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	<id>https://el.rub.de/wiki/Brit-Cult/index.php?action=history&amp;feed=atom&amp;title=Renaissance_Painters_in_Tudor_England</id>
	<title>Renaissance Painters in Tudor England - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://el.rub.de/wiki/Brit-Cult/index.php?action=history&amp;feed=atom&amp;title=Renaissance_Painters_in_Tudor_England"/>
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	<updated>2026-05-11T22:34:35Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13622&amp;oldid=prev</id>
		<title>S.Jade at 11:35, 27 June 2022</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13622&amp;oldid=prev"/>
		<updated>2022-06-27T11:35:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:35, 27 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot;&gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gray, Sara. Dictionary of British Women Artists. Illustrated, Lutterworth Press, 2009, p.140.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Gray, Sara. Dictionary of British Women Artists. Illustrated, Lutterworth Press, 2009, p.140.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Susan E. James. “The Horenbout family workshop at the Tudor court, 1522–1541: Collaboration, patronage and production“, Cogent Arts &amp;amp; Humanities, vol. 8, no.1, 2021, pp.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susan E. James. “The Horenbout family workshop at the Tudor court, 1522–1541: Collaboration, patronage and production“, Cogent Arts &amp;amp; Humanities, vol. 8, no.1, 2021, pp. 1-50&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== works cited ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cooper, Tarnya. “Making Art in Tudor Britain: New Research on Paintings in the National Portrait Gallery.” The British Art Journal, vol. 9, no. 3, 2009, pp. 3–11. JSTOR, http://www.jstor.org/stable/41614834. Accessed 19 Jun. 2022.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Foister, Susan. “Tudor Miniaturists at the V. &amp;amp; A. London.” The Burlington Magazine, vol. 125, no. 967, 1983, pp. 635–622. JSTOR, http://www.jstor.org/stable/881449. Accessed 19 Jun. 2022.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gray, Sara. Dictionary of British Women Artists. Illustrated, Lutterworth Press, 2009, p.140.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Susan E. James. “The Horenbout family workshop at the Tudor court, 1522–1541: Collaboration, patronage and production“, Cogent Arts &amp;amp; Humanities, vol. 8, no.1, 2021, pp.1-50&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>S.Jade</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13621&amp;oldid=prev</id>
		<title>S.Jade: /* The Horenbout Family */</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13621&amp;oldid=prev"/>
		<updated>2022-06-27T11:34:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;The Horenbout Family&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:34, 27 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The Horenbout Family ==  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The Horenbout Family ==  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 16th century about 200 native artists&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, but also &lt;/del&gt;foreign artists practiced their craft in Tudor England (Cooper 6). Among them&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;the members of the Flemish Horenbout Family, who were one of the biggest contributors to the artistic activity in Tudor England (James 46). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The families success started &lt;/del&gt;with Gheraert Horenbout, who became internationally known for his diverse set of artistic skills towards the end of the 15th century (James 3). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Only a few centuries after their fathers artistic career started, Lucas and &lt;/del&gt;Susannah Horenbout &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;succeeded and became similarly successful artists and were granted positions as court painters in England (James 3). Susannah &lt;/del&gt;Horenbout was born in 1503 (James 4) and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is &lt;/del&gt;known as one of the first female painters in England (Gray 140). After having been taught by his fathers workshop in Ghent (James 3)&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;her work gained recognition from other artists such as Albrecht Dürer (James 5), leading up to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/del&gt;court position in which she painted miniatures for the monarchs (James 4). Just like his sister Susannah Horenbout, Lucas Horenbout was &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;teached in &lt;/del&gt;his fathers &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;artistic &lt;/del&gt;workshop and started his career as a court painter in 1522 (James 4). Lucas was not only known for his paintings, but also for being the teacher of Hans Holbein (Foister 635).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the 16th century about 200 native artists &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and a few &lt;/ins&gt;foreign artists practiced their craft in Tudor England (Cooper 6). Among them&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/ins&gt;the members of the Flemish Horenbout Family, who were one of the biggest contributors to the artistic activity in Tudor England (James 46). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Their artistic history commenced &lt;/ins&gt;with Gheraert Horenbout, who became internationally known for his diverse set of artistic skills towards the end of the 15th century (James 3). Susannah Horenbout&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, the daughter of Gheraert &lt;/ins&gt;Horenbout&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;was born in 1503 (James 4) and known as one of the first female painters in England (Gray 140). After having been taught &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in the arts &lt;/ins&gt;by his fathers workshop in Ghent (James 3) her work gained recognition from other artists such as Albrecht Dürer (James 5), leading up to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;court position&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;in which she painted miniatures for the monarchs (James 4). Just like his sister Susannah Horenbout, Lucas Horenbout was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;artistically educated by &lt;/ins&gt;his fathers workshop &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in Ghent &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;later on &lt;/ins&gt;started his career as a court painter in 1522 (James 4). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Additionally, &lt;/ins&gt;Lucas was not only known for his paintings, but also for being the teacher of Hans Holbein (Foister 635).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Works Cited ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cooper, Tarnya. “Making Art in Tudor Britain: New Research on Paintings in the National Portrait Gallery.” The British Art Journal, vol. 9, no. 3, 2009, pp. 3–11. JSTOR, http://www.jstor.org/stable/41614834. Accessed 19 Jun. 2022.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Foister, Susan. “Tudor Miniaturists at the V. &amp;amp; A. London.” The Burlington Magazine, vol. 125, no. 967, 1983, pp. 635–622. JSTOR, http://www.jstor.org/stable/881449. Accessed 19 Jun. 2022.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gray, Sara. Dictionary of British Women Artists. Illustrated, Lutterworth Press, 2009, p.140.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Susan E. James. “The Horenbout family workshop at the Tudor court, 1522–1541: Collaboration, patronage and production“, Cogent Arts &amp;amp; Humanities, vol. 8, no.1, 2021, pp.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== works cited ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== works cited ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>S.Jade</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13620&amp;oldid=prev</id>
		<title>S.Jade at 11:24, 27 June 2022</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13620&amp;oldid=prev"/>
		<updated>2022-06-27T11:24:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:24, 27 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;term &#039;&#039;&lt;/del&gt;Tudor &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;artist&#039;&#039; refers &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;painters &lt;/del&gt;who &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;created their work &lt;/del&gt;for the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;English &lt;/del&gt;court &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;between 1485 &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1603 [please use MLA-style documentation of sources]. Attribution &lt;/del&gt;is &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sometimes difficult, because not all &lt;/del&gt;of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;paintings have a signature that would make an identification possible &lt;/del&gt;(&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Author 5&lt;/del&gt;). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;While many of the works &lt;/del&gt;from the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tudor period vanished over time&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;portraits have remained &lt;/del&gt;(&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Author 3&lt;/del&gt;). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In the 16th century about 200 native artists&lt;/del&gt;, but also &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;foreign artists practiced their craft in Tudor England &lt;/del&gt;(&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Author 6&lt;/del&gt;).  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== &lt;/ins&gt;The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Horenbout Family == &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In the 16th century about 200 native artists, but also foreign artists practiced their craft in &lt;/ins&gt;Tudor &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;England (Cooper 6). Among them, the members of the Flemish Horenbout Family, who were one of the biggest contributors &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the artistic activity in Tudor England (James 46). The families success started with Gheraert Horenbout, &lt;/ins&gt;who &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;became internationally known &lt;/ins&gt;for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;his diverse set of artistic skills towards the end of &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;15th century (James 3). Only a few centuries after their fathers artistic career started, Lucas and Susannah Horenbout succeeded and became similarly successful artists and were granted positions as &lt;/ins&gt;court &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;painters in England (James 3). Susannah Horenbout was born in 1503 (James 4) &lt;/ins&gt;and is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;known as one &lt;/ins&gt;of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;first female painters in England &lt;/ins&gt;(&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gray 140&lt;/ins&gt;). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;After having been taught by his fathers workshop in Ghent (James 3), her work gained recognition &lt;/ins&gt;from &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;other artists such as Albrecht Dürer (James 5), leading up to a court position in which she painted miniatures for &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;monarchs (James 4). Just like his sister Susannah Horenbout&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lucas Horenbout was teached in his fathers artistic workshop and started his career as a court painter in 1522 &lt;/ins&gt;(&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;James 4&lt;/ins&gt;). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lucas was not only known for his paintings&lt;/ins&gt;, but also &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;for being the teacher of Hans Holbein &lt;/ins&gt;(&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Foister 635&lt;/ins&gt;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;If the name [[Hans Holbein (the Younger)|Hans Holbein]] is not mentioned in the next few lines, this article is going nowhere. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== works cited ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cooper, Tarnya. “Making Art in Tudor Britain: New Research on Paintings in the National Portrait Gallery.” The British Art Journal, vol. 9, no. 3, 2009, pp. 3–11. JSTOR, http://www.jstor.org/stable/41614834. Accessed 19 Jun. 2022.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Foister, Susan. “Tudor Miniaturists at the V. &amp;amp; A. London.” The Burlington Magazine, vol. 125, no. 967, 1983, pp. 635–622. JSTOR, http://www.jstor.org/stable/881449. Accessed 19 Jun. 2022.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;Works Cited:&#039;&#039;&#039; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gray, Sara. Dictionary of British Women Artists. Illustrated, Lutterworth Press, 2009, p.140.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Author&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;Title of Article&quot;&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Name of Journal&#039;&#039; Volume (Year)&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pages? https://www&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jstor&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=&lt;/del&gt;1&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Susan E. James. “The Horenbout family workshop at the Tudor court, 1522–1541: Collaboration&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;patronage and production“&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cogent Arts &amp;amp; Humanities&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;vol&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;8, no&lt;/ins&gt;.1&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, 2021, pp&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;50&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://www&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mylearning.org/stories/the-painted-lady--tudor-portraits-at-the&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ferens/276&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>S.Jade</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13608&amp;oldid=prev</id>
		<title>Pankratz at 09:35, 22 June 2022</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13608&amp;oldid=prev"/>
		<updated>2022-06-22T09:35:32Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:35, 22 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Works Cited:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/ins&gt;Works Cited:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Author, &amp;quot;Title of Article&amp;quot;, &amp;#039;&amp;#039;Name of Journal&amp;#039;&amp;#039; Volume (Year), pages? https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Author, &amp;quot;Title of Article&amp;quot;, &amp;#039;&amp;#039;Name of Journal&amp;#039;&amp;#039; Volume (Year), pages? https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;https://www.mylearning.org/stories/the-painted-lady--tudor-portraits-at-the-ferens/276&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;https://www.mylearning.org/stories/the-painted-lady--tudor-portraits-at-the-ferens/276&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13607&amp;oldid=prev</id>
		<title>Pankratz at 09:35, 22 June 2022</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13607&amp;oldid=prev"/>
		<updated>2022-06-22T09:35:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:35, 22 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tudor &lt;/del&gt;artist&#039;&#039; refers to painters who created their work for the English court between 1485 and 1603 [please use MLA-style documentation of sources]. Attribution is sometimes difficult, because not all of the paintings have a signature that would make an identification possible (Author 5). While many of the works from the Tudor period vanished over time, portraits have remained (Author 3). In the 16th century about 200 native artists, but also foreign artists practiced their craft in Tudor England (Author 6).  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tudor &lt;/ins&gt;artist&#039;&#039; refers to painters who created their work for the English court between 1485 and 1603 [please use MLA-style documentation of sources]. Attribution is sometimes difficult, because not all of the paintings have a signature that would make an identification possible (Author 5). While many of the works from the Tudor period vanished over time, portraits have remained (Author 3). In the 16th century about 200 native artists, but also foreign artists practiced their craft in Tudor England (Author 6).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;If the name [[Hans Holbein (the Younger)|Hans Holbein]] is not mentioned in the next few lines, this article is going nowhere.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;If the name [[Hans Holbein (the Younger)|Hans Holbein]] is not mentioned in the next few lines, this article is going nowhere.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13606&amp;oldid=prev</id>
		<title>Pankratz at 17:37, 21 June 2022</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13606&amp;oldid=prev"/>
		<updated>2022-06-21T17:37:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:37, 21 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term &amp;#039;&amp;#039;tudor artist&amp;#039;&amp;#039; refers to painters who created their work for the English court between 1485 and 1603 [please use MLA-style documentation of sources]. Attribution is sometimes difficult, because not all of the paintings have a signature that would make an identification possible (Author 5). While many of the works from the Tudor period vanished over time, portraits have remained (Author 3). In the 16th century about 200 native artists, but also foreign artists practiced their craft in Tudor England (Author 6).  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term &amp;#039;&amp;#039;tudor artist&amp;#039;&amp;#039; refers to painters who created their work for the English court between 1485 and 1603 [please use MLA-style documentation of sources]. Attribution is sometimes difficult, because not all of the paintings have a signature that would make an identification possible (Author 5). While many of the works from the Tudor period vanished over time, portraits have remained (Author 3). In the 16th century about 200 native artists, but also foreign artists practiced their craft in Tudor England (Author 6).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;If the name [[Hans Holbein]] is not mentioned in the next few lines, this article is going nowhere.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;If the name [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hans Holbein (the Younger)|&lt;/ins&gt;Hans Holbein]] is not mentioned in the next few lines, this article is going nowhere.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13605&amp;oldid=prev</id>
		<title>Pankratz at 17:36, 21 June 2022</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13605&amp;oldid=prev"/>
		<updated>2022-06-21T17:36:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:36, 21 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tudor Artist relates &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the presence of &lt;/del&gt;painters who created their work for the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;english &lt;/del&gt;court between 1485 and 1603 [&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://www.mylearning.org/stories/the-painted-lady-&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tudor-portraits-at-the-ferens/276] Although numerous artworks were produced in the Tudor era, many &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the artists names remain unknown [https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1&lt;/del&gt;] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(p.3)&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;This &lt;/del&gt;is because &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;most &lt;/del&gt;of the paintings &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;do not &lt;/del&gt;have a signature that would make an identification possible &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] &lt;/del&gt;(&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p.&lt;/del&gt;5. While many of the works from the Tudor period vanished over time, portraits &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;are the biggest resource that art historians focus their research on today [https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] &lt;/del&gt;(&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p.&lt;/del&gt;3). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;What remaining documents also reveal is that in &lt;/del&gt;the 16th century &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;non only &lt;/del&gt;200 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;non-migrant &lt;/del&gt;artists, but also foreign artists practiced their craft in Tudor England &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://www.jstor.org/stable/41614834searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] &lt;/del&gt;(&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p.&lt;/del&gt;6)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;tudor artist&#039;&#039; refers &lt;/ins&gt;to painters who created their work for the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;English &lt;/ins&gt;court between 1485 and 1603 [&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;please use MLA&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;style documentation &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sources&lt;/ins&gt;]. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Attribution &lt;/ins&gt;is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sometimes difficult, &lt;/ins&gt;because &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;not all &lt;/ins&gt;of the paintings have a signature that would make an identification possible (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Author &lt;/ins&gt;5&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&lt;/ins&gt;. While many of the works from the Tudor period vanished over time, portraits &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;have remained &lt;/ins&gt;(&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Author &lt;/ins&gt;3). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In &lt;/ins&gt;the 16th century &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;about &lt;/ins&gt;200 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;native &lt;/ins&gt;artists, but also foreign artists practiced their craft in Tudor England (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Author &lt;/ins&gt;6)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;If the name [[Hans Holbein]] is not mentioned in the next few lines, this article is going nowhere. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;...&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Works Cited: &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Author, &quot;Title of Article&quot;, &#039;&#039;Name of Journal&#039;&#039; Volume (Year), pages? https://www&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jstor&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://www&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mylearning.org/stories/the-painted-lady--tudor-portraits-at-the-ferens/276&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13604&amp;oldid=prev</id>
		<title>S.Jade at 17:50, 19 June 2022</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13604&amp;oldid=prev"/>
		<updated>2022-06-19T17:50:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:50, 19 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term Tudor Artist relates to the presence of painters who created their work for the english court between 1485 and 1603 [https://www.mylearning.org/stories/the-painted-lady--tudor-portraits-at-the-ferens/276] Although numerous artworks were produced in the Tudor era, many of the artists names remain unknown [https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] (p.3). This is because most of the paintings do not have a signature that would make an identification possible [https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] (p.5. While many of the works from the Tudor period vanished over time, portraits are the biggest resource that art historians focus their research on today [https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] (p.3). What remaining documents also reveal is that in the 16th century non only 200 non-migrant artists, but also foreign artists practiced their craft in Tudor England [https://www.jstor.org/stable/41614834searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] (p.6)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The term Tudor Artist relates to the presence of painters who created their work for the english court between 1485 and 1603 [https://www.mylearning.org/stories/the-painted-lady--tudor-portraits-at-the-ferens/276] Although numerous artworks were produced in the Tudor era, many of the artists names remain unknown [https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] (p.3). This is because most of the paintings do not have a signature that would make an identification possible [https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] (p.5. While many of the works from the Tudor period vanished over time, portraits are the biggest resource that art historians focus their research on today [https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] (p.3). What remaining documents also reveal is that in the 16th century non only 200 non-migrant artists, but also foreign artists practiced their craft in Tudor England [https://www.jstor.org/stable/41614834searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] (p.6)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;...&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>S.Jade</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13603&amp;oldid=prev</id>
		<title>S.Jade: /* Renaissance court painters in Tudor England */</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13603&amp;oldid=prev"/>
		<updated>2022-06-19T17:46:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Renaissance court painters in Tudor England&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:46, 19 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Renaissance court painters &lt;/del&gt;in Tudor England ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The term Tudor Artist relates to the presence of painters who created their work for the english court between 1485 and 1603 [https://www.mylearning.org/stories/the-painted-lady--tudor-portraits-at-the-ferens/276] Although numerous artworks were produced in the Tudor era, many of the artists names remain unknown [https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] (p.3). This is because most of the paintings do not have a signature that would make an identification possible [https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] (p.5. While many of the works from the Tudor period vanished over time, portraits are the biggest resource that art historians focus their research on today [https://www.jstor.org/stable/41614834?searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid=fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq=1] (p.3). What remaining documents also reveal is that in the 16th century non only 200 non-migrant artists, but also foreign artists practiced their craft &lt;/ins&gt;in Tudor England &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://www.jstor.org/stable/41614834searchText=Tudor+Painters&amp;amp;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DTudor%2BPainters%26so%3Drel%26efqs%3DeyJjdHkiOlsiYW05MWNtNWhiQT09IiwiWTJoaGNIUmxjZz09Il0sImRpc2MiOlsiWVhKMGFHbHpkRzl5ZVMxa2FYTmphWEJzYVc1bCJdfQ%253D%253D&amp;amp;ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&amp;amp;refreqid&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fastly-default%3A51ddee29ef6eb99f1446260717dd25d1&amp;amp;seq&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1] (p.6)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>S.Jade</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13602&amp;oldid=prev</id>
		<title>S.Jade: Created page with &quot;== Renaissance court painters in Tudor England ==&quot;</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Renaissance_Painters_in_Tudor_England&amp;diff=13602&amp;oldid=prev"/>
		<updated>2022-06-19T17:38:38Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;== Renaissance court painters in Tudor England ==&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Renaissance court painters in Tudor England ==&lt;/div&gt;</summary>
		<author><name>S.Jade</name></author>
	</entry>
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