The Conscious Lovers - Revision history

Pankratz at 16:09, 5 January 2023

2023-01-05T16:09:01Z

← Older revision		Revision as of 16:09, 5 January 2023
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	[[Sentimental Comedy]] written by [[Richard Steele]] and ~~premiered~~ in 1722. As part of the Sensibility movement, ''The Conscious Lovers'' aims at educating society and teaching morality through creating exemplary characters to imitate.		[[Sentimental Comedy]] written by [[Richard Steele]] and first performed in 1722. As part of the Sensibility movement, ''The Conscious Lovers'' aims at educating society and teaching morality through creating exemplary characters to imitate.
	Steele states in the preface of the play, that he wrote the entire play around a dueling scene, in which Mr. Myrtle, filled with rage and jealousy, challenges Bevil Junior to a duel. After overcoming his rage, Bevil Junior calms himself and declines. Steele says, that with this scene he hopes to influence young men facing a duel to commit themselves to reason over impulse, thus declining a duel.		Steele states in the preface of the play, that he wrote the entire play around a dueling scene, in which Mr. Myrtle, filled with rage and jealousy, challenges Bevil Junior to a duel. After overcoming his rage, Bevil Junior calms himself and declines. Steele says, that with this scene he hopes to influence young men facing a duel to commit themselves to reason over impulse, thus declining a duel.

Pankratz at 20:24, 4 January 2023

2023-01-04T20:24:34Z

← Older revision		Revision as of 20:24, 4 January 2023
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	~~''The Conscious Lovers'' is a~~ [[Sentimental Comedy]] written by [[Richard Steele]] in 1722. As part of the Sensibility movement, ''The Conscious Lovers'' aims at educating society and teaching morality through creating exemplary characters to imitate.		[[Sentimental Comedy]] written by [[Richard Steele]] and premiered in 1722. As part of the Sensibility movement, ''The Conscious Lovers'' aims at educating society and teaching morality through creating exemplary characters to imitate.
	Steele states in the preface of the play, that he wrote the entire play around a dueling scene, in which Mr. Myrtle, filled with rage and jealousy, challenges Bevil Junior to a duel. After overcoming his rage, Bevil Junior calms himself and declines. Steele says, that with this scene he hopes to influence young men facing a duel to commit themselves to reason over impulse, thus declining a duel.		Steele states in the preface of the play, that he wrote the entire play around a dueling scene, in which Mr. Myrtle, filled with rage and jealousy, challenges Bevil Junior to a duel. After overcoming his rage, Bevil Junior calms himself and declines. Steele says, that with this scene he hopes to influence young men facing a duel to commit themselves to reason over impulse, thus declining a duel.

	==== Plot ====		==== Plot ====
	Bevil Junior, only son and heir to the estate of Sir John Bevil, is set to marry Lucinda, the only daughter of Old Sealand. However, neither Bevil Junior nor Lucinda want to be married to the other, as they are both in love is somebody else. Bevil Junior is in love with Indiana, Old Sealand's long lost daughter who is believed to be dead, and Lucinda is in love with Mr. Myrtle, a friend of Bevil Junior. Through various intrigues, the not-lovers succeed in dissolving the engagement. In the final revelation scene, Bevil admits to his father, that he is in love with Indiana, who is revealed to be Old Sealand long lost daughter. The play ends with the engagement of Bevil Junior to Indiana and Lucinda to Mr. Myrtle.		Bevil Junior, only son and heir to the estate of Sir John Bevil, is set to marry Lucinda, the only daughter of Old Sealand. However, neither Bevil Junior nor Lucinda want to be married to the other, as they are both in love with somebody else. Bevil Junior is in love with Indiana, Old Sealand's long lost daughter who is believed to be dead, and Lucinda is in love with Mr. Myrtle, a friend of Bevil Junior. Through various intrigues, the not-lovers succeed in dissolving the engagement. In the final revelation scene, Bevil admits to his father, that he is in love with Indiana, who is revealed to be Old Sealand's long lost daughter. The play ends with the engagement of Bevil Junior to Indiana and Lucinda to Mr. Myrtle.

	==== Criticism ====		==== Criticism ====
	Criticism evolved early on after the publication of the play. [[John Dennis]] for example critizes the play, arguing, that Bevil Junior's behaviour follows no sense of reason, and that the final ~~[[Agnorisis\|agnorisis]]~~ is cheaply made. ~~Such criticism underlines the close link between theatre and and society during the restoration period.~~		Criticism evolved early on after the premiere and publication of the play. [[John Dennis]] for example critizes the play, arguing, that Bevil Junior's behaviour follows no sense of reason, and that the final anagnorisis is cheaply made.


	==== References ====		==== References ====

Jasminuhlmann: Created page with "''The Conscious Lovers'' is a Sentimental Comedy written by Richard Steele in 1722. As part of the Sensibility movement, ''The Conscious Lovers'' aims at educating society and teaching morality through creating exemplary characters to imitate. Steele states in the preface of the play, that he wrote the entire play around a dueling scene, in which Mr. Myrtle, filled with rage and jealousy, challenges Bevil Junior to a duel. After overcoming his rage, Bevil Junior..."

2023-01-03T08:40:45Z

Created page with "''The Conscious Lovers'' is a Sentimental Comedy written by Richard Steele in 1722. As part of the Sensibility movement, ''The Conscious Lovers'' aims at educating society and teaching morality through creating exemplary characters to imitate. Steele states in the preface of the play, that he wrote the entire play around a dueling scene, in which Mr. Myrtle, filled with rage and jealousy, challenges Bevil Junior to a duel. After overcoming his rage, Bevil Junior..."

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''The Conscious Lovers'' is a [[Sentimental Comedy]] written by [[Richard Steele]] in 1722. As part of the Sensibility movement, ''The Conscious Lovers'' aims at educating society and teaching morality through creating exemplary characters to imitate.
Steele states in the preface of the play, that he wrote the entire play around a dueling scene, in which Mr. Myrtle, filled with rage and jealousy, challenges Bevil Junior to a duel. After overcoming his rage, Bevil Junior calms himself and declines. Steele says, that with this scene he hopes to influence young men facing a duel to commit themselves to reason over impulse, thus declining a duel.

==== Plot ====
Bevil Junior, only son and heir to the estate of Sir John Bevil, is set to marry Lucinda, the only daughter of Old Sealand. However, neither Bevil Junior nor Lucinda want to be married to the other, as they are both in love is somebody else. Bevil Junior is in love with Indiana, Old Sealand's long lost daughter who is believed to be dead, and Lucinda is in love with Mr. Myrtle, a friend of Bevil Junior. Through various intrigues, the not-lovers succeed in dissolving the engagement. In the final revelation scene, Bevil admits to his father, that he is in love with Indiana, who is revealed to be Old Sealand long lost daughter. The play ends with the engagement of Bevil Junior to Indiana and Lucinda to Mr. Myrtle.

==== Criticism ====
Criticism evolved early on after the publication of the play. [[John Dennis]] for example critizes the play, arguing, that Bevil Junior's behaviour follows no sense of reason, and that the final [[Agnorisis|agnorisis]] is cheaply made. Such criticism underlines the close link between theatre and and society during the restoration period.

==== References ====

Dennis, John. "Remarks on The Conscious Lovers." ''Restoration and Eighteenth-Century Comedy''. 2nd ed., Norton Critical Editions, 1997.

Jucker, Andreas H. "The Eighteenth Century: Educational Literature." ''Politeness in the History of English: from the Middle Ages to the Present Day''. Cambridge UP, 2020. 135-159.

Steele, Richard. ''The Conscious Lovers''. 1722.