; (1992), as well as the screen plays for &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; and &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039;. He also tried himself as screen writer, although many of his scripts, apart from &amp;#039;&amp;#039;Tom Jones&amp;#039;&amp;#039; (1962), for which he won the Oscar, could not live up to earlier successes.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the decades following Osborne authored several more plays the more prominent being &amp;#039;&amp;#039;A Sense of Detachment&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;The Hotel in Amsterdam&amp;#039;&amp;#039; (1968) and &amp;#039;&amp;#039;West of Suez&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;Watch it Come Down&amp;#039;&amp;#039; (1975) and &amp;#039;&amp;#039;Déjàvu&amp;#039;&amp;#039; (1992), as well as the screen plays for &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; and &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039;. He also tried himself as screen writer, although many of his scripts, apart from &amp;#039;&amp;#039;Tom Jones&amp;#039;&amp;#039; (1962), for which he won the Oscar, could not live up to earlier successes.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Until &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;he &lt;/del&gt;death in 1994, Osborne had written 25 full-length plays, two autobiographies and countless essays and screenplays.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Until &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;his &lt;/ins&gt;death in 1994, Osborne had written 25 full-length plays, two autobiographies and countless essays and screenplays.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Kordzl</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8216&amp;oldid=prev</id>
		<title>Kordzl at 17:48, 15 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8216&amp;oldid=prev"/>
		<updated>2012-06-15T17:48:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:48, 15 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne was born in the London suburb of Fulham into a lower working-class family.  Until he was expelled at the age of 16 he attend a minor public school in Barnstaple, Devon. For several month  Osborne worked as a  journalist before joining a local theatre as an amateur actor. He started to take lessons at a London drama school and was recommended by its director to a minor theater company in 1947. He stayed with the company until 1955, when his first play &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; was accepted by the newly established English Stage Company.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne was born in the London suburb of Fulham into a lower working-class family.  Until he was expelled at the age of 16 he attend a minor public school in Barnstaple, Devon. For several month  Osborne worked as a  journalist before joining a local theatre as an amateur actor. He started to take lessons at a London drama school and was recommended by its director to a minor theater company in 1947. He stayed with the company until 1955, when his first play &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; was accepted by the newly established English Stage Company.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play premiered on 8 March 1956 in The Royal Court Theater and was praised by The Obsever as “the best young play of its decade” (cited in Molino). It transformed British theater and its protagonist Jimmy Porter become the very symbol of the dissatisfied generation of young &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;male &lt;/del&gt;authors and playwrights, termed the &#039;Angry Young Men&#039;. Like many others counting themselves to this  &#039;movement&#039; Osborne was influenced by socialist ideas and an anti-Establishment spirit. His plays betray the deep dissatisfaction with the status quo and his disillusion with the post-war welfare state.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play premiered on 8 March 1956 in The Royal Court Theater and was praised by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;The Obsever&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;as “the best young play of its decade” (cited in Molino). It transformed British theater and its protagonist Jimmy Porter become the very symbol of the dissatisfied generation of young authors and playwrights, termed the &#039;Angry Young Men&#039;. Like many others counting themselves to this  &#039;movement&#039; Osborne was influenced by socialist ideas and an anti-Establishment spirit. His plays betray the deep dissatisfaction with the status quo and his disillusion with the post-war welfare state.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne&amp;#039;s following plays written in the late 1950s and 60s, &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039; (1957),starring [[Laurence Olivier]] in the title role, &amp;#039;&amp;#039;Luther&amp;#039;&amp;#039; (1961), &amp;#039;&amp;#039;Inadmissible Evidence&amp;#039;&amp;#039; (1965), and &amp;#039;&amp;#039;A Patriot for Me&amp;#039;&amp;#039; (1965) were also largely successful and controversial. Set against the backdrop of the Suez-crisis, &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039;, was the first play to question the monarchy on one of England&amp;#039;s major stages. &amp;#039;&amp;#039;A Patriot for Me&amp;#039;&amp;#039;, a play about the Austro-Hungarian officer Redl openly addresses male homosexuality and sparked off a debate on theater censorship leading to its eventual abolition in 1968.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne&amp;#039;s following plays written in the late 1950s and 60s, &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039; (1957),starring [[Laurence Olivier]] in the title role, &amp;#039;&amp;#039;Luther&amp;#039;&amp;#039; (1961), &amp;#039;&amp;#039;Inadmissible Evidence&amp;#039;&amp;#039; (1965), and &amp;#039;&amp;#039;A Patriot for Me&amp;#039;&amp;#039; (1965) were also largely successful and controversial. Set against the backdrop of the Suez-crisis, &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039;, was the first play to question the monarchy on one of England&amp;#039;s major stages. &amp;#039;&amp;#039;A Patriot for Me&amp;#039;&amp;#039;, a play about the Austro-Hungarian officer Redl openly addresses male homosexuality and sparked off a debate on theater censorship leading to its eventual abolition in 1968.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Kordzl</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8213&amp;oldid=prev</id>
		<title>Kordzl at 17:44, 15 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8213&amp;oldid=prev"/>
		<updated>2012-06-15T17:44:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:44, 15 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(1929-1994) was a British playwright. He started as actor and founded his reputation as one of the innovators of British theatre and drama with &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; (1956). His plays typically feature strong, idiosyncratic and nonconformist protagonists, who struggle against a repressive social system and conventions.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(1929-1994) was a British playwright. He started as actor and founded his reputation as one of the innovators of British theatre and drama with &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; (1956). His plays typically feature strong, idiosyncratic and nonconformist protagonists, who struggle against a repressive social system and conventions.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne was born in the London suburb of Fulham into a lower working-class family.  Until he was expelled at the age of 16 he attend a minor public school in Barnstaple, Devon. For several month  Osborne worked as a  journalist before joining a local theatre as an amateur actor. He started to take lessons at a London drama school and was recommended by its director to a minor theater company &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;about to tour England &lt;/del&gt;in 1947. He stayed with the company until 1955, when his first play &#039;&#039;Look Back in Anger&#039;&#039; was accepted by the newly established English Stage Company.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Osborne was born in the London suburb of Fulham into a lower working-class family.  Until he was expelled at the age of 16 he attend a minor public school in Barnstaple, Devon. For several month  Osborne worked as a  journalist before joining a local theatre as an amateur actor. He started to take lessons at a London drama school and was recommended by its director to a minor theater company in 1947. He stayed with the company until 1955, when his first play &#039;&#039;Look Back in Anger&#039;&#039; was accepted by the newly established English Stage Company.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play premiered on 8 March 1956 in The Royal Court Theater and was praised by The Obsever as “the best young play of its decade” (cited in Molino). It transformed British theater and its protagonist Jimmy Porter become the very symbol of the dissatisfied generation of young male authors and playwrights, termed the &amp;#039;Angry Young Men&amp;#039;. Like many others counting themselves to this  &amp;#039;movement&amp;#039; Osborne was influenced by socialist ideas and an anti-Establishment spirit. His plays betray the deep dissatisfaction with the status quo and his disillusion with the post-war welfare state.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The play premiered on 8 March 1956 in The Royal Court Theater and was praised by The Obsever as “the best young play of its decade” (cited in Molino). It transformed British theater and its protagonist Jimmy Porter become the very symbol of the dissatisfied generation of young male authors and playwrights, termed the &amp;#039;Angry Young Men&amp;#039;. Like many others counting themselves to this  &amp;#039;movement&amp;#039; Osborne was influenced by socialist ideas and an anti-Establishment spirit. His plays betray the deep dissatisfaction with the status quo and his disillusion with the post-war welfare state.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Klotz, Günther. &amp;#039;&amp;#039;Britische Dramatiker der Gegenwart&amp;#039;&amp;#039; . Berlin: Henschelverlag, 1982.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Klotz, Günther. &amp;#039;&amp;#039;Britische Dramatiker der Gegenwart&amp;#039;&amp;#039; . Berlin: Henschelverlag, 1982.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ratcliffe, Michael. “Osborne, John James (1929–1994)”.&#039;&#039;Oxford Dictionary of National Biography&#039;&#039;. 2004. Oxford University Press &amp;lt;http://www.oxforddnb.com/view/article/55236&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, accessed 12 June 2012&lt;/del&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ratcliffe, Michael. “Osborne, John James (1929–1994)”.&#039;&#039;Oxford Dictionary of National Biography&#039;&#039;. 2004. Oxford University Press&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. 12 June 2012 &lt;/ins&gt;&amp;lt;http://www.oxforddnb.com/view/article/55236&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Kordzl</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8212&amp;oldid=prev</id>
		<title>Kordzl at 17:42, 15 June 2012</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=8212&amp;oldid=prev"/>
		<updated>2012-06-15T17:42:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:42, 15 June 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1929-1994&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/del&gt;British playwright. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Started &lt;/del&gt;as actor and founded his reputation as one of the innovators of British theatre and drama with &#039;&#039;Look Back in Anger&#039;&#039; (1956). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Later &lt;/del&gt;plays &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;include &#039;&#039;The Entertainer&#039;&#039; (1957&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;starring [[Laurence Olivier]] in the title role) &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;A Patriot for Me&#039;&#039; (1965)&lt;/del&gt;, a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;drama about the Austro-Hungarian officer Redl and his homosexuality, one of the plays which triggered heated discussions &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- in 1968 - led to the abolition of stage censorship&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(&lt;/ins&gt;1929-1994&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;) was a &lt;/ins&gt;British playwright. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;He started &lt;/ins&gt;as actor and founded his reputation as one of the innovators of British theatre and drama with &#039;&#039;Look Back in Anger&#039;&#039; (1956). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;His &lt;/ins&gt;plays &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;typically feature strong&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;idiosyncratic &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nonconformist protagonists&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;who struggle against &lt;/ins&gt;a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;repressive social system &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;conventions&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Category:Expansion&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Osborne was born in the London suburb of Fulham into a lower working-class family.  Until he was expelled at the age of 16 he attend a minor public school in Barnstaple, Devon. For several month  Osborne worked as a  journalist before joining a local theatre as an amateur actor. He started to take lessons at a London drama school and was recommended by its director to a minor theater company about to tour England in 1947. He stayed with the company until 1955, when his first play &#039;&#039;Look Back in Anger&#039;&#039; was accepted by the newly established English Stage Company. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The play premiered on 8 March 1956 in The Royal Court Theater and was praised by The Obsever as “the best young play of its decade” (cited in Molino). It transformed British theater and its protagonist Jimmy Porter become the very symbol of the dissatisfied generation of young male authors and playwrights, termed the &#039;Angry Young Men&#039;. Like many others counting themselves to this  &#039;movement&#039; Osborne was influenced by socialist ideas and an anti-Establishment spirit. His plays betray the deep dissatisfaction with the status quo and his disillusion with the post-war welfare state.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Osborne&#039;s following plays written in the late 1950s and 60s, &#039;&#039;The Entertainer&#039;&#039; (1957),starring &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Laurence Olivier&lt;/ins&gt;]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in the title role, &#039;&#039;Luther&#039;&#039; (1961), &#039;&#039;Inadmissible Evidence&#039;&#039; (1965), and &#039;&#039;A Patriot for Me&#039;&#039; (1965) were also largely successful and controversial. Set against the backdrop of the Suez-crisis, &#039;&#039;The Entertainer&#039;&#039;, was the first play to question the monarchy on one of England&#039;s major stages. &#039;&#039;A Patriot for Me&#039;&#039;, a play about the Austro-Hungarian officer Redl openly addresses male homosexuality and sparked off a debate on theater censorship leading to its eventual abolition in 1968.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In the decades following Osborne authored several more plays the more prominent being &#039;&#039;A Sense of Detachment&#039;&#039; (1972), &#039;&#039;The Hotel in Amsterdam&#039;&#039; (1968) and &#039;&#039;West of Suez&#039;&#039; (1971), &#039;&#039;Watch it Come Down&#039;&#039; (1975) and &#039;&#039;Déjàvu&#039;&#039; (1992), as well as the screen plays for &#039;&#039;Look Back in Anger&#039;&#039; and &#039;&#039;The Entertainer&#039;&#039;. He also tried himself as screen writer, although many of his scripts, apart from &#039;&#039;Tom Jones&#039;&#039; (1962), for which he won the Oscar, could not live up to earlier successes. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Until he death in 1994, Osborne had written 25 full-length plays, two autobiographies and countless essays and screenplays. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Works Cited&#039;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Molino, Michael R. &quot;Osborne, John&quot;. &#039;&#039;The Oxford Encyclopedia of British Literature&#039;&#039;. Ed. David Scott Kastan. 2005. Oxford University Press. 12 June 2012 &amp;lt;http://www.oxford-britishliterature.com/entry?entry=t198.e0357&amp;gt; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Klotz, Günther. &#039;&#039;Britische Dramatiker der Gegenwart&#039;&#039; . Berlin: Henschelverlag, 1982. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ratcliffe, Michael. “Osborne, John James (1929–1994)”.&#039;&#039;Oxford Dictionary of National Biography&#039;&#039;. 2004. Oxford University Press &amp;lt;http://www.oxforddnb.com/view/article/55236, accessed 12 June 2012&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Kordzl</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=7807&amp;oldid=prev</id>
		<title>Pankratz: Created page with &#039;1929-1994. British playwright. Started as actor and founded his reputation as one of the innovators of British theatre and drama with &#039;&#039;Look Back in Anger&#039;&#039; (1956). Later plays i…&#039;</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=John_Osborne&amp;diff=7807&amp;oldid=prev"/>
		<updated>2012-04-25T10:34:58Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;1929-1994. British playwright. Started as actor and founded his reputation as one of the innovators of British theatre and drama with &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; (1956). Later plays i…&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;1929-1994. British playwright. Started as actor and founded his reputation as one of the innovators of British theatre and drama with &amp;#039;&amp;#039;Look Back in Anger&amp;#039;&amp;#039; (1956). Later plays include &amp;#039;&amp;#039;The Entertainer&amp;#039;&amp;#039; (1957, starring [[Laurence Olivier]] in the title role) and &amp;#039;&amp;#039;A Patriot for Me&amp;#039;&amp;#039; (1965), a drama about the Austro-Hungarian officer Redl and his homosexuality, one of the plays which triggered heated discussions and - in 1968 - led to the abolition of stage censorship. &lt;br /&gt;
&lt;br /&gt;
[[Category:Expansion]]&lt;/div&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
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