https://el.rub.de/wiki/Brit-Cult/index.php?action=history&feed=atom&title=Travesties 2026-05-12T02:16:13Z Revision history for this page on the wiki MediaWiki 1.43.0 https://el.rub.de/wiki/Brit-Cult/index.php?title=Travesties&diff=6717&oldid=prev 2011-10-30T14:14:56Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:14, 30 October 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9">Line 9:</td> <td colspan="2" class="diff-lineno">Line 9:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The real James Joyce lived in Zurich between 1915 to 1919 where he was working on [[<del style="font-weight: bold; text-decoration: none;">''</del>Ulysses''<del style="font-weight: bold; text-decoration: none;">]]</del>. There, he staged a production of Oscar Wilde's play ''The Importance of being Earnest'' and it is the plot of Wilde's play that Stoppard uses as a structural basis for ''Travesties'' - with Tzara mirroring ''Earnest'''s Jack, Carr representing the character of Algernon and Joyce that of Lady Augusta Bracknell, among others.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The real James Joyce lived in Zurich between 1915 to 1919 where he was working on <ins style="font-weight: bold; text-decoration: none;">''</ins>[[Ulysses<ins style="font-weight: bold; text-decoration: none;">]]</ins>''. There, he staged a production of Oscar Wilde's play ''The Importance of being Earnest'' and it is the plot of Wilde's play that Stoppard uses as a structural basis for ''Travesties'' - with Tzara mirroring ''Earnest'''s Jack, Carr representing the character of Algernon and Joyce that of Lady Augusta Bracknell, among others.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The portrayal of Lenin, however, is very much kept apart from the main plot and the treatment of the other characters. His presence in the play at times undermines the general lightheartedness and threatens the loss of both frameworks of the the action - Carr&#039;s memory and Wilde&#039;s play. As a prototype of a fanatical leader, Lenin is a disruptive menace in the play and his utterances are not fictionalized.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The portrayal of Lenin, however, is very much kept apart from the main plot and the treatment of the other characters. His presence in the play at times undermines the general lightheartedness and threatens the loss of both frameworks of the the action - Carr&#039;s memory and Wilde&#039;s play. As a prototype of a fanatical leader, Lenin is a disruptive menace in the play and his utterances are not fictionalized.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>While the play opens up debates about art, communism, patriotism, war, history and memory, it offers no resolution to any of them and, instead, "remains a play in which 'Tom Stoppard Doesn't Know.' More than that, it seems to offer a comic caution against those who claim too fervently that they do"(Hunter 134).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>While the play opens up debates about art, communism, patriotism, war, history and memory, it offers no resolution to any of them and, instead, "remains a play in which 'Tom Stoppard Doesn't Know.' More than that, it seems to offer a comic caution against those who claim too fervently that they do" (Hunter 134).</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>   </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>   </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l22">Line 22:</td> <td colspan="2" class="diff-lineno">Line 22:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hunter, Jim. &#039;&#039;Tom Stoppard&#039;&#039;. Faber Critical Guides. London: Faber and Faber, 2000.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hunter, Jim. &#039;&#039;Tom Stoppard&#039;&#039;. Faber Critical Guides. London: Faber and Faber, 2000.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Ousby, Ian, ed. “Tom Stoppard.”'' The Wordsworth Companion to Literature in English''. Wordsworth Reference. Ware, Hertfordshire: Wordsworth Editions, 1994.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Ousby, Ian, ed. “Tom Stoppard.” ''The Wordsworth Companion to Literature in English''. Wordsworth Reference. Ware, Hertfordshire: Wordsworth Editions, 1994.</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6679:rev-6717:php=table --> </table>

WikiSysop https://el.rub.de/wiki/Brit-Cult/index.php?title=Travesties&diff=6679&oldid=prev 2011-10-24T10:08:51Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 10:08, 24 October 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l22">Line 22:</td> <td colspan="2" class="diff-lineno">Line 22:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hunter, Jim. &#039;&#039;Tom Stoppard&#039;&#039;. Faber Critical Guides. London: Faber and Faber, 2000.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hunter, Jim. &#039;&#039;Tom Stoppard&#039;&#039;. Faber Critical Guides. London: Faber and Faber, 2000.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Ousby, Ian, ed. “Tom Stoppard.”'' The Wordsworth Companion to Literature in English''. Wordsworth Reference. Ware, Hertfordshire: Wordsworth Editions <del style="font-weight: bold; text-decoration: none;">Ltd</del>, 1994.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Ousby, Ian, ed. “Tom Stoppard.”'' The Wordsworth Companion to Literature in English''. Wordsworth Reference. Ware, Hertfordshire: Wordsworth Editions, 1994.</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6678:rev-6679:php=table --> </table>

Pankratz https://el.rub.de/wiki/Brit-Cult/index.php?title=Travesties&diff=6678&oldid=prev 2011-10-24T10:08:28Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 10:08, 24 October 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9">Line 9:</td> <td colspan="2" class="diff-lineno">Line 9:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The real James Joyce lived in Zurich between 1915 to 1919 where he was working on <del style="font-weight: bold; text-decoration: none;">“</del>[[Ulysses]].<del style="font-weight: bold; text-decoration: none;">” </del>There, he staged a production of Oscar Wilde's play <del style="font-weight: bold; text-decoration: none;">“The </del>Importance of being <del style="font-weight: bold; text-decoration: none;">Earnest” </del>and it is the plot of Wilde's play that Stoppard uses as a structural basis for <del style="font-weight: bold; text-decoration: none;">“Travesties” </del>- with Tzara mirroring <del style="font-weight: bold; text-decoration: none;">“Earnest</del>'<del style="font-weight: bold; text-decoration: none;">s” </del>Jack, Carr representing the character of Algernon and Joyce that of Lady Augusta Bracknell, among others.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The real James Joyce lived in Zurich between 1915 to 1919 where he was working on [[<ins style="font-weight: bold; text-decoration: none;">''</ins>Ulysses<ins style="font-weight: bold; text-decoration: none;">''</ins>]]. There, he staged a production of Oscar Wilde's play <ins style="font-weight: bold; text-decoration: none;">''The </ins>Importance of being <ins style="font-weight: bold; text-decoration: none;">Earnest'' </ins>and it is the plot of Wilde's play that Stoppard uses as a structural basis for <ins style="font-weight: bold; text-decoration: none;">''Travesties'' </ins>- with Tzara mirroring '<ins style="font-weight: bold; text-decoration: none;">'Earnest'''s </ins>Jack, Carr representing the character of Algernon and Joyce that of Lady Augusta Bracknell, among others.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The portrayal of Lenin, however, is very much kept apart from the main plot and the treatment of the other characters. His presence in the play at times undermines the general lightheartedness and threatens the loss of both frameworks of the the action - Carr&#039;s memory and Wilde&#039;s play. As a prototype of a fanatical leader, Lenin is a disruptive menace in the play and his utterances are not fictionalized.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The portrayal of Lenin, however, is very much kept apart from the main plot and the treatment of the other characters. His presence in the play at times undermines the general lightheartedness and threatens the loss of both frameworks of the the action - Carr&#039;s memory and Wilde&#039;s play. As a prototype of a fanatical leader, Lenin is a disruptive menace in the play and his utterances are not fictionalized.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>While the play opens up debates about art, communism, patriotism, war, history and memory, it offers no resolution to any of them and, instead, <del style="font-weight: bold; text-decoration: none;">“remains </del>a play in which 'Tom Stoppard Doesn't Know.' More than that, it seems to offer a comic caution against those who claim too fervently that they <del style="font-weight: bold; text-decoration: none;">do”</del>(Hunter 134).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>While the play opens up debates about art, communism, patriotism, war, history and memory, it offers no resolution to any of them and, instead, <ins style="font-weight: bold; text-decoration: none;">"remains </ins>a play in which 'Tom Stoppard Doesn't Know.' More than that, it seems to offer a comic caution against those who claim too fervently that they <ins style="font-weight: bold; text-decoration: none;">do"</ins>(Hunter 134).</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>   </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>   </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6676:rev-6678:php=table --> </table>

Pankratz https://el.rub.de/wiki/Brit-Cult/index.php?title=Travesties&diff=6676&oldid=prev 2011-10-22T09:17:18Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:17, 22 October 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]&#039;s &#039;&#039;[[The Importance of Being Earnest]]&#039;&#039;, which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan Tzara]] and [[Lenin]]) as its protagonists.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]&#039;s &#039;&#039;[[The Importance of Being Earnest]]&#039;&#039;, which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan Tzara]] and [[Lenin]]) as its protagonists.  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>As is characteristic of Stoppard's work, the play examines artistic conventions and cultural assumptions in a highly intelligent and humorous fashion. It demands <del style="font-weight: bold; text-decoration: none;">a </del>significant frameworks of knowledge to follow its various cultural and political references.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>As is characteristic of Stoppard's work, the play examines artistic conventions and cultural assumptions in a highly intelligent and humorous fashion. It demands significant frameworks of knowledge to follow its various cultural and political references.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Set in Zurich during WWI, the play brings together Romanian poet Tristan Tzara, inventor of the name “Dada,” James Joyce, representing the serious nature of art for art's sake, and Vladimir Lenin who is just preparing to play his part in the 1917 Russian revolution. The action takes place in the memory of its largely fictional protagonist Henry Carr, a consular official and <del style="font-weight: bold; text-decoration: none;">an </del>average English male holding conventional, middle class views of politics and art. As the play progresses Carr is revealed to be a highly untrustworthy source of information.  </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Set in Zurich during WWI, the play brings together Romanian poet Tristan Tzara, inventor of the name “Dada,” James Joyce, representing the serious nature of art for art's sake, and Vladimir Lenin who is just preparing to play his part in the 1917 Russian revolution. The action takes place in the memory of its largely fictional protagonist Henry Carr, a consular official and average English male holding conventional, middle class views of politics and art. As the play progresses Carr is revealed to be a highly untrustworthy source of information.  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The real James Joyce lived in Zurich between 1915 to 1919 where he was working on <del style="font-weight: bold; text-decoration: none;">“Ulysses</del>.” There, he staged a production of Oscar Wilde's play “The Importance of being Earnest” and it is the plot of Wilde's play that Stoppard uses as a structural basis for “Travesties” - with Tzara mirroring “Earnest's” Jack, Carr representing the character of Algernon and Joyce that of Lady Augusta Bracknell, among others.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The real James Joyce lived in Zurich between 1915 to 1919 where he was working on <ins style="font-weight: bold; text-decoration: none;">“[[Ulysses]]</ins>.” There, he staged a production of Oscar Wilde's play “The Importance of being Earnest” and it is the plot of Wilde's play that Stoppard uses as a structural basis for “Travesties” - with Tzara mirroring “Earnest's” Jack, Carr representing the character of Algernon and Joyce that of Lady Augusta Bracknell, among others.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The portrayal of Lenin, <del style="font-weight: bold; text-decoration: none;">howerver</del>, is very much kept apart from the main plot and the treatment of the other characters. His presence in the play at times undermines the general lightheartedness and threatens the loss of both frameworks of the the action - Carr's memory and Wilde's play. As a prototype of a fanatical leader, Lenin is a disruptive menace in the play and his utterances are not fictionalized.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The portrayal of Lenin, <ins style="font-weight: bold; text-decoration: none;">however</ins>, is very much kept apart from the main plot and the treatment of the other characters. His presence in the play at times undermines the general lightheartedness and threatens the loss of both frameworks of the the action - Carr's memory and Wilde's play. As a prototype of a fanatical leader, Lenin is a disruptive menace in the play and his utterances are not fictionalized.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>While the play opens up debates about art, communism, patriotism, war, history and memory, it offers no resolution to any of them and, instead, “remains a play in which &#039;Tom Stoppard Doesn&#039;t Know.&#039; More than that, it seems to offer a comic caution against those who claim too fervently that they do”(Hunter 134).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>While the play opens up debates about art, communism, patriotism, war, history and memory, it offers no resolution to any of them and, instead, “remains a play in which &#039;Tom Stoppard Doesn&#039;t Know.&#039; More than that, it seems to offer a comic caution against those who claim too fervently that they do”(Hunter 134).</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6675:rev-6676:php=table --> </table>

Eleanor rigby https://el.rub.de/wiki/Brit-Cult/index.php?title=Travesties&diff=6675&oldid=prev 2011-10-22T09:11:19Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:11, 22 October 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Play by [[Tom Stoppard]] first performed in 1974.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Play by [[Tom Stoppard]] first performed in 1974.  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]'s ''[[The Importance of Being Earnest]]'', which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan Tzara]] and [[Lenin]]) as its protagonists.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]'s ''[[The Importance of Being Earnest]]'', which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan Tzara]] and [[Lenin]]) as its protagonists.  </div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">    </del>As is characteristic of Stoppard's work, the play examines artistic conventions and cultural assumptions in a highly intelligent and humorous fashion. It demands a significant frameworks of knowledge to follow its various cultural and political references.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">    </del>Set in Zurich during WWI, the play brings together Romanian poet Tristan Tzara, inventor of the name “Dada,” James Joyce, representing the serious nature of art for art's sake, and Vladimir Lenin who is just preparing to play his part in the 1917 Russian revolution. The action takes place in the memory of its largely fictional protagonist Henry Carr, a consular official and an average English male holding conventional, middle class views of politics and art. As the play progresses Carr is revealed to be a highly untrustworthy source of information.  </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>As is characteristic of Stoppard's work, the play examines artistic conventions and cultural assumptions in a highly intelligent and humorous fashion. It demands a significant frameworks of knowledge to follow its various cultural and political references.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">    </del>The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">    </del>The real James Joyce lived in Zurich between 1915 to 1919 where he was working on “Ulysses.” There, he staged a production of Oscar Wilde's play “The Importance of being Earnest” and it is the plot of Wilde's play that Stoppard uses as a structural basis for “Travesties” - with Tzara mirroring “Earnest's” Jack, Carr representing the character of Algernon and Joyce that of Lady Augusta Bracknell, among others.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Set in Zurich during WWI, the play brings together Romanian poet Tristan Tzara, inventor of the name “Dada,” James Joyce, representing the serious nature of art for art's sake, and Vladimir Lenin who is just preparing to play his part in the 1917 Russian revolution. The action takes place in the memory of its largely fictional protagonist Henry Carr, a consular official and an average English male holding conventional, middle class views of politics and art. As the play progresses Carr is revealed to be a highly untrustworthy source of information.  </div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">    </del>The portrayal of Lenin, howerver, is very much kept apart from the main plot and the treatment of the other characters. His presence in the play at times undermines the general lightheartedness and threatens the loss of both frameworks of the the action - Carr's memory and Wilde's play. As a prototype of a fanatical leader, Lenin is a disruptive menace in the play and his utterances are not fictionalized.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">    </del>While the play opens up debates about art, communism, patriotism, war, history and memory, it offers no resolution to any of them and, instead, “remains a play in which 'Tom Stoppard Doesn't Know.' More than that, it seems to offer a comic caution against those who claim too fervently that they do”(Hunter 134).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The real James Joyce lived in Zurich between 1915 to 1919 where he was working on “Ulysses.” There, he staged a production of Oscar Wilde's play “The Importance of being Earnest” and it is the plot of Wilde's play that Stoppard uses as a structural basis for “Travesties” - with Tzara mirroring “Earnest's” Jack, Carr representing the character of Algernon and Joyce that of Lady Augusta Bracknell, among others.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The portrayal of Lenin, howerver, is very much kept apart from the main plot and the treatment of the other characters. His presence in the play at times undermines the general lightheartedness and threatens the loss of both frameworks of the the action - Carr's memory and Wilde's play. As a prototype of a fanatical leader, Lenin is a disruptive menace in the play and his utterances are not fictionalized.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>While the play opens up debates about art, communism, patriotism, war, history and memory, it offers no resolution to any of them and, instead, “remains a play in which 'Tom Stoppard Doesn't Know.' More than that, it seems to offer a comic caution against those who claim too fervently that they do”(Hunter 134).</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>   </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>   </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6674:rev-6675:php=table --> </table>

Eleanor rigby https://el.rub.de/wiki/Brit-Cult/index.php?title=Travesties&diff=6674&oldid=prev 2011-10-22T09:10:04Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:10, 22 October 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l2">Line 2:</td> <td colspan="2" class="diff-lineno">Line 2:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]&#039;s &#039;&#039;[[The Importance of Being Earnest]]&#039;&#039;, which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan Tzara]] and [[Lenin]]) as its protagonists.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]&#039;s &#039;&#039;[[The Importance of Being Earnest]]&#039;&#039;, which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan Tzara]] and [[Lenin]]) as its protagonists.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>     As is characteristic of <del style="font-weight: bold; text-decoration: none;">his </del>work, the play examines artistic conventions and cultural assumptions in a highly intelligent and humorous fashion. It demands a significant frameworks of knowledge to follow its various cultural and political references.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>     As is characteristic of <ins style="font-weight: bold; text-decoration: none;">Stoppard's </ins>work, the play examines artistic conventions and cultural assumptions in a highly intelligent and humorous fashion. It demands a significant frameworks of knowledge to follow its various cultural and political references.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     Set in Zurich during WWI, the play brings together Romanian poet Tristan Tzara, inventor of the name “Dada,” James Joyce, representing the serious nature of art for art&#039;s sake, and Vladimir Lenin who is just preparing to play his part in the 1917 Russian revolution. The action takes place in the memory of its largely fictional protagonist Henry Carr, a consular official and an average English male holding conventional, middle class views of politics and art. As the play progresses Carr is revealed to be a highly untrustworthy source of information.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     Set in Zurich during WWI, the play brings together Romanian poet Tristan Tzara, inventor of the name “Dada,” James Joyce, representing the serious nature of art for art&#039;s sake, and Vladimir Lenin who is just preparing to play his part in the 1917 Russian revolution. The action takes place in the memory of its largely fictional protagonist Henry Carr, a consular official and an average English male holding conventional, middle class views of politics and art. As the play progresses Carr is revealed to be a highly untrustworthy source of information.  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6673:rev-6674:php=table --> </table>

Eleanor rigby https://el.rub.de/wiki/Brit-Cult/index.php?title=Travesties&diff=6673&oldid=prev 2011-10-22T09:05:19Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:05, 22 October 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l2">Line 2:</td> <td colspan="2" class="diff-lineno">Line 2:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]&#039;s &#039;&#039;[[The Importance of Being Earnest]]&#039;&#039;, which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan Tzara]] and [[Lenin]]) as its protagonists.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]&#039;s &#039;&#039;[[The Importance of Being Earnest]]&#039;&#039;, which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan Tzara]] and [[Lenin]]) as its protagonists.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">    </ins>As is characteristic of his work, the play examines artistic conventions and cultural assumptions in a highly intelligent and humorous fashion. It demands a significant frameworks of knowledge to follow its various cultural and political references.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>As is characteristic of his work, the play examines artistic conventions and cultural assumptions in a highly intelligent and humorous fashion. It demands a significant frameworks of knowledge to follow its various cultural and political references.</div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     Set in Zurich during WWI, the play brings together Romanian poet Tristan Tzara, inventor of the name “Dada,” James Joyce, representing the serious nature of art for art&#039;s sake, and Vladimir Lenin who is just preparing to play his part in the 1917 Russian revolution. The action takes place in the memory of its largely fictional protagonist Henry Carr, a consular official and an average English male holding conventional, middle class views of politics and art. As the play progresses Carr is revealed to be a highly untrustworthy source of information.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     Set in Zurich during WWI, the play brings together Romanian poet Tristan Tzara, inventor of the name “Dada,” James Joyce, representing the serious nature of art for art&#039;s sake, and Vladimir Lenin who is just preparing to play his part in the 1917 Russian revolution. The action takes place in the memory of its largely fictional protagonist Henry Carr, a consular official and an average English male holding conventional, middle class views of politics and art. As the play progresses Carr is revealed to be a highly untrustworthy source of information.  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits.  </div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9">Line 9:</td> <td colspan="2" class="diff-lineno">Line 8:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     The portrayal of Lenin, howerver, is very much kept apart from the main plot and the treatment of the other characters. His presence in the play at times undermines the general lightheartedness and threatens the loss of both frameworks of the the action - Carr&#039;s memory and Wilde&#039;s play. As a prototype of a fanatical leader, Lenin is a disruptive menace in the play and his utterances are not fictionalized.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     The portrayal of Lenin, howerver, is very much kept apart from the main plot and the treatment of the other characters. His presence in the play at times undermines the general lightheartedness and threatens the loss of both frameworks of the the action - Carr&#039;s memory and Wilde&#039;s play. As a prototype of a fanatical leader, Lenin is a disruptive menace in the play and his utterances are not fictionalized.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     While the play opens up debates about art, communism, patriotism, war, history and memory, it offers no resolution to any of them and, instead, “remains a play in which &#039;Tom Stoppard Doesn&#039;t Know.&#039; More than that, it seems to offer a comic caution against those who claim too fervently that they do”(Hunter 134).</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>     While the play opens up debates about art, communism, patriotism, war, history and memory, it offers no resolution to any of them and, instead, “remains a play in which &#039;Tom Stoppard Doesn&#039;t Know.&#039; More than that, it seems to offer a comic caution against those who claim too fervently that they do”(Hunter 134).</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">________________________________</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> </ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">----</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Sources:&#039;&#039;&#039;</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Sources:&#039;&#039;&#039;</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6672:rev-6673:php=table --> </table>

Eleanor rigby https://el.rub.de/wiki/Brit-Cult/index.php?title=Travesties&diff=6672&oldid=prev 2011-10-22T09:03:06Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 09:03, 22 October 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l2">Line 2:</td> <td colspan="2" class="diff-lineno">Line 2:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]&#039;s &#039;&#039;[[The Importance of Being Earnest]]&#039;&#039;, which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan Tzara]] and [[Lenin]]) as its protagonists.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]&#039;s &#039;&#039;[[The Importance of Being Earnest]]&#039;&#039;, which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan Tzara]] and [[Lenin]]) as its protagonists.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">As is characteristic of his work, the play examines artistic conventions and cultural assumptions in a highly intelligent and humorous fashion. It demands a significant frameworks of knowledge to follow its various cultural and political references.</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">    Set in Zurich during WWI, the play brings together Romanian poet Tristan Tzara, inventor of the name “Dada,” James Joyce, representing the serious nature of art for art's sake, and Vladimir Lenin who is just preparing to play his part in the 1917 Russian revolution. The action takes place in the memory of its largely fictional protagonist Henry Carr, a consular official and an average English male holding conventional, middle class views of politics and art. As the play progresses Carr is revealed to be a highly untrustworthy source of information. </ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">    The historical characters, with the exception of Lenin, are designed more to be travesties of their real counterparts than to give actual biographical portraits. </ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">    The real James Joyce lived in Zurich between 1915 to 1919 where he was working on “Ulysses.” There, he staged a production of Oscar Wilde's play “The Importance of being Earnest” and it is the plot of Wilde's play that Stoppard uses as a structural basis for “Travesties” - with Tzara mirroring “Earnest's” Jack, Carr representing the character of Algernon and Joyce that of Lady Augusta Bracknell, among others.</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">    The portrayal of Lenin, howerver, is very much kept apart from the main plot and the treatment of the other characters. His presence in the play at times undermines the general lightheartedness and threatens the loss of both frameworks of the the action - Carr's memory and Wilde's play. As a prototype of a fanatical leader, Lenin is a disruptive menace in the play and his utterances are not fictionalized.</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">    While the play opens up debates about art, communism, patriotism, war, history and memory, it offers no resolution to any of them and, instead, “remains a play in which 'Tom Stoppard Doesn't Know.' More than that, it seems to offer a comic caution against those who claim too fervently that they do”(Hunter 134).</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">________________________________</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Sources:'''</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Hunter, Jim. ''Tom Stoppard''. Faber Critical Guides. London: Faber and Faber, 2000.</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Ousby, Ian, ed. “Tom Stoppard.”'' The Wordsworth Companion to Literature in English''. Wordsworth Reference. Ware, Hertfordshire: Wordsworth Editions Ltd, 1994.</ins></div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6656:rev-6672:php=table --> </table>

Eleanor rigby https://el.rub.de/wiki/Brit-Cult/index.php?title=Travesties&diff=6656&oldid=prev 2011-10-20T15:27:13Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:27, 20 October 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Play by [[Tom Stoppard]] first performed in 1974.  </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Play by [[Tom Stoppard]] first performed in 1974.  </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]'s ''[[The Importance of Being Earnest]]'', which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan <del style="font-weight: bold; text-decoration: none;">Tsara</del>]] and [[Lenin]]) as its protagonists.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>An adaption of [[Oscar Wilde]]'s ''[[The Importance of Being Earnest]]'', which features a cast of influential exponents of modernist art, literature and culture (e.g., [[James Joyce]], [[Tristan <ins style="font-weight: bold; text-decoration: none;">Tzara</ins>]] and [[Lenin]]) as its protagonists.</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6649:rev-6656:php=table --> </table>

Pankratz https://el.rub.de/wiki/Brit-Cult/index.php?title=Travesties&diff=6649&oldid=prev 2011-10-20T15:13:30Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:13, 20 October 2011</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''"Travesties" is a play </del>by [[Tom Stoppard]] first performed in 1974. <del style="font-weight: bold; text-decoration: none;">It has the epoch </del>of [[<del style="font-weight: bold; text-decoration: none;">modernism</del>]] <del style="font-weight: bold; text-decoration: none;">as its focus</del>, <del style="font-weight: bold; text-decoration: none;">featuring </del>a cast of influential exponents of modernist art, literature and culture as its protagonists.<del style="font-weight: bold; text-decoration: none;">'''</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Play </ins>by [[Tom Stoppard]] first performed in 1974.  </div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">An adaption </ins>of [[<ins style="font-weight: bold; text-decoration: none;">Oscar Wilde]]'s ''[[The Importance of Being Earnest</ins>]]<ins style="font-weight: bold; text-decoration: none;">''</ins>, <ins style="font-weight: bold; text-decoration: none;">which features </ins>a cast of influential exponents of modernist art, literature and culture <ins style="font-weight: bold; text-decoration: none;">(e.g., [[James Joyce]], [[Tristan Tsara]] and [[Lenin]]) </ins>as its protagonists.</div></td></tr> <!-- diff cache key wikidb_bild-rsc:diff:1.41:old-6646:rev-6649:php=table --> </table>

Pankratz