William Morris - Revision history

Dianaboehm at 09:16, 10 February 2021

2021-02-10T09:16:58Z

← Older revision		Revision as of 09:16, 10 February 2021
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	http://creativecommons.org/publicdomain/zero/1.0/]]		http://creativecommons.org/publicdomain/zero/1.0/]]

	<big>24 March 1834, Walthamstow - 3 October 1896, Hammersmith. British socialist, artist, designer, craftsman and author. He was one of the members of the [[Pre-Raphaelite Brotherhood]] and subsequently co-founded the [[Arts and Crafts Movement]]. Another aspect he is famously known for is his utopian novel ''[[News from Nowhere]]'' (1890) depicting an ideal rural and socialist society. He invented the [[Kelmscott Press]] and revolutionized how the living sphere was precepted by rejecting the Victorian ideology of productivity and utility. Today we still encounter Morris’ art especially through his famous decorative medieval-inspired wallpapers.		<big>24 March 1834, Walthamstow - 3 October 1896, Hammersmith. British socialist, artist, designer, craftsman and author. He was one of the members of the [[Pre-Raphaelite Brotherhood]] and subsequently co-founded the [[Arts and Crafts Movement]]. Another aspect he is famously known for is his utopian novel ''[[News from Nowhere]]'' (1890) depicting an ideal rural and socialist society. He invented the [[Kelmscott Press]] and revolutionized how the living sphere was precepted by rejecting the Victorian ideology of productivity and utility. Today we still encounter Morris’ art especially through his famous decorative medieval-inspired wallpapers (Lesjak 2006).
	[[File:Wallpaper morris.jpg\|thumb\|right\|This image shows 4 different wallpaper drafts in a floral design by Morris<br>		[[File:Wallpaper morris.jpg\|thumb\|right\|This image shows 4 different wallpaper drafts in a floral design by Morris<br>
	https://prometheus.uni-koeln.de/de/image/dresden-697d0c27edd0d33584a561fc6ff76e833731d602]]<br>		https://prometheus.uni-koeln.de/de/image/dresden-697d0c27edd0d33584a561fc6ff76e833731d602]]<br>
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	<big>Life</big>		<big>Life</big>

	His academic career starts 1853 at the Exeter College of the University of Oxford, where he meets Edward Burne-Jones, with whom he among other friends founded the company Morris & Co in 1861, producing handcrafted furniture, stained‐glass windows and the famous floral-medieval designs. At first his engagement in the [[Oxford Movement]] pointed to career in the clergy, later on he was heavily influenced by [[John Ruskin]] both politically and artistically. Politically in terms of becoming akin to socialism and Communism, artistically in terms of his preference for gothic and more general medieval designs and architecture. He also put much effort into preserving ancient buildings and brought the [[Society for the Protection of Ancient Buildings]] into life.		His academic career starts 1853 at the Exeter College of the University of Oxford, where he meets Edward Burne-Jones, with whom he among other friends founded the company Morris & Co in 1861, producing handcrafted furniture, stained‐glass windows and the famous floral-medieval designs (ibid.). At first his engagement in the [[Oxford Movement]] pointed to career in the clergy, later on he was heavily influenced by [[John Ruskin]] both politically and artistically. Politically in terms of becoming akin to socialism and Communism, artistically in terms of his preference for gothic and more general medieval designs and architecture. He also put much effort into preserving ancient buildings and brought the [[Society for the Protection of Ancient Buildings]] into life.
	Before becoming a designer, he was also under the influence of the Pre-Raphaelites leading him to painting, which he gave up before turning to and founding the Arts and Craft Movement.<br>		Before becoming a designer, he was also under the influence of the Pre-Raphaelites leading him to painting, which he gave up before turning to and founding the Arts and Craft Movement.<br>

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	<big>Worldview</big>		<big>Worldview</big>

	A deep belief in the conjunction of ‘beauty’ and ‘use’ heavily influenced his standpoint on art and politics, because he saw the necessary conditions for producing art in the society which enables it. In contrast to other socialists and Marxists he put an emphasis on the alienation of workers and advocated to transform work into a ‘useful’ process of production, where the aspect of a holistic approach would erase the necessary alienation of workers in the factory.		A deep belief in the conjunction of ‘beauty’ and ‘use’ heavily influenced his standpoint on art and politics, because he saw the necessary conditions for producing art in the society which enables it. In contrast to other socialists and Marxists he put an emphasis on the alienation of workers and advocated to transform work into a ‘useful’ process of production, where the aspect of a holistic approach would erase the necessary alienation of workers in the factory (ibid).

	In 1884 he joined Henry Mayers Hyndman’s Democratic Federation, where he toured through industrial areas in order to spread the idea of socialism. Later on he turned away from Hyndman due to his autocratic tendencies and originated the [[Hammersmith Socialist Society]], which became a meeting point for lectures on socialism as well as organizing open-air meetings throughout London. He actively participated along with [[George Bernard Shaw]] at a banned demonstration on Trafalgar Square which became famously known as ‘[[Bloody Sunday]]’ due to its violent dissolution by the police.<br>		In 1884 he joined Henry Mayers Hyndman’s Democratic Federation, where he toured through industrial areas in order to spread the idea of socialism. Later on he turned away from Hyndman due to his autocratic tendencies and originated the [[Hammersmith Socialist Society]], which became a meeting point for lectures on socialism as well as organizing open-air meetings throughout London. He actively participated along with [[George Bernard Shaw]] at a banned demonstration on Trafalgar Square which became famously known as ‘[[Bloody Sunday]]’ due to its violent dissolution by the police.<br>
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	"Morris, William." ''World Encyclopedia''. Philip's, 2004. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780199546091.001.0001/acref-9780199546091-e-7787>.		"Morris, William." ''World Encyclopedia''. Philip's, 2004. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780199546091.001.0001/acref-9780199546091-e-7787>.

	"William Morris." ''Britannica Academic, Encyclopædia Britannica'', 22 Feb. 2016. Date Accessed 6 Feb. 2021. <academic.eb.com/levels/collegiate/article/William-Morris/53819>.		"William Morris." ''Britannica Academic, Encyclopædia Britannica'', 22 Feb. 2016. Date Accessed 6 Feb. 2021<br>
			<https://www.academic.eb.com/levels/collegiate/article/William-Morris/53819>.

	Cannon, John, and Robert Crowcroft. "Morris, William." ''A Dictionary of British History'', Oxford University Press, 2015. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780191758027.001.0001/acref-9780191758027-e-2377>.		Cannon, John, and Robert Crowcroft. "Morris, William." ''A Dictionary of British History'', Oxford University Press, 2015. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780191758027.001.0001/acref-9780191758027-e-2377>.

Pankratz at 15:46, 7 February 2021

2021-02-07T15:46:59Z

← Older revision		Revision as of 15:46, 7 February 2021
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	http://creativecommons.org/publicdomain/zero/1.0/]]		http://creativecommons.org/publicdomain/zero/1.0/]]

	<big>William Morris</big> (*March 24, ~~1834~~ Walthamstow - † October 3, ~~1896~~ Hammersmith~~) was a~~ British socialist, artist, designer, craftsman and author. He was one of the members of the [[Pre-Raphaelite Brotherhood]] and subsequently co-founded the [[Arts and Crafts Movement]]. Another aspect he is famously known for is his utopian novel ''[[News from Nowhere]]'' (1890) depicting an ideal rural and socialist society. He invented the [[Kelmscott Press]] and revolutionized how the living sphere was precepted by rejecting the Victorian ideology of productivity and utility. Today we still encounter Morris’ art especially through his famous decorative medieval-inspired wallpapers.		<big>24 March 1834, Walthamstow - 3 October 1896, Hammersmith. British socialist, artist, designer, craftsman and author. He was one of the members of the [[Pre-Raphaelite Brotherhood]] and subsequently co-founded the [[Arts and Crafts Movement]]. Another aspect he is famously known for is his utopian novel ''[[News from Nowhere]]'' (1890) depicting an ideal rural and socialist society. He invented the [[Kelmscott Press]] and revolutionized how the living sphere was precepted by rejecting the Victorian ideology of productivity and utility. Today we still encounter Morris’ art especially through his famous decorative medieval-inspired wallpapers.
	[[File:Wallpaper morris.jpg\|thumb\|right\|This image shows 4 different wallpaper drafts in a floral design by Morris<br>		[[File:Wallpaper morris.jpg\|thumb\|right\|This image shows 4 different wallpaper drafts in a floral design by Morris<br>
	https://prometheus.uni-koeln.de/de/image/dresden-697d0c27edd0d33584a561fc6ff76e833731d602]]<br>		https://prometheus.uni-koeln.de/de/image/dresden-697d0c27edd0d33584a561fc6ff76e833731d602]]<br>
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	<big>Life</big>		<big>Life</big>

	His academic career starts 1853 at the Exeter College of the University of Oxford, where he meets Edward Burne-Jones, with whom he among other friends founded the company Morris & Co in 1861. producing handcrafted furniture, stained‐glass windows and the famous floral-medieval designs. At first his engagement in the [[Oxford Movement]] pointed to a clergy ~~career~~, later on he was heavily influenced by [[John Ruskin]] both politically and artistically. Politically in terms of becoming akin to socialism and ~~communism~~, artistically in terms of his preference in gothic and more general medieval designs and architecture. He also put much effort into preserving ancient buildings and brought the [[Society for the Protection of Ancient Buildings]] into life.		His academic career starts 1853 at the Exeter College of the University of Oxford, where he meets Edward Burne-Jones, with whom he among other friends founded the company Morris & Co in 1861, producing handcrafted furniture, stained‐glass windows and the famous floral-medieval designs. At first his engagement in the [[Oxford Movement]] pointed to career in the clergy, later on he was heavily influenced by [[John Ruskin]] both politically and artistically. Politically in terms of becoming akin to socialism and Communism, artistically in terms of his preference for gothic and more general medieval designs and architecture. He also put much effort into preserving ancient buildings and brought the [[Society for the Protection of Ancient Buildings]] into life.
	Before becoming a designer, he was also under the influence of the Pre-Raphaelites leading him to painting, which he gave up before turning to and founding the Arts and Craft Movement.<br>		Before becoming a designer, he was also under the influence of the Pre-Raphaelites leading him to painting, which he gave up before turning to and founding the Arts and Craft Movement.<br>

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	<big>Worldview</big>		<big>Worldview</big>

	A deep ~~believe~~ in the conjunction of ‘beauty’ and ‘use’ heavily influenced his standpoint on art and politics, because he saw the necessary conditions for producing art in the society which enables it. In contrast to other ~~Socialists~~ and Marxists he put an emphasis on the alienation of workers and advocated to transform work into a ‘useful’ process of production, where the aspect of a holistic approach would erase the necessary alienation of workers in the factory.		A deep belief in the conjunction of ‘beauty’ and ‘use’ heavily influenced his standpoint on art and politics, because he saw the necessary conditions for producing art in the society which enables it. In contrast to other socialists and Marxists he put an emphasis on the alienation of workers and advocated to transform work into a ‘useful’ process of production, where the aspect of a holistic approach would erase the necessary alienation of workers in the factory.
	In 1884 he joined ~~the~~ Henry Mayers Hyndman’s Democratic Federation, where he toured through industrial areas in order to spread the idea of socialism. Later on he turned away from Hyndman due to his autocratic tendencies and originated the [[Hammersmith Socialist Society]], which became a meeting point for lectures on socialism as well as organizing open-air meetings throughout London. He actively participated along with [[George Bernard Shaw]] at a banned demonstration on Trafalgar Square which became famously known as ‘[[Bloody Sunday]]’ due to its violent dissolution by the police.<br>
			In 1884 he joined Henry Mayers Hyndman’s Democratic Federation, where he toured through industrial areas in order to spread the idea of socialism. Later on he turned away from Hyndman due to his autocratic tendencies and originated the [[Hammersmith Socialist Society]], which became a meeting point for lectures on socialism as well as organizing open-air meetings throughout London. He actively participated along with [[George Bernard Shaw]] at a banned demonstration on Trafalgar Square which became famously known as ‘[[Bloody Sunday]]’ due to its violent dissolution by the police.<br>


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	<small>Sources		<small>Sources

	"Morris, William." World Encyclopedia. : Philip's, , 2004. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780199546091.001.0001/acref-9780199546091-e-7787>.		"Morris, William." ''World Encyclopedia''. Philip's, 2004. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780199546091.001.0001/acref-9780199546091-e-7787>.

	"William Morris." Britannica Academic, Encyclopædia Britannica, 22 Feb. 2016. Date Accessed 6 Feb. 2021. <academic.eb.com/levels/collegiate/article/William-Morris/53819>.		"William Morris." ''Britannica Academic, Encyclopædia Britannica'', 22 Feb. 2016. Date Accessed 6 Feb. 2021. <academic.eb.com/levels/collegiate/article/William-Morris/53819>.

	Cannon, John, and Robert Crowcroft. "Morris, William." A Dictionary of British History: Oxford University Press, 2015. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780191758027.001.0001/acref-9780191758027-e-2377>.		Cannon, John, and Robert Crowcroft. "Morris, William." ''A Dictionary of British History'', Oxford University Press, 2015. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780191758027.001.0001/acref-9780191758027-e-2377>.

	Chilvers, Ian. "Morris, William." The Oxford Dictionary of Art and Artists. : Oxford University Press, , 2015. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780191782763.001.0001/acref-9780191782763-e-1680>.		Chilvers, Ian. "Morris, William." ''The Oxford Dictionary of Art and Artists''. Oxford University Press, 2015. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780191782763.001.0001/acref-9780191782763-e-1680>.

	Cochrane, June. "Morris, William." The Oxford Companion to British History~~. :~~ Oxford University Press, 2015. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780199677832.001.0001/acref-9780199677832-e-2944>.		Cochrane, June. "Morris, William." ''The Oxford Companion to British History'', Oxford University Press, 2015. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780199677832.001.0001/acref-9780199677832-e-2944>.

	Lesjak, Carolyn. "Morris, William." The Oxford Encyclopedia of British Literature~~. :~~ Oxford University Press, , 2006. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780195169218.001.0001/acref-9780195169218-e-0329>.		Lesjak, Carolyn. "Morris, William." ''The Oxford Encyclopedia of British Literature'', Oxford University Press, 2006. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780195169218.001.0001/acref-9780195169218-e-0329>.
	</small>		</small>

Dianaboehm at 11:10, 7 February 2021

2021-02-07T11:10:36Z

← Older revision		Revision as of 11:10, 7 February 2021
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	William Morris (1834-1896)		[[File:Selfprotrait by William Morris.jpg\|thumb\|left\|Selfportrait of William Morris (ca. 1897-1900)
			http://creativecommons.org/publicdomain/zero/1.0/]]

			<big>William Morris</big> (*March 24, 1834 Walthamstow - † October 3, 1896 Hammersmith) was a British socialist, artist, designer, craftsman and author. He was one of the members of the [[Pre-Raphaelite Brotherhood]] and subsequently co-founded the [[Arts and Crafts Movement]]. Another aspect he is famously known for is his utopian novel ''[[News from Nowhere]]'' (1890) depicting an ideal rural and socialist society. He invented the [[Kelmscott Press]] and revolutionized how the living sphere was precepted by rejecting the Victorian ideology of productivity and utility. Today we still encounter Morris’ art especially through his famous decorative medieval-inspired wallpapers.
			[[File:Wallpaper morris.jpg\|thumb\|right\|This image shows 4 different wallpaper drafts in a floral design by Morris<br>
			https://prometheus.uni-koeln.de/de/image/dresden-697d0c27edd0d33584a561fc6ff76e833731d602]]<br>

			<big>Life</big>

			His academic career starts 1853 at the Exeter College of the University of Oxford, where he meets Edward Burne-Jones, with whom he among other friends founded the company Morris & Co in 1861. producing handcrafted furniture, stained‐glass windows and the famous floral-medieval designs. At first his engagement in the [[Oxford Movement]] pointed to a clergy career, later on he was heavily influenced by [[John Ruskin]] both politically and artistically. Politically in terms of becoming akin to socialism and communism, artistically in terms of his preference in gothic and more general medieval designs and architecture. He also put much effort into preserving ancient buildings and brought the [[Society for the Protection of Ancient Buildings]] into life.
			Before becoming a designer, he was also under the influence of the Pre-Raphaelites leading him to painting, which he gave up before turning to and founding the Arts and Craft Movement.<br>


			<big>Worldview</big>

			A deep believe in the conjunction of ‘beauty’ and ‘use’ heavily influenced his standpoint on art and politics, because he saw the necessary conditions for producing art in the society which enables it. In contrast to other Socialists and Marxists he put an emphasis on the alienation of workers and advocated to transform work into a ‘useful’ process of production, where the aspect of a holistic approach would erase the necessary alienation of workers in the factory.
			In 1884 he joined the Henry Mayers Hyndman’s Democratic Federation, where he toured through industrial areas in order to spread the idea of socialism. Later on he turned away from Hyndman due to his autocratic tendencies and originated the [[Hammersmith Socialist Society]], which became a meeting point for lectures on socialism as well as organizing open-air meetings throughout London. He actively participated along with [[George Bernard Shaw]] at a banned demonstration on Trafalgar Square which became famously known as ‘[[Bloody Sunday]]’ due to its violent dissolution by the police.<br>



			<small>Sources

			"Morris, William." World Encyclopedia. : Philip's, , 2004. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780199546091.001.0001/acref-9780199546091-e-7787>.

			"William Morris." Britannica Academic, Encyclopædia Britannica, 22 Feb. 2016. Date Accessed 6 Feb. 2021. <academic.eb.com/levels/collegiate/article/William-Morris/53819>.

			Cannon, John, and Robert Crowcroft. "Morris, William." A Dictionary of British History: Oxford University Press, 2015. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780191758027.001.0001/acref-9780191758027-e-2377>.

			Chilvers, Ian. "Morris, William." The Oxford Dictionary of Art and Artists. : Oxford University Press, , 2015. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780191782763.001.0001/acref-9780191782763-e-1680>.

			Cochrane, June. "Morris, William." The Oxford Companion to British History. : Oxford University Press, 2015. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780199677832.001.0001/acref-9780199677832-e-2944>.

			Lesjak, Carolyn. "Morris, William." The Oxford Encyclopedia of British Literature. : Oxford University Press, , 2006. Oxford Reference. Date Accessed 6 Feb. 2021 <https://www.oxfordreference.com/view/10.1093/acref/9780195169218.001.0001/acref-9780195169218-e-0329>.
			</small>

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William Morris (1834-1896)