Jump to content

Talk:Second wave: Difference between revisions

From British Culture
Pankratz (talk | contribs)
Created page with '"Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theat…'
 
Pankratz (talk | contribs)
No edit summary
Line 1: Line 1:
Cut:
"Another influence for the authors was the revolt of the students in 1968.  The politicisation of drama together with the "removal of taboos" caused emancipation in English theatre because now themes like e.g. individuality and gender relationships made it more realistic.": On the contrary: the plays left the frame of realism and experimented with Brechtian alienation, Artaudian cruelty or postmodern fragmentation.
"Another influence for the authors was the revolt of the students in 1968.  The politicisation of drama together with the "removal of taboos" caused emancipation in English theatre because now themes like e.g. individuality and gender relationships made it more realistic.": On the contrary: the plays left the frame of realism and experimented with Brechtian alienation, Artaudian cruelty or postmodern fragmentation.

Revision as of 09:04, 12 June 2012

Cut: "Another influence for the authors was the revolt of the students in 1968. The politicisation of drama together with the "removal of taboos" caused emancipation in English theatre because now themes like e.g. individuality and gender relationships made it more realistic.": On the contrary: the plays left the frame of realism and experimented with Brechtian alienation, Artaudian cruelty or postmodern fragmentation.