William Turner - Revision history

Pankratz at 12:12, 13 June 2012

2012-06-13T12:12:09Z

← Older revision		Revision as of 12:12, 13 June 2012
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	April 23 1775 (London) - December 19 1851 (London). English painter who dominated British landscape painting throughout the first half of the 19th century.		April 23 1775 (London) - December 19 1851 (London). English painter who dominated British landscape painting throughout the first half of the 19th century.

	Turner began his career with topographical drawings of buildings and and town vistas. In 1796, he turned to oil painting and quickly established a reputation at the [[Royal Academy of Arts]] as a painter of sublime and historical landscapes.		Turner began his career with topographical drawings of buildings and and town vistas. In 1796, he turned to oil painting and quickly established a reputation at the [[Royal Academy of Arts]] as a painter of sublime and historical landscapes. In the beginning, he was influenced by Richard Wilson, whereas from 1800 on he turned to Claude Lorrain, Gaspard Dughet, Nicolas Poussin and Dutch painters of the sea. His landscapes and sea pictures were often elevated to romanticism by mythological figures and dramatic motifs. In 1802 he visited France and Switzerland, in 1817 Belgium, the Netherlands and Germany, in 1819 Italy for the first time. From there on he began moving away from figurative representations to the depictions of the effects of light and air. His late paintings are thus pictorial visions whose forms are lost in floods of light and dazzling vivid colours.

	In the beginning, he was influenced by Richard Wilson, whereas from 1800 on he turned to Claude Lorrain, Gaspard Dughet, Nicolas Poussin and Dutch painters of the sea. His landscapes and sea pictures were often elevated to romanticism by mythological figures and dramatic motifs. In 1802 he visited France and Switzerland, in 1817 Belgium, the Netherlands and Germany, in 1819 Italy for the first time. From there on he began moving away from figurative representations to the depictions of the effects of light and air. His late paintings are thus pictorial visions whose forms are lost in floods of light and dazzling vivid colours.

	Turner had rather radical views as regards politics and being fearful and melancholic, Turner was easily convinced that England stood on the brink of an abyss, as by 1806, Napoleon had conquered Europe and now threatened Britain. Turner’s paintings from this era (such as ''Hannibal and his army crossing the Alps'') express his own notion of crisis symbolically. Later, after Queen Victoria began her long reign, Turner’s revolutionary spirit faded. His pictures became more cheerful and gained beauty, being less influenced by his fear of catastrophes.		Turner had rather radical views as regards politics and being fearful and melancholic, Turner was easily convinced that England stood on the brink of an abyss, as by 1806, Napoleon had conquered Europe and now threatened Britain. Turner’s paintings from this era (such as ''Hannibal and his army crossing the Alps'') express his own notion of crisis symbolically. Later, after Queen Victoria began her long reign, Turner’s revolutionary spirit faded. His pictures became more cheerful and gained beauty, being less influenced by his fear of catastrophes.

Pankratz at 12:11, 13 June 2012

2012-06-13T12:11:51Z

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	~~'''Joseph Mallord William Turner''' (born on~~ April ~~23rd~~ 1775 in London~~, died there on~~ December ~~19th~~ 1851) ~~was an~~ English painter who dominated British landscape painting throughout the first half of the 19th century.		April 23 1775 (London) - December 19 1851 (London). English painter who dominated British landscape painting throughout the first half of the 19th century.

	Turner began his career with topographical drawings of buildings and and town vistas. In 1796, he turned to oil painting and quickly established a reputation at the [[Royal Academy of Arts]] as a painter of sublime and historical landscapes.		Turner began his career with topographical drawings of buildings and and town vistas. In 1796, he turned to oil painting and quickly established a reputation at the [[Royal Academy of Arts]] as a painter of sublime and historical landscapes.

Pankratz at 10:51, 1 June 2010

2010-06-01T10:51:58Z

← Older revision		Revision as of 10:51, 1 June 2010
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	'''Joseph Mallord William Turner''' (born on April 23rd 1775 in London, died there on December 19th 1851) was an English painter who dominated British landscape painting throughout the first half of the 19th century.		'''Joseph Mallord William Turner''' (born on April 23rd 1775 in London, died there on December 19th 1851) was an English painter who dominated British landscape painting throughout the first half of the 19th century.
	Turner began his career with topographical drawings of buildings and and town vistas. In 1796, he turned to oil painting and quickly established a reputation at the Royal Academy of Arts as a painter of sublime and historical landscapes.		Turner began his career with topographical drawings of buildings and and town vistas. In 1796, he turned to oil painting and quickly established a reputation at the [[Royal Academy of Arts]] as a painter of sublime and historical landscapes.

	In the beginning, he was influenced by Richard Wilson, whereas from 1800 on he turned to Claude Lorrain, Gaspard Dughet, Nicolas Poussin and Dutch painters of the sea. His landscapes and sea pictures were often elevated to romanticism by mythological figures and dramatic ~~motives~~. In 1802 he visited France and Switzerland, in 1817 Belgium, the Netherlands and Germany, in 1819 Italy for the first time. From there on he began moving away from ~~representing~~ figurative ~~things, but rather depicting~~ the effects of light and air. His late paintings are thus pictorial visions whose forms are lost in floods of light and dazzling vivid colours.		In the beginning, he was influenced by Richard Wilson, whereas from 1800 on he turned to Claude Lorrain, Gaspard Dughet, Nicolas Poussin and Dutch painters of the sea. His landscapes and sea pictures were often elevated to romanticism by mythological figures and dramatic motifs. In 1802 he visited France and Switzerland, in 1817 Belgium, the Netherlands and Germany, in 1819 Italy for the first time. From there on he began moving away from figurative representations to the depictions of the effects of light and air. His late paintings are thus pictorial visions whose forms are lost in floods of light and dazzling vivid colours.

	Turner had rather radical views in regards of politics and being fearful and melancholic, Turner was easily convinced that England stood on the brink of an abyss, as by 1806, Napoleon had conquered Europe and now threatened Britain. Turner’s paintings from this era (such as ''Hannibal and his army crossing the Alps'') express his own notion of crisis symbolically. Later, after Queen Victoria began her long ~~and thriving~~ reign, Turner’s revolutionary spirit faded. His pictures became more cheerful and gained beauty, being less influenced by his fear of catastrophes.		Turner had rather radical views as regards politics and being fearful and melancholic, Turner was easily convinced that England stood on the brink of an abyss, as by 1806, Napoleon had conquered Europe and now threatened Britain. Turner’s paintings from this era (such as ''Hannibal and his army crossing the Alps'') express his own notion of crisis symbolically. Later, after Queen Victoria began her long reign, Turner’s revolutionary spirit faded. His pictures became more cheerful and gained beauty, being less influenced by his fear of catastrophes.

	Turner’s ambition always was to confirm the status of landscape as a serious art form. His exploration of the effects of light in the pursuit of new demonstrations of sublimity has led to his purposes being confounded with that of the Impressionists, whereas Turner saw himself in a direct line from 17th century classicists like Poussin.		Turner’s ambition always was to confirm the status of landscape as a serious art form. His exploration of the effects of light in the pursuit of new demonstrations of sublimity has led to his purposes being confounded with that of the Impressionists, whereas Turner saw himself in a direct line from 17th-century classicists like Poussin.
	Most of his paintings are exhibited in London’s National Gallery and the Tate Britain.		Most of his paintings are exhibited in London’s National Gallery and the Tate Britain.

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	'''Bibliography:'''		'''Bibliography:'''

	Walker, John. Joseph Mallord William Turner. Cologne: DuMont ~~Buchverlag~~, 1989.		Walker, John. ''Joseph Mallord William Turner''. Cologne: DuMont, 1989.

	Brockhaus Enzyklopädie. Wiesbaden: F.A. Brockhaus, 1974.		''Brockhaus Enzyklopädie''. Wiesbaden: F.A. Brockhaus, 1974.

	Turner, Jane.ed. The Dictionary of Art. New York: Grove’s Dictionaries ~~Inc.~~, 1996.		Turner, Jane.ed. ''The Dictionary of Art''. New York: Grove’s Dictionaries, 1996.

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'''Joseph Mallord William Turner''' (born on April 23rd 1775 in London, died there on December 19th 1851) was an English painter who dominated British landscape painting throughout the first half of the 19th century.
Turner began his career with topographical drawings of buildings and and town vistas. In 1796, he turned to oil painting and quickly established a reputation at the Royal Academy of Arts as a painter of sublime and historical landscapes.

In the beginning, he was influenced by Richard Wilson, whereas from 1800 on he turned to Claude Lorrain, Gaspard Dughet, Nicolas Poussin and Dutch painters of the sea. His landscapes and sea pictures were often elevated to romanticism by mythological figures and dramatic motives. In 1802 he visited France and Switzerland, in 1817 Belgium, the Netherlands and Germany, in 1819 Italy for the first time. From there on he began moving away from representing figurative things, but rather depicting the effects of light and air. His late paintings are thus pictorial visions whose forms are lost in floods of light and dazzling vivid colours.

Turner had rather radical views in regards of politics and being fearful and melancholic, Turner was easily convinced that England stood on the brink of an abyss, as by 1806, Napoleon had conquered Europe and now threatened Britain. Turner’s paintings from this era (such as ''Hannibal and his army crossing the Alps'') express his own notion of crisis symbolically. Later, after Queen Victoria began her long and thriving reign, Turner’s revolutionary spirit faded. His pictures became more cheerful and gained beauty, being less influenced by his fear of catastrophes.

Turner’s ambition always was to confirm the status of landscape as a serious art form. His exploration of the effects of light in the pursuit of new demonstrations of sublimity has led to his purposes being confounded with that of the Impressionists, whereas Turner saw himself in a direct line from 17th century classicists like Poussin.
Most of his paintings are exhibited in London’s National Gallery and the Tate Britain.

'''Bibliography:'''

Walker, John. Joseph Mallord William Turner. Cologne: DuMont Buchverlag, 1989.

Brockhaus Enzyklopädie. Wiesbaden: F.A. Brockhaus, 1974.

Turner, Jane.ed. The Dictionary of Art. New York: Grove’s Dictionaries Inc., 1996.