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British art movement, which developed out of a combination of neo-gothic elements and the [[Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.
[[Image:Peacock room.jpg|thumb|Whistler, Peacock Room, 1876/77]]


...work in progress
British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] revival. Designers of the Aesthetic Movement - for example the architect E.W. Godwin, Christopher Dresser and [[James Abbot McNeill Whistler]]  - were also fascinated by Japanese woodcuts and oriental art (''Japonisme''). One well-known example for the design of this period is the Peacock Room by Whistler, which he made for F.R. Leyland's flat in London in 1876/1877. Today it is shown in the Freer Gallery in Washington.
 
The most prominent figures connected with the Aesthetic Movement in Britain are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]].
 
 
== Sources ==
*Fiell, Carlotte und Peter. ''Design Handbook: Konzepte ,Materialien, Stile''. Köln: Taschen, 2006.
*Zatlin, Linda Gertner. ''Beardsley, Japonisme and the Perversion of the Victorian Ideal''. Cambridge: CUP, 1997.

Latest revision as of 21:07, 16 December 2020

Whistler, Peacock Room, 1876/77

British art movement, which developed out of a combination of neo-gothic elements and the Queen Anne revival. Designers of the Aesthetic Movement - for example the architect E.W. Godwin, Christopher Dresser and James Abbot McNeill Whistler - were also fascinated by Japanese woodcuts and oriental art (Japonisme). One well-known example for the design of this period is the Peacock Room by Whistler, which he made for F.R. Leyland's flat in London in 1876/1877. Today it is shown in the Freer Gallery in Washington.

The most prominent figures connected with the Aesthetic Movement in Britain are Oscar Wilde and the artist Aubrey Beardsley.


Sources

  • Fiell, Carlotte und Peter. Design Handbook: Konzepte ,Materialien, Stile. Köln: Taschen, 2006.
  • Zatlin, Linda Gertner. Beardsley, Japonisme and the Perversion of the Victorian Ideal. Cambridge: CUP, 1997.