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	<id>https://el.rub.de/wiki/Brit-Cult/index.php?action=history&amp;feed=atom&amp;title=Thomas_Kyd</id>
	<title>Thomas Kyd - Revision history</title>
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	<updated>2026-05-11T17:09:13Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Thomas_Kyd&amp;diff=13677&amp;oldid=prev</id>
		<title>Pankratz at 18:40, 4 July 2022</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Thomas_Kyd&amp;diff=13677&amp;oldid=prev"/>
		<updated>2022-07-04T18:40:17Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:40, 4 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1558-1594. British Dramatist. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Life==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Life==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thomas Kyd was born in London in November 1558 as the son of Francis Kyd, a scrivener. After attending the Merchant Taylor’s School in London, he is believed to have initially worked as a scrivener following his education. Kyd eventually wrote &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;theatre &lt;/del&gt;plays for the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;theatre &lt;/del&gt;company Queen Elizabeth &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;men &lt;/del&gt;from 1583 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;– &lt;/del&gt;1587, before eventually joining the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Queens &lt;/del&gt;Company of Players as a private secretary between 1587 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;– &lt;/del&gt;1593, working for the service of a lord. Between 1582 and 1592 Kyd also focused on writing his prominent play The Spanish Tragedy, published in 1592. &#039;&#039;The Spanish Tragedy&#039;&#039; proved important in the development of a new genre in English theatre, the revenge tragedy.  Only one year later, on 13 May 1593, Thomas Kyd, suspected of treason and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;atheistical &lt;/del&gt;activities denying Jesus Christ, was arrested and later tortured in Bridewell after incriminating evidence had been found in his room. It was only after Kyd had in a confession accused Christopher Marlowe, with whom he had worked and had shared &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;acommodation &lt;/del&gt;in 1591, that Kyd was finally released. However, Kyd did not manage to recover from the hardships of imprisonment, so that he finally died in poverty at the age of 35 years in  August 1594.  Kyd was buried in St. Mary Colechurch in London on 15 August 1594, which was destroyed during the great fire in 1666.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thomas Kyd was born in London in November 1558 as the son of Francis Kyd, a scrivener. After attending the Merchant Taylor’s School in London, he is believed to have initially worked as a scrivener following his education. Kyd eventually wrote plays for the company &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;of the &lt;/ins&gt;Queen Elizabeth&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;s Men &lt;/ins&gt;from 1583 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to &lt;/ins&gt;1587, before eventually joining the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Queen&#039;s &lt;/ins&gt;Company of Players as a private secretary between 1587 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/ins&gt;1593, working for the service of a lord. Between 1582 and 1592 Kyd also focused on writing his prominent play &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;The Spanish Tragedy&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, published in 1592. &#039;&#039;The Spanish Tragedy&#039;&#039; proved important in the development of a new genre in English theatre, the revenge tragedy.  Only one year later, on 13 May 1593, Thomas Kyd, suspected of treason and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;atheistic &lt;/ins&gt;activities denying Jesus Christ, was arrested and later tortured in Bridewell after incriminating evidence had been found in his room. It was only after Kyd had in a confession accused &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Christopher Marlowe&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, with whom he had worked and had shared &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;accommodation &lt;/ins&gt;in 1591, that Kyd was finally released. However, Kyd did not manage to recover from the hardships of imprisonment, so that he finally died in poverty at the age of 35 years in  August 1594.  Kyd was buried in St. Mary Colechurch in London on 15 August 1594, which was destroyed during the great fire in 1666.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Works==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Works==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kyd’s most important play &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;– a tragedy – &lt;/del&gt;&#039;&#039;The Spanish Tragedy&#039;&#039; was published and performed onstage sixteen times that same year&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;, becoming one of the most popular plays of the time. Thus, his characterization of Hieronimo in &#039;&#039;The Spanish Tragedy&#039;&#039; turned into an inspiration for Shakespeare in creating the character of Hamlet. Although many of Kyd’s works have been lost, he is still credited for writing an &#039;&#039;“Ur-Hamlet”&#039;&#039; as yet another source of inspiration to Shakespeare. The romantic tragedy &#039;&#039;Soliman and Perseda&#039;&#039; (1588) is also attributed to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Thomas &lt;/del&gt;Kyd. The Elizabethan play &#039;&#039;Arden of Feversham&#039;&#039;, published anonymously in 1592, is likewise often attributed to him. In 1594, Kyd published &#039;&#039;Cornelia&#039;&#039;, a translation of French author Robert Gamier’s &#039;&#039;Cornelie&#039;&#039;, which was, however, never performed.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kyd’s most important play&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;&#039;&#039;The Spanish Tragedy&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;was published and performed onstage sixteen times that same year, becoming one of the most popular plays of the time. Thus, his characterization of Hieronimo in &#039;&#039;The Spanish Tragedy&#039;&#039; turned into an inspiration for Shakespeare in creating the character of Hamlet. Although many of Kyd’s works have been lost, he is still credited for writing an &#039;&#039;“Ur-Hamlet”&#039;&#039; as yet another source of inspiration to Shakespeare. The romantic tragedy &#039;&#039;Soliman and Perseda&#039;&#039; (1588) is also attributed to Kyd. The Elizabethan play &#039;&#039;Arden of Feversham&#039;&#039;, published anonymously in 1592, is likewise often attributed to him. In 1594, Kyd published &#039;&#039;Cornelia&#039;&#039;, a translation of French author Robert Gamier’s &#039;&#039;Cornelie&#039;&#039;, which was, however, never performed.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Sources===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Sources===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kyd, Thomas. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;S&lt;/del&gt;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;oliman &lt;/del&gt;and Perseda&#039;&#039;. Ed. Lukas Erne. The Malone Society. Nov 2014. https://manchesteruniversitypress.co.uk/9780719095856/.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kyd, Thomas. &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Soliman &lt;/ins&gt;and Perseda&#039;&#039;. Ed. Lukas Erne. The Malone Society. Nov 2014. https://manchesteruniversitypress.co.uk/9780719095856/.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;“List of Works of Thomas Kyd, Thomas Kyd Books.” &#039;&#039;Elizabethan Era. History of Roman times to Restoration &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;era&lt;/del&gt;&#039;&#039;. http://elizabethanenglandlife.com/thomas-kyd-biography/list-of-works-books.html#:~:text=Thomas%20Kyd%20was%20best%20known%20for%20his%20tragic,works%20include%20numerous%20plays%252C%20books%252C%20poems%252C%20and%20translations. Accessed &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;02 &lt;/del&gt;July 2022.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;“List of Works of Thomas Kyd, Thomas Kyd Books.” &#039;&#039;Elizabethan Era. History of Roman times to Restoration &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Era&lt;/ins&gt;&#039;&#039;. http://elizabethanenglandlife.com/thomas-kyd-biography/list-of-works-books.html#:~:text=Thomas%20Kyd%20was%20best%20known%20for%20his%20tragic,works%20include%20numerous%20plays%252C%20books%252C%20poems%252C%20and%20translations. Accessed &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2 &lt;/ins&gt;July 2022.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“The &lt;/del&gt;Spanish Tragedy. Thomas Kyd. 1592.” &#039;&#039;Encyclopedia.com&#039;&#039;. https://www.encyclopedia.com/arts/educational-magazines/spanish-tragedy. Accessed 1 July 2022.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“&#039;&#039;The &lt;/ins&gt;Spanish Tragedy&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;. Thomas Kyd. 1592.” &#039;&#039;Encyclopedia.com&#039;&#039;. https://www.encyclopedia.com/arts/educational-magazines/spanish-tragedy. Accessed 1 July 2022.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;“Thomas Kyd.” &amp;#039;&amp;#039;Encyclopedia Britannica&amp;#039;&amp;#039;. https://www.britannica.com/biography/Thomas-Kyd. Accessed 2 July 2022.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;“Thomas Kyd.” &amp;#039;&amp;#039;Encyclopedia Britannica&amp;#039;&amp;#039;. https://www.britannica.com/biography/Thomas-Kyd. Accessed 2 July 2022.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Pankratz</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Thomas_Kyd&amp;diff=13667&amp;oldid=prev</id>
		<title>WikiSysop at 16:28, 4 July 2022</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Thomas_Kyd&amp;diff=13667&amp;oldid=prev"/>
		<updated>2022-07-04T16:28:54Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:28, 4 July 2022&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;Life&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==&lt;/ins&gt;Life&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thomas Kyd was born in London in November 1558 as the son of Francis Kyd, a scrivener. After attending the Merchant Taylor’s School in London, he is believed to have initially worked as a scrivener following his education. Kyd eventually wrote theatre plays for the theatre company Queen Elizabeth men from 1583 – 1587, before eventually joining the Queens Company of Players as a private secretary between 1587 – 1593, working for the service of a lord. Between 1582 and 1592 Kyd also focused on writing his prominent play The Spanish Tragedy, published in 1592. &amp;#039;&amp;#039;The Spanish Tragedy&amp;#039;&amp;#039; proved important in the development of a new genre in English theatre, the revenge tragedy.  Only one year later, on 13 May 1593, Thomas Kyd, suspected of treason and atheistical activities denying Jesus Christ, was arrested and later tortured in Bridewell after incriminating evidence had been found in his room. It was only after Kyd had in a confession accused Christopher Marlowe, with whom he had worked and had shared acommodation in 1591, that Kyd was finally released. However, Kyd did not manage to recover from the hardships of imprisonment, so that he finally died in poverty at the age of 35 years in  August 1594.  Kyd was buried in St. Mary Colechurch in London on 15 August 1594, which was destroyed during the great fire in 1666.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thomas Kyd was born in London in November 1558 as the son of Francis Kyd, a scrivener. After attending the Merchant Taylor’s School in London, he is believed to have initially worked as a scrivener following his education. Kyd eventually wrote theatre plays for the theatre company Queen Elizabeth men from 1583 – 1587, before eventually joining the Queens Company of Players as a private secretary between 1587 – 1593, working for the service of a lord. Between 1582 and 1592 Kyd also focused on writing his prominent play The Spanish Tragedy, published in 1592. &amp;#039;&amp;#039;The Spanish Tragedy&amp;#039;&amp;#039; proved important in the development of a new genre in English theatre, the revenge tragedy.  Only one year later, on 13 May 1593, Thomas Kyd, suspected of treason and atheistical activities denying Jesus Christ, was arrested and later tortured in Bridewell after incriminating evidence had been found in his room. It was only after Kyd had in a confession accused Christopher Marlowe, with whom he had worked and had shared acommodation in 1591, that Kyd was finally released. However, Kyd did not manage to recover from the hardships of imprisonment, so that he finally died in poverty at the age of 35 years in  August 1594.  Kyd was buried in St. Mary Colechurch in London on 15 August 1594, which was destroyed during the great fire in 1666.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kyd’s most important play – a tragedy – &amp;#039;&amp;#039;The Spanish Tragedy&amp;#039;&amp;#039; was published and performed onstage sixteen times that same year., becoming one of the most popular plays of the time. Thus, his characterization of Hieronimo in &amp;#039;&amp;#039;The Spanish Tragedy&amp;#039;&amp;#039; turned into an inspiration for Shakespeare in creating the character of Hamlet. Although many of Kyd’s works have been lost, he is still credited for writing an &amp;#039;&amp;#039;“Ur-Hamlet”&amp;#039;&amp;#039; as yet another source of inspiration to Shakespeare. The romantic tragedy &amp;#039;&amp;#039;Soliman and Perseda&amp;#039;&amp;#039; (1588) is also attributed to Thomas Kyd. The Elizabethan play &amp;#039;&amp;#039;Arden of Feversham&amp;#039;&amp;#039;, published anonymously in 1592, is likewise often attributed to him. In 1594, Kyd published &amp;#039;&amp;#039;Cornelia&amp;#039;&amp;#039;, a translation of French author Robert Gamier’s &amp;#039;&amp;#039;Cornelie&amp;#039;&amp;#039;, which was, however, never performed.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kyd’s most important play – a tragedy – &amp;#039;&amp;#039;The Spanish Tragedy&amp;#039;&amp;#039; was published and performed onstage sixteen times that same year., becoming one of the most popular plays of the time. Thus, his characterization of Hieronimo in &amp;#039;&amp;#039;The Spanish Tragedy&amp;#039;&amp;#039; turned into an inspiration for Shakespeare in creating the character of Hamlet. Although many of Kyd’s works have been lost, he is still credited for writing an &amp;#039;&amp;#039;“Ur-Hamlet”&amp;#039;&amp;#039; as yet another source of inspiration to Shakespeare. The romantic tragedy &amp;#039;&amp;#039;Soliman and Perseda&amp;#039;&amp;#039; (1588) is also attributed to Thomas Kyd. The Elizabethan play &amp;#039;&amp;#039;Arden of Feversham&amp;#039;&amp;#039;, published anonymously in 1592, is likewise often attributed to him. In 1594, Kyd published &amp;#039;&amp;#039;Cornelia&amp;#039;&amp;#039;, a translation of French author Robert Gamier’s &amp;#039;&amp;#039;Cornelie&amp;#039;&amp;#039;, which was, however, never performed.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;Sources&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;===&lt;/ins&gt;Sources&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kyd, Thomas. S&amp;#039;&amp;#039;oliman and Perseda&amp;#039;&amp;#039;. Ed. Lukas Erne. The Malone Society. Nov 2014. https://manchesteruniversitypress.co.uk/9780719095856/.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kyd, Thomas. S&amp;#039;&amp;#039;oliman and Perseda&amp;#039;&amp;#039;. Ed. Lukas Erne. The Malone Society. Nov 2014. https://manchesteruniversitypress.co.uk/9780719095856/.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>WikiSysop</name></author>
	</entry>
	<entry>
		<id>https://el.rub.de/wiki/Brit-Cult/index.php?title=Thomas_Kyd&amp;diff=13663&amp;oldid=prev</id>
		<title>Sandy: Thomas Kyd 1558 - 1594.  English dramatist. Author of The Spanish Tragedy, one of the most important Renaissance dramas.</title>
		<link rel="alternate" type="text/html" href="https://el.rub.de/wiki/Brit-Cult/index.php?title=Thomas_Kyd&amp;diff=13663&amp;oldid=prev"/>
		<updated>2022-07-03T10:03:58Z</updated>

		<summary type="html">&lt;p&gt;Thomas Kyd 1558 - 1594.  English dramatist. Author of The Spanish Tragedy, one of the most important Renaissance dramas.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Life&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Thomas Kyd was born in London in November 1558 as the son of Francis Kyd, a scrivener. After attending the Merchant Taylor’s School in London, he is believed to have initially worked as a scrivener following his education. Kyd eventually wrote theatre plays for the theatre company Queen Elizabeth men from 1583 – 1587, before eventually joining the Queens Company of Players as a private secretary between 1587 – 1593, working for the service of a lord. Between 1582 and 1592 Kyd also focused on writing his prominent play The Spanish Tragedy, published in 1592. &amp;#039;&amp;#039;The Spanish Tragedy&amp;#039;&amp;#039; proved important in the development of a new genre in English theatre, the revenge tragedy.  Only one year later, on 13 May 1593, Thomas Kyd, suspected of treason and atheistical activities denying Jesus Christ, was arrested and later tortured in Bridewell after incriminating evidence had been found in his room. It was only after Kyd had in a confession accused Christopher Marlowe, with whom he had worked and had shared acommodation in 1591, that Kyd was finally released. However, Kyd did not manage to recover from the hardships of imprisonment, so that he finally died in poverty at the age of 35 years in  August 1594.  Kyd was buried in St. Mary Colechurch in London on 15 August 1594, which was destroyed during the great fire in 1666. &lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Works&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Kyd’s most important play – a tragedy – &amp;#039;&amp;#039;The Spanish Tragedy&amp;#039;&amp;#039; was published and performed onstage sixteen times that same year., becoming one of the most popular plays of the time. Thus, his characterization of Hieronimo in &amp;#039;&amp;#039;The Spanish Tragedy&amp;#039;&amp;#039; turned into an inspiration for Shakespeare in creating the character of Hamlet. Although many of Kyd’s works have been lost, he is still credited for writing an &amp;#039;&amp;#039;“Ur-Hamlet”&amp;#039;&amp;#039; as yet another source of inspiration to Shakespeare. The romantic tragedy &amp;#039;&amp;#039;Soliman and Perseda&amp;#039;&amp;#039; (1588) is also attributed to Thomas Kyd. The Elizabethan play &amp;#039;&amp;#039;Arden of Feversham&amp;#039;&amp;#039;, published anonymously in 1592, is likewise often attributed to him. In 1594, Kyd published &amp;#039;&amp;#039;Cornelia&amp;#039;&amp;#039;, a translation of French author Robert Gamier’s &amp;#039;&amp;#039;Cornelie&amp;#039;&amp;#039;, which was, however, never performed.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Sources&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Kyd, Thomas. S&amp;#039;&amp;#039;oliman and Perseda&amp;#039;&amp;#039;. Ed. Lukas Erne. The Malone Society. Nov 2014. https://manchesteruniversitypress.co.uk/9780719095856/.&lt;br /&gt;
&lt;br /&gt;
“List of Works of Thomas Kyd, Thomas Kyd Books.” &amp;#039;&amp;#039;Elizabethan Era. History of Roman times to Restoration era&amp;#039;&amp;#039;. http://elizabethanenglandlife.com/thomas-kyd-biography/list-of-works-books.html#:~:text=Thomas%20Kyd%20was%20best%20known%20for%20his%20tragic,works%20include%20numerous%20plays%252C%20books%252C%20poems%252C%20and%20translations. Accessed 02 July 2022.&lt;br /&gt;
&lt;br /&gt;
“The Spanish Tragedy. Thomas Kyd. 1592.” &amp;#039;&amp;#039;Encyclopedia.com&amp;#039;&amp;#039;. https://www.encyclopedia.com/arts/educational-magazines/spanish-tragedy. Accessed 1 July 2022.&lt;br /&gt;
&lt;br /&gt;
“Thomas Kyd.” &amp;#039;&amp;#039;Encyclopedia Britannica&amp;#039;&amp;#039;. https://www.britannica.com/biography/Thomas-Kyd. Accessed 2 July 2022.&lt;/div&gt;</summary>
		<author><name>Sandy</name></author>
	</entry>
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