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	<id>https://el.rub.de/wiki/Brit-Cult/index.php?action=history&amp;feed=atom&amp;title=Romanticism</id>
	<title>Romanticism - Revision history</title>
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	<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;action=history"/>
	<updated>2026-05-11T16:26:56Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14432&amp;oldid=prev</id>
		<title>Vierha4h at 20:23, 28 November 2023</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14432&amp;oldid=prev"/>
		<updated>2023-11-28T20:23:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:23, 28 November 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally the early 19th century saw the rise of various religious movements that explored alternative spiritual paths and drew on a range of religious and philosophical traditions. Some Romantic writers critiqued organized religion, questioning its dogmas. Percy Bysshe Shelley, for example, was known to be an atheist (Clark 329).  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally the early 19th century saw the rise of various religious movements that explored alternative spiritual paths and drew on a range of religious and philosophical traditions. Some Romantic writers critiqued organized religion, questioning its dogmas. Percy Bysshe Shelley, for example, was known to be an atheist (Clark 329).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic poets used poetry to explicitly express their thoughts on political and social issues &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[so did [[Alexander Pope|&lt;/del&gt;poets in the 17th and 18th centuries&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]]&lt;/del&gt;. They rejected the neoclassical style, which was prevalent during the 18th century. Neoclassical poets sought to express clear and rational ideas, often avoiding excessive emotionalism or personal subjectivity. In contrast to this, romantic poets adopted a more personal and impressionistic approach, expressing their subjective experiences through their works (Dart 612). Perhaps the most enduring legacy of Romanticism is the dominance of the lyric poem. These poems, often spoken in the first person, explore the inner workings of the poet&#039;s heart and mind, finding correspondences in the natural world (Esterhammer 87). The &#039;&#039;Lyrical Ballads&#039;&#039; by [[William Wordsworth]] and [[Samuel Taylor Coleridge]] exemplifies this shift in poetry, emphasizing powerful feelings and introspection.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic poets used poetry to explicitly express their thoughts on political and social issues&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Building on the tradition of &lt;/ins&gt;poets in the 17th and 18th centuries &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;who also engaged with political and social themes, Romantic poets, brought a unique approach to such expressions&lt;/ins&gt;. They rejected the neoclassical style, which was prevalent during the 18th century. Neoclassical poets sought to express clear and rational ideas, often avoiding excessive emotionalism or personal subjectivity. In contrast to this, romantic poets adopted a more personal and impressionistic approach, expressing their subjective experiences through their works (Dart 612). Perhaps the most enduring legacy of Romanticism is the dominance of the lyric poem. These poems, often spoken in the first person, explore the inner workings of the poet&#039;s heart and mind, finding correspondences in the natural world (Esterhammer 87). The &#039;&#039;Lyrical Ballads&#039;&#039; by [[William Wordsworth]] and [[Samuel Taylor Coleridge]] exemplifies this shift in poetry, emphasizing powerful feelings and introspection.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era produced an array of poetic voices, from the older generation of [[William Blake]], Wordsworth and Coleridge to younger poets like [[Percy Bysshe Shelley]] (Clark 329). Women poets like Charlotte Smith, and Mary Robinson also made significant contributions (Curran 38).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era produced an array of poetic voices, from the older generation of [[William Blake]], Wordsworth and Coleridge to younger poets like [[Percy Bysshe Shelley]] (Clark 329). Women poets like Charlotte Smith, and Mary Robinson also made significant contributions (Curran 38).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Vierha4h</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14429&amp;oldid=prev</id>
		<title>Pankratz at 19:09, 28 November 2023</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14429&amp;oldid=prev"/>
		<updated>2023-11-28T19:09:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:09, 28 November 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot;&gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally the early 19th century saw the rise of various religious movements that explored alternative spiritual paths and drew on a range of religious and philosophical traditions. Some Romantic writers critiqued organized religion, questioning its dogmas. Percy Bysshe Shelley, for example, was known to be an atheist (Clark 329).  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally the early 19th century saw the rise of various religious movements that explored alternative spiritual paths and drew on a range of religious and philosophical traditions. Some Romantic writers critiqued organized religion, questioning its dogmas. Percy Bysshe Shelley, for example, was known to be an atheist (Clark 329).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic poets used poetry to explicitly express their thoughts on political and social issues. They rejected the neoclassical style, which was prevalent during the 18th century. Neoclassical poets sought to express clear and rational ideas, often avoiding excessive emotionalism or personal subjectivity. In contrast to this, romantic poets adopted a more personal and impressionistic approach, expressing their subjective experiences through their works (Dart 612). Perhaps the most enduring legacy of Romanticism is the dominance of the lyric poem. These poems, often spoken in the first person, explore the inner workings of the poet&#039;s heart and mind, finding correspondences in the natural world (Esterhammer 87). The &#039;&#039;Lyrical Ballads&#039;&#039; by [[William Wordsworth]] and [[Samuel Taylor Coleridge]] exemplifies this shift in poetry, emphasizing powerful feelings and introspection.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic poets used poetry to explicitly express their thoughts on political and social issues &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[so did [[Alexander Pope|poets in the 17th and 18th centuries]]]&lt;/ins&gt;. They rejected the neoclassical style, which was prevalent during the 18th century. Neoclassical poets sought to express clear and rational ideas, often avoiding excessive emotionalism or personal subjectivity. In contrast to this, romantic poets adopted a more personal and impressionistic approach, expressing their subjective experiences through their works (Dart 612). Perhaps the most enduring legacy of Romanticism is the dominance of the lyric poem. These poems, often spoken in the first person, explore the inner workings of the poet&#039;s heart and mind, finding correspondences in the natural world (Esterhammer 87). The &#039;&#039;Lyrical Ballads&#039;&#039; by [[William Wordsworth]] and [[Samuel Taylor Coleridge]] exemplifies this shift in poetry, emphasizing powerful feelings and introspection.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era produced an array of poetic voices, from the older generation of [[William Blake]], Wordsworth and Coleridge to younger poets like [[Percy Bysshe Shelley]] (Clark 329). Women poets like Charlotte Smith, and Mary Robinson also made significant contributions (Curran 38).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era produced an array of poetic voices, from the older generation of [[William Blake]], Wordsworth and Coleridge to younger poets like [[Percy Bysshe Shelley]] (Clark 329). Women poets like Charlotte Smith, and Mary Robinson also made significant contributions (Curran 38).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bibliography:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bibliography:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Clark, Ashley. “Romanticism.“ &#039;&#039;The Cambridge History of Atheism&#039;&#039;, edited by Bullivant&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, Stephen &lt;/del&gt;and Michael Ruse, Cambridge University Press, 2021, pp. 329-345.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Clark, Ashley. “Romanticism.“ &#039;&#039;The Cambridge History of Atheism&#039;&#039;, edited by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Stephen &lt;/ins&gt;Bullivant and Michael Ruse, Cambridge University Press, 2021, pp. 329-345.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Curran, Stuart. &amp;#039;&amp;#039;Poetic Form and British Romanticism.&amp;#039;&amp;#039; Oxford University Press, 1986.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Curran, Stuart. &amp;#039;&amp;#039;Poetic Form and British Romanticism.&amp;#039;&amp;#039; Oxford University Press, 1986.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14427&amp;oldid=prev</id>
		<title>Pankratz at 19:06, 28 November 2023</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14427&amp;oldid=prev"/>
		<updated>2023-11-28T19:06:10Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:06, 28 November 2023&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era was marked by significant societal transformations, including the Industrial Revolution as well as the rise of liberal movements.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era was marked by significant societal transformations, including the Industrial Revolution as well as the rise of liberal movements.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally the early 19th century saw the rise of various religious movements that explored alternative spiritual paths and drew on a range of religious and philosophical traditions. Some Romantic writers critiqued organized religion, questioning its dogmas. Percy Bysshe Shelley, for example, was known &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;for his criticism of institutionalized religion &lt;/del&gt;(Clark 329)&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Further changes were middle class education, and political instability all hovered over by the [[French Revolution]] (Curran 14). However, the revolutionary spirit was also evident in Great Britain as a result of the colonial failures - the American Revolutionary War of the 1780s and growing discontent and resistance against British rule in India&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally the early 19th century saw the rise of various religious movements that explored alternative spiritual paths and drew on a range of religious and philosophical traditions. Some Romantic writers critiqued organized religion, questioning its dogmas. Percy Bysshe Shelley, for example, was known &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to be an atheist &lt;/ins&gt;(Clark 329).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic poets used poetry to explicitly express their thoughts on political and social issues. They rejected the neoclassical style, which was prevalent during the 18th century. Neoclassical poets sought to express clear and rational ideas, often avoiding excessive emotionalism or personal subjectivity. In contrast to this, romantic poets adopted a more personal and impressionistic approach, expressing their subjective experiences through their works (Dart 612). Perhaps the most enduring legacy of Romanticism is the dominance of the lyric poem. These poems, often spoken in the first person, explore the inner workings of the poet&amp;#039;s heart and mind, finding correspondences in the natural world (Esterhammer 87). The &amp;#039;&amp;#039;Lyrical Ballads&amp;#039;&amp;#039; by [[William Wordsworth]] and [[Samuel Taylor Coleridge]] exemplifies this shift in poetry, emphasizing powerful feelings and introspection.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic poets used poetry to explicitly express their thoughts on political and social issues. They rejected the neoclassical style, which was prevalent during the 18th century. Neoclassical poets sought to express clear and rational ideas, often avoiding excessive emotionalism or personal subjectivity. In contrast to this, romantic poets adopted a more personal and impressionistic approach, expressing their subjective experiences through their works (Dart 612). Perhaps the most enduring legacy of Romanticism is the dominance of the lyric poem. These poems, often spoken in the first person, explore the inner workings of the poet&amp;#039;s heart and mind, finding correspondences in the natural world (Esterhammer 87). The &amp;#039;&amp;#039;Lyrical Ballads&amp;#039;&amp;#039; by [[William Wordsworth]] and [[Samuel Taylor Coleridge]] exemplifies this shift in poetry, emphasizing powerful feelings and introspection.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14425&amp;oldid=prev</id>
		<title>Pankratz at 19:01, 28 November 2023</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14425&amp;oldid=prev"/>
		<updated>2023-11-28T19:01:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:01, 28 November 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A literary, artistic, and intellectual movement that emerged in the late 18th century and reached its peak during the 19th century. It was a reaction against the rationalism and Enlightenment ideals of the 18th century and emphasized emotion, individualism, imagination, and a deep appreciation of nature (Curran 43, 46).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A literary, artistic, and intellectual movement that emerged in the late 18th century and reached its peak during the 19th century. It was a reaction against the rationalism and Enlightenment ideals of the 18th century and emphasized emotion, individualism, imagination, and a deep appreciation of nature (Curran 43, 46).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era was marked by significant societal transformations, including the Industrial Revolution as well as the rise of liberal movements. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;One of these was Chartism, which emerged as a working-class movement advocating for political reform. The People’s Charter gained support in industrial towns and put political pressure on the elites. Even though Chartism as a political movement did not achieve its goals at the time, the demands of the People’s Charter were fulfilled with the reform acts of the political system. The first reform bill laid the basis for all later reforms, gradually expanding the voting rights and representation in Parliament. Another turning point in British history, highlighting the need for political and social reform was the [[Peterloo Massacre]] of 1819, where political tension erupted into violence.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era was marked by significant societal transformations, including the Industrial Revolution as well as the rise of liberal movements.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally the early 19th century saw the rise of various religious movements that explored alternative spiritual paths and drew on a range of religious and philosophical traditions. Some Romantic writers critiqued organized religion, questioning its dogmas. Percy Bysshe Shelley, for example, was known for his criticism of institutionalized religion (Clark 329). Further changes were middle class education, and political instability all hovered over by the [[French Revolution]] (Curran 14). However, the revolutionary spirit was also evident in Great Britain as a result of the colonial failures - the American Revolutionary War of the 1780s and growing discontent and resistance against British rule in India.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally the early 19th century saw the rise of various religious movements that explored alternative spiritual paths and drew on a range of religious and philosophical traditions. Some Romantic writers critiqued organized religion, questioning its dogmas. Percy Bysshe Shelley, for example, was known for his criticism of institutionalized religion (Clark 329). Further changes were middle class education, and political instability all hovered over by the [[French Revolution]] (Curran 14). However, the revolutionary spirit was also evident in Great Britain as a result of the colonial failures - the American Revolutionary War of the 1780s and growing discontent and resistance against British rule in India.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14391&amp;oldid=prev</id>
		<title>Vierha4h at 19:26, 11 November 2023</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14391&amp;oldid=prev"/>
		<updated>2023-11-11T19:26:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:26, 11 November 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A literary, artistic, and intellectual movement that emerged in the late 18th century and reached its peak during the 19th century. It was a reaction against the rationalism and Enlightenment ideals of the 18th century and emphasized emotion, individualism, imagination, and a deep appreciation of nature (Curran 43, 46).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A literary, artistic, and intellectual movement that emerged in the late 18th century and reached its peak during the 19th century. It was a reaction against the rationalism and Enlightenment ideals of the 18th century and emphasized emotion, individualism, imagination, and a deep appreciation of nature (Curran 43, 46).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era was marked by significant societal transformations, including the Industrial Revolution as well as the rise of liberal movements &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/del&gt;which &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ones?], religious upheavals [what? when?], middle &lt;/del&gt;class &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;education, &lt;/del&gt;and political &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;instability all hovered over by &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[French Revolution]] (Curran 14)&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;However&lt;/del&gt;, the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;revolutionary spirit was also evident in Great Britain as a result &lt;/del&gt;of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;colonial failures [which ones exactly?] &lt;/del&gt;of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1780s &lt;/del&gt;and the political &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tension which occasionally erupted into violence, such as &lt;/del&gt;the [[Peterloo Massacre]] of 1819 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(ibid). The need for change was felt in various regions of the country (Mee 31)&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era was marked by significant societal transformations, including the Industrial Revolution as well as the rise of liberal movements&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. One of these was Chartism, &lt;/ins&gt;which &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;emerged as a working-&lt;/ins&gt;class &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;movement advocating for political reform. The People’s Charter gained support in industrial towns &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;put &lt;/ins&gt;political &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pressure on &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;elites&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Even though Chartism as a political movement did not achieve its goals at the time&lt;/ins&gt;, the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;demands &lt;/ins&gt;of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;People’s Charter were fulfilled with the reform acts &lt;/ins&gt;of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;political system. The first reform bill laid the basis for all later reforms, gradually expanding the voting rights &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;representation in Parliament. Another turning point in British history, highlighting &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;need for &lt;/ins&gt;political &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and social reform was &lt;/ins&gt;the [[Peterloo Massacre]] of 1819&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, where political tension erupted into violence&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic poets used poetry to explicitly express their thoughts on political and social issues. They rejected the neoclassical style &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[meaning what?] &lt;/del&gt;and adopted a more personal and impressionistic approach, expressing their subjective experiences through their works (Dart 612). Perhaps the most enduring legacy of Romanticism is the dominance of the lyric poem. These poems, often spoken in the first person, explore the inner workings of the poet&#039;s heart and mind, finding correspondences in the natural world (Esterhammer 87). The &#039;&#039;Lyrical Ballads&#039;&#039; by [[William Wordsworth]] and [[Samuel Taylor Coleridge]] exemplifies this shift in poetry, emphasizing powerful feelings and introspection.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Additionally the early 19th century saw the rise of various religious movements that explored alternative spiritual paths and drew on a range of religious and philosophical traditions. Some Romantic writers critiqued organized religion, questioning its dogmas. Percy Bysshe Shelley, for example, was known for his criticism of institutionalized religion (Clark 329). Further changes were middle class education, and political instability all hovered over by the [[French Revolution]] (Curran 14). However, the revolutionary spirit was also evident in Great Britain as a result of the colonial failures - the American Revolutionary War of the 1780s and growing discontent and resistance against British rule in India. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic poets used poetry to explicitly express their thoughts on political and social issues. They rejected the neoclassical style&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, which was prevalent during the 18th century. Neoclassical poets sought to express clear &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;rational ideas, often avoiding excessive emotionalism or personal subjectivity. In contrast to this, romantic poets &lt;/ins&gt;adopted a more personal and impressionistic approach, expressing their subjective experiences through their works (Dart 612). Perhaps the most enduring legacy of Romanticism is the dominance of the lyric poem. These poems, often spoken in the first person, explore the inner workings of the poet&#039;s heart and mind, finding correspondences in the natural world (Esterhammer 87). The &#039;&#039;Lyrical Ballads&#039;&#039; by [[William Wordsworth]] and [[Samuel Taylor Coleridge]] exemplifies this shift in poetry, emphasizing powerful feelings and introspection.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era produced an array of poetic voices, from the older generation of [[William Blake]], Wordsworth and Coleridge to younger poets like [[Percy Bysshe Shelley]] (Clark 329). Women poets like Charlotte Smith, and Mary Robinson also made significant contributions (Curran 38).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era produced an array of poetic voices, from the older generation of [[William Blake]], Wordsworth and Coleridge to younger poets like [[Percy Bysshe Shelley]] (Clark 329). Women poets like Charlotte Smith, and Mary Robinson also made significant contributions (Curran 38).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bibliography &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[please adapt to the stylesheet of the English Department]&lt;/del&gt;:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bibliography:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Clark, Ashley. “Romanticism.“ The Cambridge History of Atheism, edited by Bullivant, Stephen and Michael Ruse, Cambridge University Press, 2021, pp. 329-345.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Curran&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Stuart&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Poetic Form &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;British Romanticism. Oxford &lt;/del&gt;University Press, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1986&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Clark&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ashley&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Romanticism.“ &#039;&#039;The Cambridge History of Atheism&#039;&#039;, edited by Bullivant, Stephen &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Michael Ruse, Cambridge &lt;/ins&gt;University Press, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2021, pp. 329-345&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dart&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gregory&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Practical Criticism.“ The Oxford Handbook of &lt;/del&gt;British Romanticism&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, edited by David Duff, &lt;/del&gt;Oxford University Press, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2018, pp. 608-624&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Curran&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Stuart&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Poetic Form and &lt;/ins&gt;British Romanticism&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&#039;&#039; &lt;/ins&gt;Oxford University Press, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1986&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Esterhammer&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Angela&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“The 1820s and Beyond&lt;/del&gt;.“ The Oxford Handbook of British Romanticism, edited by David Duff, Oxford University Press, 2018, pp. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;74&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;90&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dart&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gregory&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“Practical Criticism&lt;/ins&gt;.“ &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;The Oxford Handbook of British Romanticism&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, edited by David Duff, Oxford University Press, 2018, pp. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;608&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;624&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mee&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jon&lt;/del&gt;. “The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Revolutionary Decade&lt;/del&gt;.“ The Oxford Handbook of British Romanticism, edited by David Duff, Oxford University Press, 2018, pp. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;30&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;43&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Esterhammer&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Angela&lt;/ins&gt;. “The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1820s and Beyond&lt;/ins&gt;.“ &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;The Oxford Handbook of British Romanticism&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, edited by David Duff, Oxford University Press, 2018, pp. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;74&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;90&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Vierha4h</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14385&amp;oldid=prev</id>
		<title>Pankratz at 22:55, 9 November 2023</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14385&amp;oldid=prev"/>
		<updated>2023-11-09T22:55:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:55, 9 November 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Romanticism was a &lt;/del&gt;literary, artistic, and intellectual movement that emerged in the late 18th century and reached its peak during the 19th century. It was a reaction against the rationalism and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;enlightenment &lt;/del&gt;ideals of the 18th century and emphasized emotion, individualism, imagination, and a deep appreciation of nature (Curran 43, 46).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A &lt;/ins&gt;literary, artistic, and intellectual movement that emerged in the late 18th century and reached its peak during the 19th century. It was a reaction against the rationalism and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Enlightenment &lt;/ins&gt;ideals of the 18th century and emphasized emotion, individualism, imagination, and a deep appreciation of nature (Curran 43, 46).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era was marked by significant societal transformations, including the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;industrial revolution &lt;/del&gt;as well as the rise of liberal movements, religious upheavals, middle class education, and political instability all hovered over by the French Revolution (Curran 14). However, the revolutionary spirit was also evident in Great Britain as a result of the colonial failures of the 1780s and the political tension which occasionally erupted into violence, such as the Peterloo &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;massacre &lt;/del&gt;of 1819 (ibid). The need for change was felt in various regions of the country (Mee 31).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era was marked by significant societal transformations, including the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Industrial Revolution &lt;/ins&gt;as well as the rise of liberal movements &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[which ones?]&lt;/ins&gt;, religious upheavals &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[what? when?]&lt;/ins&gt;, middle class education, and political instability all hovered over by the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;French Revolution&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;(Curran 14). However, the revolutionary spirit was also evident in Great Britain as a result of the colonial failures &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[which ones exactly?] &lt;/ins&gt;of the 1780s and the political tension which occasionally erupted into violence, such as the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Peterloo &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Massacre]] &lt;/ins&gt;of 1819 (ibid). The need for change was felt in various regions of the country (Mee 31).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic poets used poetry to explicitly express their thoughts on political and social issues. They rejected the neoclassical style and adopted a more personal and impressionistic approach, expressing their subjective experiences through their works (Dart 612) Perhaps the most enduring legacy of Romanticism is the dominance of the lyric poem. These poems, often spoken in the first person, explore the inner workings of the poet&#039;s heart and mind, finding correspondences in the natural world (Esterhammer 87). The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/del&gt;Lyrical Ballads&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot; collection &lt;/del&gt;by Wordsworth and Coleridge exemplifies this shift in poetry, emphasizing powerful feelings and introspection.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Romantic poets used poetry to explicitly express their thoughts on political and social issues. They rejected the neoclassical style &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[meaning what?] &lt;/ins&gt;and adopted a more personal and impressionistic approach, expressing their subjective experiences through their works (Dart 612)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;Perhaps the most enduring legacy of Romanticism is the dominance of the lyric poem. These poems, often spoken in the first person, explore the inner workings of the poet&#039;s heart and mind, finding correspondences in the natural world (Esterhammer 87). The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Lyrical Ballads&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[William &lt;/ins&gt;Wordsworth&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Samuel Taylor &lt;/ins&gt;Coleridge&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;exemplifies this shift in poetry, emphasizing powerful feelings and introspection.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era produced an array of poetic voices, from the older generation of Wordsworth&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;and Coleridge to younger poets like Percy Bysshe Shelley (Clark 329). Women poets like Charlotte Smith, and Mary Robinson also made significant contributions (Curran 38).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Romantic era produced an array of poetic voices, from the older generation of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[William Blake]], &lt;/ins&gt;Wordsworth and Coleridge to younger poets like &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Percy Bysshe Shelley&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;(Clark 329). Women poets like Charlotte Smith, and Mary Robinson also made significant contributions (Curran 38).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In summary, British Romanticism was a revolutionary period that transformed the way poets understood their art and its connection &lt;/del&gt;to the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;world. It emphasized individuality, emotional expression, and &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;exploration of nature.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bibliography [please adapt &lt;/ins&gt;to the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;stylesheet of &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;English Department]&lt;/ins&gt;:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bibliography&lt;/del&gt;:&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Clark, Ashley. “Romanticism.“ The Cambridge History of Atheism, edited by Bullivant, Stephen and Michael Ruse, Cambridge University Press, 2021, pp. 329-345.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Clark, Ashley. “Romanticism.“ The Cambridge History of Atheism, edited by Bullivant, Stephen and Michael Ruse, Cambridge University Press, 2021, pp. 329-345.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14384&amp;oldid=prev</id>
		<title>Vierha4h: Created page with &quot;Romanticism was a literary, artistic, and intellectual movement that emerged in the late 18th century and reached its peak during the 19th century. It was a reaction against the rationalism and enlightenment ideals of the 18th century and emphasized emotion, individualism, imagination, and a deep appreciation of nature (Curran 43, 46).  The Romantic era was marked by significant societal transformations, including the industrial revolution as well as the rise of liberal...&quot;</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Romanticism&amp;diff=14384&amp;oldid=prev"/>
		<updated>2023-11-05T16:19:32Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;Romanticism was a literary, artistic, and intellectual movement that emerged in the late 18th century and reached its peak during the 19th century. It was a reaction against the rationalism and enlightenment ideals of the 18th century and emphasized emotion, individualism, imagination, and a deep appreciation of nature (Curran 43, 46).  The Romantic era was marked by significant societal transformations, including the industrial revolution as well as the rise of liberal...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Romanticism was a literary, artistic, and intellectual movement that emerged in the late 18th century and reached its peak during the 19th century. It was a reaction against the rationalism and enlightenment ideals of the 18th century and emphasized emotion, individualism, imagination, and a deep appreciation of nature (Curran 43, 46).&lt;br /&gt;
&lt;br /&gt;
The Romantic era was marked by significant societal transformations, including the industrial revolution as well as the rise of liberal movements, religious upheavals, middle class education, and political instability all hovered over by the French Revolution (Curran 14). However, the revolutionary spirit was also evident in Great Britain as a result of the colonial failures of the 1780s and the political tension which occasionally erupted into violence, such as the Peterloo massacre of 1819 (ibid). The need for change was felt in various regions of the country (Mee 31).&lt;br /&gt;
&lt;br /&gt;
Romantic poets used poetry to explicitly express their thoughts on political and social issues. They rejected the neoclassical style and adopted a more personal and impressionistic approach, expressing their subjective experiences through their works (Dart 612) Perhaps the most enduring legacy of Romanticism is the dominance of the lyric poem. These poems, often spoken in the first person, explore the inner workings of the poet&amp;#039;s heart and mind, finding correspondences in the natural world (Esterhammer 87). The &amp;quot;Lyrical Ballads&amp;quot; collection by Wordsworth and Coleridge exemplifies this shift in poetry, emphasizing powerful feelings and introspection.&lt;br /&gt;
&lt;br /&gt;
The Romantic era produced an array of poetic voices, from the older generation of Wordsworth, and Coleridge to younger poets like Percy Bysshe Shelley (Clark 329). Women poets like Charlotte Smith, and Mary Robinson also made significant contributions (Curran 38).&lt;br /&gt;
&lt;br /&gt;
In summary, British Romanticism was a revolutionary period that transformed the way poets understood their art and its connection to the world. It emphasized individuality, emotional expression, and the exploration of nature.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Bibliography:&lt;br /&gt;
&lt;br /&gt;
Clark, Ashley. “Romanticism.“ The Cambridge History of Atheism, edited by Bullivant, Stephen and Michael Ruse, Cambridge University Press, 2021, pp. 329-345.&lt;br /&gt;
&lt;br /&gt;
Curran, Stuart. Poetic Form and British Romanticism. Oxford University Press, 1986.&lt;br /&gt;
&lt;br /&gt;
Dart, Gregory. “Practical Criticism.“ The Oxford Handbook of British Romanticism, edited by David Duff, Oxford University Press, 2018, pp. 608-624.&lt;br /&gt;
&lt;br /&gt;
Esterhammer, Angela. “The 1820s and Beyond.“ The Oxford Handbook of British Romanticism, edited by David Duff, Oxford University Press, 2018, pp. 74-90.&lt;br /&gt;
&lt;br /&gt;
Mee, Jon. “The Revolutionary Decade.“ The Oxford Handbook of British Romanticism, edited by David Duff, Oxford University Press, 2018, pp. 30-43.&lt;/div&gt;</summary>
		<author><name>Vierha4h</name></author>
	</entry>
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