Aesthetic movement: Difference between revisions
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British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art. | British art movement, which developed out of a combination of neo-gothic elements and the [[Anne I|Queen Anne]] Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called [[Japonisme]]. | ||
Designers of the Aesthetic Movement were for example the architect [[E.W. Godwin]], [[Christopher Dresser]] and [[James Abbot McNeill Whistler]]. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for [[F.R. Leylands]] flat in London in 1876/77. Today it is still show in the Freer Gallery in Washington. | |||
The most prominent figures connected with the Aesthetic Movement in Britain however are [[Oscar Wilde]] and the artist [[Aubrey Beardsley]]. During his short career Aubrey Beardsley was heavily criticised by the press (1.). Especially his illustrations for Oscar Wildes play[[ Salomé]] were seen as too sexual and offensive, therefore some of his initial illustrations had to replaced. | |||
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1. „Beardsley`s grotesque figues revealed the late-Victorians`hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were cultrally inferior and therefore impervious to change.Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter.” Zatlin, p.22 | |||
Sources: | |||
Fiell, Carlotte und Peter. Design Handbook: Konzepte ,Materialien, Stile. Köln: Taschen, 2006. | |||
Zatlin, Linda Gertner. Beardsley, Japonisme and the perversion of the Victorian ideal. Cambridge: CUP, 1997. p.19-48. | |||
Revision as of 20:34, 18 January 2011
British art movement, which developed out of a combination of neo-gothic elements and the Queen Anne Revival. Designers of the Aesthetic Movement were fascinated by Japanese woodcuts and oriental art.This newly evoked interest in Japanese art and in its unusual means of perspective is called Japonisme. Designers of the Aesthetic Movement were for example the architect E.W. Godwin, Christopher Dresser and James Abbot McNeill Whistler. One well-known example for the design of this period is the Peacock Room by Whistler, which he made for F.R. Leylands flat in London in 1876/77. Today it is still show in the Freer Gallery in Washington. The most prominent figures connected with the Aesthetic Movement in Britain however are Oscar Wilde and the artist Aubrey Beardsley. During his short career Aubrey Beardsley was heavily criticised by the press (1.). Especially his illustrations for Oscar Wildes playSalomé were seen as too sexual and offensive, therefore some of his initial illustrations had to replaced.
1. „Beardsley`s grotesque figues revealed the late-Victorians`hypocrisy. Reviewers carped about these deformations of the body, often ascribing them to Beardsley`s flirtation with the Japanese who were cultrally inferior and therefore impervious to change.Japanese woodbloc prints offended the British for the same reasons, formal structure and treatment of the subject matter.” Zatlin, p.22
Sources: Fiell, Carlotte und Peter. Design Handbook: Konzepte ,Materialien, Stile. Köln: Taschen, 2006.
Zatlin, Linda Gertner. Beardsley, Japonisme and the perversion of the Victorian ideal. Cambridge: CUP, 1997. p.19-48.